• Mar 10, 2020

'The New Yacht Rock'- Reviving the Soundtrack to Your Summer

By: Scott Way

Yacht rock band playing concert

People never forget the song that played during their first dance, or the anthem to their high school years, or the songs that defined epic road trips with friends or family. Everyone has a soundtrack to their life. If you’re a boater, and depending on your age, you’ve probably got a playlist that’s been pretty consistent over the years, and it’s probably got some ‘yacht rock’ on it. For anyone uninitiated, yacht rock is the term for the quintessential soft rock jams that invaded every marina from ‘76-'84 (ish). Think Hawaiian shirts, white slacks, sunsets, daiquiris, and dock shoes. Think gentle rock grooves with a touch of R&B, smooth jazz, sun-soaked melodies, and lyrics overloaded with romantic escapism. The genre was all about good vibes. The term ‘yacht rock’ is actually relatively new, coined in 2005 for a YouTube web series of the same name. The show satirically portrayed the 80’s as the apex of bad style and ultra-lameness, but it spent an equal amount of time worshiping the soundtrack with genuine reverence. Boaters are comically guilty of this same worship- somewhere in the mid 80’s yacht rock became the definitive soundtrack to the boating lifestyle.

Yacht rockers include the legendary Jimmy Buffett, as well as second-level smoothies Michael McDonald, Hall & Oates, and The Doobie Brothers, among others. The Godfathers of Yacht Rock, for the artist who laid the groundwork for the genre’s respectful party vibes, likely goes to the Beach Boys, who taught everyone that although Kokomo was a fictitious place off the Florida Keys it was probably an ideal location for one of Buffett’s ‘Margaritaville’ restaurants. During yacht rock’s heyday, dock parties came with a Captain & Tennille guarantee from the DJ and record players spun tirelessly to Toto, Steely Dan, and Christopher Cross. While it’s impossible to capture all of yacht rock’s gentle jams and satisfy every boater’s taste, here’s a solid introduction to kickstart your summer playlist:

Christopher Cross- Sailing (1979)

Toto- Rosanna (1982)

Kenny Loggins- This Is It (1979)

Captain & Tennille- Love Will Keep Us Together (1975)

Hall & Oates- I Can’t Go For That (No Can Do) (1981)

Doobie Brothers- What A Fool Believes (1978)

Steely Dan- Hey Nineteen (1980)

Robert Holmes- Escape (The Pina Colada Song) (1979)

Player- Baby Come Back (1977)

Pablo Cruise- Love Will Find A Way (1978)

As a loosely defined genre, yacht rock also had a fringe collection of unofficial members. The cousins to yacht rock royalty include Bob Marley ( Jammin ’), Billy Ocean ( Caribbean Queen ), and a few other artists who flirted with the yachties including The Eagles, Boz Scaggs, and Fleetwood Mac. In the end, yacht rock was undone by its insatiable appetite for the saccharine, the breaking point arguably being Peter Cetera’s 1984 melodramatic synth-schmaltz ‘ The Glory of Love ’ from the Karate Kid soundtrack. After that, no number of roundhouse kicks in white slacks on the aft deck could bring the coolness back. The dream was dead. And so despite its sensual rhythms and sunset smiles, yacht rock faded into obscurity while New Wave commandeered the synthesizer. That being said, if you’d like to relive the magic 'yacht rock' is a searchable term on both Pandora and Spotify, so not all hope is lost.

Which brings us to now: the glory days are gone and sit sadly on the precipice of ‘dad rock’ territory. But like the return of 80's high-waisted jeans, a slow burning revival of yacht rock style has emerged from the ashes; a millenial revitalization that blends equal parts 70’s slow groove with contemporary pop and country. Research into terms like ‘boating music’ or ‘best boating songs’ will bring up the original jams, but The New Yacht Rock movement has taken the framework and added some zest (no sign of white slacks yet, though). The most obvious, and the strangest, new trait is that country music and boating have apparently coalesced. Where once country stood firm in its crooning about beloved pickup trucks and broken hearts through a crackly FM radio on a Tennessee backroad, it now twinkles with ballads about sandy beaches and nautical adventures. In fact, you could make an argument that a good chunk of country music has traded in its pickup truck for a pontoon boat. Simply put, you can’t search ‘boating songs’ from 2010-present without seeing country music sitting at the helm. That isn’t necessarily a bad thing; clearly they discovered that pickup trucks and powerboats offer comparable thrills. This new cooperative became formalized when The Zac Brown Band yanked Jimmy Buffett out of retirement for their 2010 dock party anthem ‘Knee Deep.’ It’s no big ruse either, they were looking to re-imagine Margaritaville in muddin’ country. Case in point: Buffett proclaims ‘(s)trummin’ my six string on my front porch swing’ while Brown counters with ‘is the tide gonna reach my chair.’ The cowboy boots have been traded in for sandals.

So with a new decade upon us and a catalogue of classics to draw from, the yacht rock revival has boaters poised for a new soundtrack to their dock party. Contemporary artists like Vampire Weekend, Thundercat, Foxygen, and Carly Rae Jepson (yes, of ‘Call Me Maybe’ infamy) have all infused some California calmness into their contemporary pop. Thundercat even pulled the ‘out of retirement’ trick, enticing Kenny Loggins and Michael McDonald to appear on their 2017 slow jam ‘Show You The Way.’ There’s more ambient pop flair and slide guitar to the new stuff, but the heart and soul of the Reagan years is alive and well.

As the intermixing of young artists with old pioneers continues to usher in the new era, doing away with the original 'yacht rock' moniker seems necessary at this point. Today musical genres are more flexible than ever, and locking boaters into a small segment of musical preference isn’t fair (or as much fun). If you're looking at pop music from 2010-present to fill your boating playlist, you’ll find a consistent parade of songs from multiple genres carrying yacht rock’s torch of idealism. So let’s just call it ‘boat rock’ for now, until someone at Rolling Stone coins something more iconic.

Now, here’s the obvious disclaimer: suggesting music is an invitation to criticism. You cannot appease all genres, styles, and opinions. Therefore, in the name of inclusiveness, the new boat rock movement will cover as many genres as possible, consider mainstream popularity, and will give favour to tracks dubbed ‘summer songs’ by the popular press within the last 15 years (or so, let’s be flexible here. This is for fun). There are also considerations for any artist bearing yacht rock’s original influences including R&B, blues, jazz, reggae, and soft rock, and with lyrical content that promotes a good time. Here's a prototype playlist:

Thundercat ft. Kenny Loggins & Michael McDonald- Show You The Way

Kid Rock- All Summer Long

Chris Janson- Buy Me A Boat

Florida Georgia Line ft. Nelly- Cruise

Zac Brown Band ft. Jimmy Buffett- Knee Deep

Little Big Town- Pontoon

Sugar Ray- Highest Tree (from the Little Yachty homage to yacht rock album)

Zac Brown Band- Where The Boat Leaves From

Bedouin Soundclash- When The Night Feels My Song

Pharrell Williams- Happy

Nickelback- This Afternoon

As you can clearly see, country music has discovered its fondness for docktails and sandals. Honourable mentions go to Sublime, Weezer, Bob Marley’s entire catalogue, and everything Sugar Ray has released since their 1997 hit ‘Fly’ (which should be considered boat rock’s version of Margaritaville). The list could be endless with songs pulled from pop, reggae, indie, R&B, rock, and country. But as a starting point, the above track list should generate smiles while the kids are leaping off the swim platform and the smell of BBQ is wafting across the deck.

Going forward, the question to ask when deciding whether a song should enter the new boat rock pantheon is this: if I were enjoying a sunset over the water, would this song improve my vibe? If the answer is yes, it’s boat rock. The next time you're tied up at your local marina, or you’re anchored in a quiet bay watching the sun slip beneath the waves, try using the above playlist and let the good times roll. Whether it’s from the old era or the new, the key to any great adventure is a smoooooth soundtrack.

Honourable Mentions (Yacht Rock Era)

- Christopher Cross- Sailing

- Michael McDonald- I Keep Forgetting

- Ambrosia- Biggest Part of Me

- The Alan Parsons Project- Eye In The Sky

- Kenny Loggins- Heart To Heart

- Jackson Browne- Somebody’s Baby

- Toto- Hold The Line

- Hall & Oates- Rich Girl

- Steely Dan- Reelin’ In The Years

- Billy Ocean- Caribbean Queen

- Boz Scaggs- Lido

- Fleetwood Mac- Dreams

- Eddie Money- Two Tickets To Paradise

- The Eagles- Hotel California

- Peter Cetera (Chicago)- Glory Of Love

Honourable Mentions (Boat Rock Era)

- Sublime- Santeria

- Weezer- Island In The Sun

- Black Eyed Peas- I Gotta Feeling

- Sheryl Crow- Soak Up The Sun

- Kenny Chesney- No Shoes, No Shirt, No Problem

- Garth Brooks- Friends In Low Places

- Zac Brown Band- Toes

- Daft Punk ft. Pharrell- Get Lucky

- Florida Georgia Line ft. Luke Bryan- This Is How We Roll

- Robin Thicke ft. Pharrell & TI- Blurred Lines

- Bruno Mars- That’s What I Like

- The Black Keys- Gold On The Ceiling

- The Weeknd- I Feel It Coming

- Magic!- Rude

Yacht rock poster

#culture #news #music #yachtrock

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Yacht Rock: Album Guide

By David Browne

David Browne

Summer’s here and time is right for dancing … on the deck of a large nautical vessel. During the late Seventies and early Eighties, the radio was dominated by silver-tongued white-dude crooners with names like Rupert and Gerry, emoting over balmy R&B beats, swaying saxes, and dishwasher-clean arrangements. Though it didn’t have a name, the genre — soft rock you could dance to — was dismissed by serious rock fans as fluffy and lame. But thanks to a web series in the mid-2000s, the style — belatedly named “ yacht rock ” — has since spawned a satellite-radio channel, tribute bands, and a Weezer cover of Toto’s “Africa.” Is the modern love of the music ironic or sincere? Hard to say, yet there’s no denying yacht rock is a legit sound with a vibe all its own that produced a surprising amount of enduring music perfectly at home in summer. (John Mayer even tips his own sailor’s hat to the genre on his new “Last Train Home” single, and even the aqua-blue cover of his upcoming Sob Rock album.) The resumption of the Doobie Brothers’ 50th anniversary tour, postponed last year due to COVID-19 but scheduled to restart in August, is the cherry atop the Pina colada.

Boz Scaggs, Silk Degrees (1976)

Before yacht rock was an identifiable genre, Scaggs (no fan of the term, as he told Rolling Stone in 2018) set the standard for what was to come: sharp-dressed white soul, burnished ballads that evoked wine with a quiet dinner, and splashes of Me Decade decadence (the narrator of the pumped “Lido Shuffle” is setting up one more score before leaving the country). Add in the Philly Soul homage “What Can I Say,” the burbling life-on-the-streets homage “Lowdown,” and the lush sway of “Georgia,” and Silk Degrees , internationally or not, set a new high bar for Seventies smoothness.

Steely Dan, Aja (1977)

The sophisticated high-water mark of yacht, Donald Fagen and Walter Becker’s masterpiece is the midway point between jazz and pop, with tricky tempo shifts, interlocking horn and keyboard parts, and pristine solos. Not settling for easygoing period clichés, these love songs, so to speak, are populated by a sleazy movie director (the gorgeous rush of “Peg”), a loser who still hopes to be a jazzman even if the odds are against him (the heart-tugging “Deacon Blues”), and a guy whose nodding-out girlfriend is probably a junkie (“Black Cow”). The most subversive cruise you’ll ever take.

The Doobie Brothers, Minute by Minute (1978)

The Doobies got their start as a biker-y boogie band, but they smoothed things out for Minute by Minute . Highlighted by “What a Fool Believes,” the unstoppable Michael McDonald-Kenny Loggins co-write, the LP piles on romantic turmoil, falsetto harmonies, and plenty of spongy electric piano. But it also proves how much personality and muscle the Doobies could bring to what could be a generic sound. McDonald’s husky, sensitive-guy delivery shrouds the unexpectedly bitter title song (“You will stay just to watch me, darlin’/Wilt away on lies from you”)  and honoring their biker roots, “Don’t Stop to Watch the Wheels” is about taking a lady friend for a ride on your hog.

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Further Listening

Seals & crofts, get closer (1976).

The Dylan-goes-electric moment of yacht, “Get Closer” validated the idea that folkie singer-songwriters could put aside their guitars (and mandolin), tap into their R&B side and cross over in ways they never imagined. In addition to the surprising seductiveness of the title hit, Get Closer has plenty of yacht-rock pleasures. In “Goodbye Old Buddies,” the narrator informs his pals that he can’t hang out anymore now that he’s met “a certain young lady,” but in the next song, “Baby Blue,” another woman is told, “There’s an old friend in me/Tellin’ me I gotta be free.” A good captain follows the tide where it takes him.

Christopher Cross, Christopher Cross  (1979)

Cross’ debut swept the 1981 Grammys for a reason: It’s that rare yacht-rock album that’s graceful, earnest, and utterly lacking in smarm. Songs like the politely seductive “Say You’ll Be Mine” and the forlorn “Never Be the Same” have an elegant pop classicism, and the yacht anthem “Sailing” could be called a powered-down ballad. Fueled by a McDonald cameo expertly parodied on SCTV , the propulsive “Ride Like the Wind” sneaks raw outlaw lyrics (“Lived nine lives/Gunned down ten”) into its breezy groove, perfecting the short-lived gangster-yacht subgenre.

Rupert Holmes, Partners in Crime (1979)

The album that made Holmes a soft-rock star is known for “Escape (The Piña Colada Song),” which sports a made-for-karaoke chorus and a plot twist worthy of a wide-collar O. Henry. But what distinguishes the album is the Steely Dan-level musicianship and Holmes’ ambitious story songs, each sung with Manilow-esque exuberance. The title track equates a hooker and her john to co-workers at a department store, “Lunch Hour” ventures into afternoon-delight territory, and “Answering Machine” finds a conflicted couple trading messages but continually being cut off by those old-school devices.

Steely Dan, Gaucho (1980)

The Dan’s last studio album before a lengthy hiatus doesn’t have the consistency of Aja, but Gaucho cleverly matches their most vacuum-sealed music with their most sordid and pathetic cast of characters. A seedy older guy tries to pick up younger women in “Hey Nineteen,” another loser goes in search of a ménage à trois in “Babylon Sisters,” a coke dealer delivers to a basketball star in “Glamour Profession,” and the narrator of “Time Out of Mind” just wants another heroin high. It’s the dark side of the yacht.

Going Deeper

Michael mcdonald, if that’s what it takes  (1982).

Imagine a Doobie Brothers album entirely comprised of McDonald songs and shorn of pesky guitar solos or Patrick Simmons rockers, and you have a sense of McDonald’s first and best post-Doobs album. If That’s What it Takes builds on the approach he nailed on “What a Fool Believes” but amps up the sullen-R&B side of Mac’s music. His brooding remake of Lieber and Stoller’s “I Keep Forgettin’” is peak McDonald and the title track approaches the propulsion of Christopher Cross’ “Ride Like the Wind.” With his sad-sack intensity, McDonald sounds like guy at a seaside resort chewing over his mistakes and regrets – with, naturally, the aid of an electric piano.

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Kenny Loggins, Keep the Fire (1979)

Loggins’ journey from granola folk rocker to pleasure-boat captain embodies the way rock grew more polished as the Seventies wore on. Anchored by the percolating-coffeemaker rhythms and modestly aggro delivery of “This Is It,” another McDonald collaboration, Keep the Fire sets Loggins’ feathery voice to smooth-jazz saxes and R&B beats, and Michael Jackson harmonies beef up the soul quotient in “Who’s Right, Who’s Wrong.” The secret highlight is “Will It Last,” one of the sneakiest yacht tracks ever, fading to a finish after four minutes, then revving back up with some sweet George Harrison-style slide guitar.

Dr. Hook, Sometimes You Win  (1979)

Earlier in the Seventies, these jokesters established themselves with novelty hits like “The Cover of ‘Rolling Stone,’’ but they soon paddled over to unabashed disco-yacht. Sometimes You Win features three of their oiliest ear worms: “Sexy Eyes,” “When You’re in Love with a Beautiful Woman” and “Better Love Next Time,” all oozing suburban pickup bars and the somewhat desperate dudes who hang out there. The album, alas, does not include “Sharing the Night Together,” recently reborn by way of its sardonic use in last year’s Breaking Bad spinoff El Camino .

Carly Simon, Boys in the Trees  (1978)

As a trailblazing female singer-songwriter, Simon was already a star by the time yacht launched. Boys in the Trees features her beguiling contribution to the genre, “You Belong to Me,” a collaboration with the ubiquitous Michael McDonald. The Doobies cut it first, but Simon’s version adds an air of yearning and hushed desperation that makes it definitive. The album also packs in a yacht-soul cover of James Taylor’s “One Man Woman” and a “lullaby for a wide-eyed guy” called “Tranquillo (Melt My Heart),” all proving that men didn’t have a stranglehold on this style.

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More smooth hits for your next high-seas adventure.


George Benson, 1976

The guitarist and Jehovah’s Witness made the leap from midlevel jazz act to crossover pop star with a windswept instrumental that conveys the yacht spirit as much as any vocal performance.


Pablo Cruise, 1976

Carefree bounce from a San Francisco band with the best name ever for a soft-rock act — named, fittingly, after a chill Colorado buddy.


Gerry Rafferty, 1978

Rafferty brought a deep sense of lonely-walk-by-the-bay melancholy to this epic retelling of a night on the town, in which Raphael Ravenscroft’s immortal sax awakens Rafferty from his morning-after hangover.


Little River Band, 1978

The Aussie soft rockers delivered a slurpy valentine sung in the voice of an old man looking back on his “lifetime plan” with his wife. Innovative twist: flugelhorn solo instead of sax.


Kenny Loggins and Stevie Nicks, 1978

After its ethereal intro, this rare genre duet grows friskier with each verse, with both Loggins and Nicks getting more audibly caught up in the groove — and the idea of “sweet love showing us a heavenly light.”


Nicolette Larson, 1978

Neil Young’s sad-boy shuffle is transformed into a luscious slice of lounge pop by the late Larson. Adding an extra layer of poignancy, she was in a relationship with Young around that time.


Robbie Dupree, 1980

Is it real, or is it McDonald? Actually, it’s the best Doobies knockoff — a rinky-dink (but ingratiating) distant cousin to “What a Fool Believes” that almost inspired McDonald to take legal action.


Archie James Cavanaugh, 1980

Cult rarity by the late Alaskan singer-songwriter that crams in everything you’d want in a yacht song: disco-leaning bass, smooth-jazz guitar, sax, and a lyric that lives up to its title even more than the same-titled Eagles song.


Ambrosia, 1980

Ditching the prog-classical leanings of earlier albums, this trio headed straight for the middle of the waterway with this Doobies-lite smash. Bonus points for lyrics that reference a “lazy river.”


Daryl Hall and John Oates, 1981

The once unstoppable blue-eyed soul duo were never pure yacht, but the easy-rolling beats and shiny sax in this Number One hit got close. Hall adds sexual tension by never specifying exactly what he can’t go for.


Paul Davis, 1981

The Mississippi crooner-songwriter gives a master class on how to heat up a stalled romance: Pick a brisk evening, invite a female acquaintance over, and suggest . . . lighting a fire.


Bertie Higgins, 1981

Yacht’s very own novelty hit is corny but deserves props for quoting from not one but two Humphrey Bogart films ( Key Largo and Casablanca ).


The same year that members of Toto did session work on Michael Jackson’s Thriller, they released the Mount Kilimanjaro of late-yacht hits.


Crosby, Stills, and Nash, 1982

The combustible trio’s gusty contribution to the genre has choppy-water rhythms and enough nautical terminology for a sailing manual.

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Backyard Road Trips

modern yacht rock bands

Modern Yacht To Settle The Soul

Once I found my new infatuation with, dare I say it, yacht rock , it was only time before I needed to branch out into this genre further. Combining my brainpower with that of Mike Landolfi, we forged ahead in creating a modern yacht rock sound. As an homage to the Christian rock alternative compilation of the 90s Seltzer: Modern Rock To Settle the Soul here’s our mixtape, “Modern Yacht to Settle the Soul.”

modern yacht rock bands

For yacht rock purists any track not actually recorded in the prime boating years of the late 70s to the early 80s is not actual yacht rock. Here at Backyard Road Trips, we eschew labels, diversifying our audio portfolio with a 21st-century take on the timeless yacht rock. 

A Word of Warning

modern yacht rock bands

It was interesting for me to compile this mix. I tend to swing toward music with less glitz and polish than yacht rock. Give me something a little more heartfelt and raw or rocking. Also as a musician with indie or singer/songwriter tendencies, the idea of sometimes overblown or at least slick production was at the opposite end of the spectrum than my DIY ethic . 

modern yacht rock bands

It was a bit easier for me to previously enjoy the artists in this list since many of them have indie-rock connotations such as My Morning Jacket, the Black Keys, and Bon Iver. Other artists including Ryan Adams and Jason Isbell may stretch the genre a bit but the two selected songs fit the bill. When it boils down to it though, all of these tracks would still sound great on a boat or when you’re simply imagining that you are on a boat. 

Also of note, there is no Zac Brown Band, Jack Johnson, Sublime, or any other band or singer because, although they may evoke the ocean, or drinking in a cabana or under the sun, they are not yacht. Yacht rock is smooth. All of the tracks on this mixtape, although varying in sound, all contain that smooth sound. 

A Modern Yacht Rundown

modern yacht rock bands

The War on Drugs has been deemed the yacht rock of the 21st century by critics. I can’t disagree. Their newest album I Don’t Live Here Anymore is one of my favorites of 2021. The title track is super catchy and ultimate yacht. There better be a dance floor on the yacht when Chromeo is playing. Phoenix is very catchy too, melding retro 80s with the yacht rock. Grizzly Bear summons the yacht heyday. Daft Punk’s Random Access Memories literally sounds like it was recorded during this time period. I’d have included “Fragments of Time,” but it was used on the last yacht rock playlist.

modern yacht rock bands

Thundercat channels the sound with help from two of the industry’s heavyweights, Michael McDonald and Kenny Loggins! The Fruit Bats hit a high falsetto on this extremely catchy number. John Mayer’s latest is totally retro. From the turquoise album cover and the font to the title “Sob Rock” and the “Nice Price” sticker found on the cover, this is an intentional nod to a bygone era. The Killers’ Brandon Flowers also has an 80s vibe with “Lonely Town”. Bon Iver’s “Beth/Rest” is keyboard-heavy.

modern yacht rock bands

My Morning Jacket’s newer material edges on yacht rock territory in such tracks as “Compound Fracture” from The Waterfall . Lord Huron comes in next with a poignant song. Hiss Golden Messenger is the Laurel Canyon side of yacht rock. Weezer’s “Island in the Sun” is the most well-known of these tracks and has a fun summery vibe. The Black Keys may seem too rollicking for yacht rock but to me can still swing on the boat. 

Yacht Rock Revue is literally a yacht rock band from today. They were the side project of an indie band, Y-O-U. Now they write original songs in this polished genre. Many Metronomy songs could fit but this totally has the right vibe the whole way through. Ivy’s mellow meanderings take us to the “Edge of the Ocean.” Ryan Adams’ Taylor Swift cover album, 1989 , has a sheen to it. One of the most smooth is his take on “Wildest Dreams.” Pond’s “America’s Cup” will pass by many yachts on the sailing journey. 

modern yacht rock bands

Phosphorescent adds to the mix with “Song for Zula.” Local Natives electrify the yacht rock sound. The Heartless Bastards keep the groove going. Strand of Oaks contemplates the ocean even though they’re “Somewhere in Chicago”. Finally, Jason Isbell and the 400 Unit take us home where Americana meets a yacht rock vibe. 

I hope you’ve enjoyed the trip on the boat as much as we did! For more yacht rock, check out the Very Merry Yacht Rock Christmas and the Ultimate Yacht Rock Playlist .

Modern Yacht to Settle the Soul   – (this link takes you to the mixtape… I mean playlist)

modern yacht rock bands

  • The War on Drugs – I Don’t Live Here Anymore
  • Chromeo – Come Alive
  • Phoenix – Trying to Be Cool
  • Grizzly Bear – Two Weeks
  • Daft Punk – The Game of Love
  • Thundercat (with Michael McDonald and Kenny Loggins) – Show You the Way
  • Fruit Bats – Gold Past Life
  • John Mayer – Last Train Home
  • Brandon Flowers – Lonely Town
  • Bon Iver – Beth/Rest
  • My Morning Jacket – Compound Fracture
  • Lord Huron – Ends of the Earth
  • Hiss Golden Messenger – Sanctuary
  • Weezer – Island in the Sun
  • The Black Keys – Gold on the Ceiling
  • Yacht Rock Revue – Step
  • Metronomy/Biig Piig – 405
  • Ivy – Edge of the Ocean
  • Ryan Adams – Wildest Dreams
  • Pond – America’s Cup
  • Phosphorescent – Song for Zula
  • Local Natives – Dark Days
  • Heartless Bastards – How Low
  • Strand of Oaks – Somewhere in Chicago
  • Jason Isbell and the 400 Unit – Dreamsicle

Modern Yacht Rock

76 Songs, 5 hours, 4 minutes

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The 20 greatest yacht rock songs ever, ranked

27 July 2022, 17:50

The greatest yacht rock songs ever

By Tom Eames

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We can picture it now: lounging on a swish boat as it bobs along the water, sipping cocktails and improving our tan. Oh, and it's the 1980s.

There's only one style of music that goes with this image: Yacht rock.

What is Yacht Rock?

Also known as the West Coast Sound or adult-oriented rock, it's a style of soft rock from between the late 1970s and early 1980s that featured elements of smooth soul, smooth jazz, R&B, funk, rock and disco.

  • The 40 greatest disco songs ever, ranked
  • The 10 greatest and smoothest ever sax solos, ranked

Although its name has been used in a negative way, to us it's an amazing genre that makes us feel like we're in an episode of Miami Vice wearing shoulder pads and massive sunglasses.

Here are the very best songs that could be placed in this genre:

Player - 'Baby Come Back'

modern yacht rock bands

Player - Baby Come Back

Not the reggae classic of the same name, this 1977 track was Player's biggest hit.

After Player disbanded, singer Peter Beckett joined Australia's Little River Band, and he also wrote 'Twist of Fate' for Olivia Newton-John and 'After All This Time' for Kenny Rogers.

Steely Dan - 'FM'

modern yacht rock bands

It's tough just choosing one Steely Dan song for this list, but we've gone for this banger.

Used as the theme tune for the 1978 movie of the same name, the song is jazz-rock track, though its lyrics took a disapproving look at the genre as a whole, which was in total contrast to the film's celebration of it. Still, sounds great guys!

Bobby Goldsboro - 'Summer (The First Time)'

modern yacht rock bands

Bobby Goldsboro - Summer (The First Time)

A bit of a questionable subject matter, this ballad was about a 17-year-old boy’s first sexual experience with a 31-year-old woman at the beach.

But using a repeating piano riff, 12-string guitar, and an orchestral string arrangement, this song just screams yacht rock and all that is great about it.

Kenny Loggins - 'Heart to Heart'

modern yacht rock bands

Kenny Loggins - Heart To Heart (Official Music Video)

If Michael McDonald is the king of yacht rock, then Kenny Loggins is his trusted advisor and heir to the throne.

This track was co-written with Michael, and also features him on backing vocals. The song is about how most relationships do not stand the test of time, yet some are able to do so.

Airplay - 'Nothing You Can Do About It'

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Nothin' You Can Do About It

You might not remember US band Airplay, but they did have their moment on the yacht.

Consisting of David Foster (who also co-wrote the Kenny Loggins song above), Jay Graydon and the brilliantly-named Tommy Funderburk, this tune was a cover of a Manhattan Transfer song, and was a minor hit in 1981.

Boz Scaggs - 'Lowdown'

modern yacht rock bands

Boz Scaggs - Lowdown (Official Audio)

We've moved slightly into smooth jazz territory with this track, which is guaranteed to put a smile on your face.

The song was co-written by David Paich, who would go on to form Toto along with the song's keyboardist David Paich, session bassist David Hungate, and drummer Jeff Porcaro.

Steve Winwood - 'Valerie'

modern yacht rock bands

Steve Winwood - Valerie (Official Video)

This song is probably as far as you can get into pop rock without totally leaving the yacht rock dock.

Legendary singer-songwriter Winwood recorded this gong about a man reminiscing about a lost love he hopes to find again someday.

Eric Prydz later sampled it in 2004 for the house number one track ‘Call on Me’, and presented it to Winwood, who was so impressed he re-recorded the vocals to better fit the track.

Toto - 'Rosanna'

modern yacht rock bands

Toto - Rosanna (Official HD Video)

We almost picked 'Africa' , but we reckon this tune just about pips it in the yacht rock game.

Written by David Paich, he has said that the song is based on numerous girls he had known.

As a joke, the band members initially played along with the common assumption that the song was based on actress Rosanna Arquette, who was dating Toto keyboard player Steve Porcaro at the time and coincidentally had the same name.

Chicago - 'Hard to Say I'm Sorry'

modern yacht rock bands

Chicago - Hard To Say I'm Sorry (Official Music Video)

Chicago began moving away from their horn-driven soft rock sound with their early 1980s output, including this synthesizer-filled power ballad.

  • The 10 greatest Chicago songs, ranked

The album version segued into a more traditional Chicago upbeat track titled ‘Get Away’, but most radio stations at the time opted to fade out the song before it kicked in. Three members of Toto played on the track. Those guys are yacht rock kings!

Michael Jackson - 'Human Nature'

modern yacht rock bands

Michael Jackson - Human Nature (Audio)

A few non-rock artists almost made this list ( George Michael 's 'Careless Whisper' and Spandau Ballet 's 'True' are almost examples, but not quite), yet a big chunk of Thriller heavily relied on the yacht rock sound.

Michael Jackson proved just how popular the genre could get with several songs on the album, but 'Human Nature' is the finest example.

The Doobie Brothers - 'What a Fool Believes'

modern yacht rock bands

The Doobie Brothers - What A Fool Believes (Official Music Video)

Possibly THE ultimate yacht rock song on the rock end of the spectrum, and it's that man Michael McDonald.

Written by McDonald and Kenny Loggins, this was one of the few non-disco hits in America in the first eight months of 1979.

The song tells the story of a man who is reunited with an old love interest and attempts to rekindle a romantic relationship with her before discovering that one never really existed.

Michael Jackson once claimed he contributed at least one backing track to the original recording, but was not credited for having done so. This was later denied by the band.

Christopher Cross - 'Sailing'

modern yacht rock bands

Christopher Cross - Sailing (Official Audio)

We're not putting this in here just because it's called 'Sailing', it's also one of the ultimate examples of the genre.

Christopher Cross reached number one in the US in 1980, and VH1 later named it the most "softsational soft rock" song of all time.

Don Henley - 'The Boys of Summer'

modern yacht rock bands


Mike Campbell wrote the music to this track while working on Tom Petty’s Southern Accents album, but later gave it to Eagles singer Don Henley, who wrote the lyrics.

The song is about the passing of youth and entering middle age, and of a past relationship. It was covered twice in the early 2000s: as a trance track by DJ Sammy in 2002, and as a pop punk hit by The Ataris in 2003.

England Dan and John Cord Foley - 'I'd Really Love to See You Tonight'

modern yacht rock bands

England Dan & John Ford Coley - I'd Really Love To See You Tonight.avi

A big hit for this duo in 1976, it showcases the very best of the sock rock/AOR/yacht rock sound that the 1970s could offer.

Dan Seals is the younger brother of Jim Seals of Seals and Crofts fame. Which leads to...

Seals & Crofts - 'Summer Breeze'

modern yacht rock bands

Summer Breeze - Seals & Croft #1 Hit(1972)

Before The Isley Brothers recorded a slick cover, 'Summer Breeze' was an irresistible folk pop song by Seals & Crofts.

While mostly a folk song, its summer vibes and gorgeous melody make for a perfect yacht rock number.

Christopher Cross - 'Ride Like the Wind'

modern yacht rock bands

Ride Like The Wind Promo Video 1980 Christopher Cross

If Michael McDonald and Kenny Loggins are in charge of the yacht rock ship, then Christopher Cross has to be captain, right? Cabin boy? Something anyway.

The singer was arguably the biggest success story of the relatively short-lived yacht rock era, and this one still sounds incredible.

Eagles - 'I Can't Tell You Why'

modern yacht rock bands

The eagles - I can't tell you why (AUDIO VINYL)

Many Eagles tunes could be classed as yacht rock, but we reckon their finest example comes from this track from their The Long Run album in 1979.

Don Henley described the song as "straight Al Green", and that Glenn Frey, an R&B fan, was responsible for the R&B feel of the song. Frey said to co-writer Timothy B Schmit: "You could sing like Smokey Robinson . Let’s not do a Richie Furay, Poco-sounding song. Let’s do an R&B song."

Gerry Rafferty - 'Baker Street'

modern yacht rock bands

Gerry Rafferty - Baker Street (Official Video)

Gerry Rafferty probably didn't realise he was creating one of the greatest yacht rock songs of all time when he wrote this, but boy did he.

  • The Story of... 'Baker Street'

With the right blend of rock and pop and the use of the iconic saxophone solo, you can't not call this yacht rock at its finest.

Michael McDonald - 'Sweet Freedom'

modern yacht rock bands

Michael McDonald - Sweet Freedom (1986)

If you wanted to name the king of yacht rock, you'd have to pick Michael McDonald . He could sing the phone book and it would sound silky smooth.

Possibly his greatest solo tune, it was used in the movie  Running Scared , and its music video featured actors Billy Crystal and Gregory Hines.

Hall & Oates - 'I Can't Go for That (No Can Do)'

modern yacht rock bands

Daryl Hall & John Oates - I Can't Go For That (No Can Do) (Official Video)

This duo knew how to make catchy hit after catchy hit. This R&B-tinged pop tune was co-written with Sara Allen (also the influence for their song 'Sara Smile').

  • Hall and Oates' 10 best songs, ranked

John Oates has said that the song is actually about the music business. "That song is really about not being pushed around by big labels, managers, and agents and being told what to do, and being true to yourself creatively."

Not only was the song sampled in De La Soul's 'Say No Go' and Simply Red 's 'Home', but Michael Jackson also admitted that he lifted the bass line for 'Billie Jean'!

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Young Gun Silver Fox Create Best Yacht Rock Album Of Last 35 Years With ‘AM Waves’ (INTERVIEW)

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Andy Platts and Shawn Lee of Young Gun Silver Fox shouldn’t dismiss the term yacht rock when describing their new album AM Waves and its brand of of 70’s SoCal-infused pop rock that recalls Ambrosia, Doobie Brothers and to a modern day extent Mayer Hawthorne and Chromeo. Recorded at The Shop in London and Roffey Hall in the English countryside, the U.S/British duo’s second LP. AM Waves may very well be perhaps the best yacht rock lp of the last 35 years?  All moustaches, Michael McDonald references and captain hats aside – Young Gun Silver Fox aren’t hiding their musical influences.

“We’re not afraid to celebrate the gimmicks and use them playfully to our advantage (palm trees, beaches, yachts etc), besides it helps give people a clear indication of what our music sounds like, which ain’t a bad thing,” says Platts about his band’s lean towards AM friendly breezes. “In a modern day scene where music is so homogenised and everyone is desperately trying to come up with the newest freshest sound, there’s something to be said for what we’re doing – there’s a real clarity and identity.”

Listeners may remember Lee for his work with AM entitled “AM & Shawn Lee” whose debut album in 2011 was received to rave reviews for its daring take on futuristic soul. When Lee initially heard Andy’s funk soul band Mamas Gun he knew a collaboration was in order and recognized the Londoner had both the soul and classic song melodic song craft in spades. Lee self financed the album and employed an engineer named Pierre Duplan who is a genius of what he does. I think that every aspect of the writing,recording and mixing process has to be spot on in this music particularly from the melodies, the instruments and performances. In reflection of the sounds the duo put together a horn section dubbed the Seaweed Horns in honor of the Seawind Horns in honor of the late 70’s outfit that collaborated with Earth Wind & Fire, Michael Jackson, George Benson and others.

“I knew that together we could really nail the West Coast vibe and boy did that turn out to be true,” proudly claims Lee  who produced the album amidst his projects for Saint Etienne, Shawn Lee’s Ping Pong Orchestra, and several other acts. He certainly had a clear vision when meeting up with Platts.

“We wanted to reference the music in particular that Shawn grew up with living in Kansas, and that both of us love and appreciate,” says Platts. “Taking the AM Gold sound as a starting point and then creating songs which are very much our own has given us an updated, authentic take on the Soft Rock/ West Coast sound.

“This era of radio music made a really big impact on me, adds Lee.” The desired intent of Young Gun Silver Fox is to take this musical inspiration and pick up where it left off and make classic new music.”

modern yacht rock bands

Classic meets 2018 is just what’s needed in a current era which has been oversaturated with new-wave flourishes. For a minute you hear shades of Boz Scaggs on the slick shuffle of “Mojo Rising” to the “What A Fool Believes” Doobie keyboard karma of “Take It Or Leave It and the soulful Earth Wind & Fire escapade of “Just A Man.”Listen even more and Ace’s 1974 hit “How Long” tastefully falls into the ears of listeners on more than one occasion.

While current musicians the duo have been getting down to include: Home Shake, Mac Demarco, Monophonics, Adrien Younge, Mocky, Mamas Gun, Ping Pong Orchestra, Diane Birch, Jonathan Jeremiah – there are plenty of other modern nuances at work here. The buzz is building on AM Waves and offers listeners an original flair where tribute bands like Yacht Rock Revue and original 70’s one hit wonder “AM Gold” bands with one original member left, trog out to small venues to revisit that leisure sound.

“The buzz is building organically off the quality of the music and I can see it has legs. I think if we could do some support gigs for the likes of Hall & Oates, Michael McDonald, Steely Dan etc. We could absorb their whole fan base who maybe aren’t that up on new current music. In terms of the younger audience , I think we can crossover there too. We are starting to see a really cross-generational audience in Holland which is really cool. Pitchfork in the US just gave us a really good review so it proves my feeling that we can be seen thru new eyes as being something new and hip on the scene,” says Lee.

For now keep your ears out for Young Gun Silver Fox, as every movement, including hair metal is due for its rightful revival – except this duo might very well be legit, creating perhaps the best Yacht Rock album of the last 35 years.

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  • Little River Band
  • Reminiscing

Yacht Rock Essentials: How Little River Band Struck a New Chord with “Reminiscing”

by Jim Beviglia July 6, 2024, 6:38 am

The finest songs can come from the humblest of sources. In the case of “Reminiscing,” it was a chord newly taught to Little River Band member Graeham Goble that did the trick. That simple springboard led to one of the defining songs of yacht rock.

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What is the song about? What inspired the lyrics? And how did Goble’s persistence help push the song across the finish line? Let’s do some “Reminiscing” of our own and find out all about this classic.

Recalling “Reminiscing”

Little River Band were one of many groups peddling soft-rock grooves and smooth vocal harmonies on American radio in the mid-1970s, although they stood out somewhat in that they hailed from Australia. They made steady progression on the U.S. charts, including a Top-20 hit in 1977 with “Help is on the Way.”

The song that would launch them higher into the stratosphere started off when lead guitarist David Briggs showed Graeham Goble, who was one of the band’s chief songwriters, a C9 chord shape on the guitar. Goble went home and started fooling around with the chord, and in less than an hour, he had composed the words and lyrics to “Reminiscing.”

Goble sprinkles the lyrics with references to a much earlier time in music, putting the date the events of the song take place around 30 years or so before the release of “Reminiscing” on the 1978 Little River Band album Sleeper Catcher . In an interview with Goldmine , he explained why that era appealed to him:

“When I was growing up, the fantasy world I inhabited was the fantasy world of the black-and-white movies from 1940s and 1950s such as the Fred Astaire and Ginger Rogers movies and even the earlier movies of Jeanette MacDonald and Nelson Eddy, and of course, all the musicals of Rodgers and Hammerstein. And the big-band era, too, like the Glenn Miller Orchestra, and the jazz guys like Count Basie. That was what I loved, and to me, it is still the best music ever written. I just love all of that.”

But “Reminiscing” still had to overcome some obstacles before it would become a massive hit (eventually No. 3). First, Goble had written the song thinking the Hurry, don’t be late section would be the middle eight. The band’s producer, John Boylan, made the key suggestion that that section, which featured the band’s trademark harmonies, should essentially be the chorus.

Another problem was the band couldn’t initially secure the keyboardist they wanted to play on the song. Two attempts at it were made with other players, and the results left the band unimpressed. When Peter Jones, the keyboardist they wanted, finally came available, several band members didn’t think it was worth it to try the song again. But Goble insisted, and Jones’ electric piano part was just what the doctor ordered.

What is the Meaning of “Reminiscing”?

Goble’s lyrics for “Reminiscing,” which get a soulful lead vocal from Glenn Shorrock, name-drop Cole Porter. That’s fitting, because the way the words trip lightly over the melody certainly recalls a Porter classic. It’s also clever how the first two verses make you think the events of the song just happened. It’s only at the end when Goble reveals that we’re dealing with a flashback: Older times we’re missing / Spending the hours reminiscing .

Up to that point, we think the couple in question is just looking ahead to the future: I said to myself when we’re old / We’ll go dancing in the dark / Walking through the park and reminiscing . The memory he’s recalling is the one where they spent a special night walking and dancing, and it cinched the deal they’d always be together: On the way back home / I promised you’d never be alone .

The song gave Little River Band serious momentum, and they’d build upon that to score a series of impressive soft-rock classic in the late ’70s and early ’80s. None of that might have happened if a new chord hadn’t started Graeham Goble down the road to “Reminiscing.”

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Top 50 Yacht Rock Songs

Yacht rock was one of the most commercially successful genres to emerge from the '70s and yet has managed to evade concise definition since its inception. For many listeners, it boils down to a feeling or mood that cannot be found in other kinds of music: Simply put, you know it when you hear it.

Some agreed-upon elements are crucial to yacht rock. One is its fluidity, with more emphasis on a catchy, easy-feeling melody than on beat or rhythm. Another is a generally lighthearted attitude in the lyrics. Think Seals & Crofts ' "Summer Breeze," Christopher Cross ' "Ride Like the Wind" or Bill Withers ' "Just the Two of Us." Yes, as its label suggests, music that would fit perfectly being played from the deck of a luxurious boat on the high seas.

But even these roughly outlined "rules" can be flouted and still considered yacht rock. Plenty of bands that are typically deemed "nyacht" rock have made their attempts at the genre: Crosby, Stills & Nash got a bit nautical with "Southern Cross," leading with their famed tightly knit harmonies, and Fleetwood Mac also entered yacht rock territory with "Dreams" – which, although lyrically dour, offers a sense of melody in line with yacht rock.

Given its undefined parameters, the genre has become one of music's most expansive corners. From No. 1 hits to deeper-cut gems, we've compiled a list of 50 Top Yacht Rock Songs to set sail to below.

50. "Thunder Island," Jay Ferguson (1978)

Younger generations might be more apt to recognize Jay Ferguson from his score for NBC's The Office , where he also portrayed the guitarist in Kevin Malone's band Scrantonicity. But Ferguson's musical roots go back to the '60s band Spirit; he was also in a group with one of the future members of Firefall, signaling a '70s-era shift toward yacht rock and "Thunder Island." The once-ubiquitous single began its steady ascent in October 1977 before reaching the Top 10 in April of the following year. Producer Bill Szymczyk helped it get there by bringing in his buddy Joe Walsh for a soaring turn on the slide. The best showing Ferguson had after this, however, was the quickly forgotten 1979 Top 40 hit "Shakedown Cruise." (Nick DeRiso)

49. "Southern Cross," Crosby, Stills & Nash (1982)

CSN's "Southern Cross" was an example of a more literal interpretation of yacht rock, one in which leftover material was revitalized by Stephen Stills . He sped up the tempo of a song titled " Seven League Boots " originally penned by brothers Rick and Michael Curtis, then laid in new lyrics about, yes, an actual boat ride. "I rewrote a new set of words and added a different chorus, a story about a long boat trip I took after my divorce," Stills said in the liner notes  to 1991's CSN box. "It's about using the power of the universe to heal your wounds." The music video for the song, which went into heavy rotation on MTV, also prominently displayed the band members aboard a large vessel. (Allison Rapp)

48. "Jackie Blue," the Ozark Mountain Daredevils (1974)

Drummer Larry Lee only had a rough idea of what he wanted to do with "Jackie Blue," originally naming it after a bartending dope pusher. For a long time, the Ozark Mountain Daredevils' best-known single remained an instrumental with the place-keeper lyric, " Ooh, ooh, ooh, ooh Jackie Blue. He was dada, and dada doo. He did this, he did that ... ." Producer Glyn Johns, who loved the track, made a key suggestion – and everything finally snapped into place: "No, no, no, mate," Johns told them. "Jackie Blue has to be a girl." They "knocked some new lyrics out in about 30 minutes," Lee said in It Shined: The Saga of the Ozark Mountain Daredevils . "[From] some drugged-out guy, we changed Jackie into a reclusive girl." She'd go all the way to No. 3. (DeRiso)

47. "Sailing," Christopher Cross (1979)

You’d be hard-pressed to find a more quintessential yacht rock song than “Sailing.” The second single (and first chart-topper) off Christopher Cross’ 1979 self-titled debut offers an intoxicating combination of dreamy strings, singsong vocals and shimmering, open-tuned guitar arpeggios that pay deference to Cross’ songwriting idol, Joni Mitchell . “These tunings, like Joni used to say, they get you in this sort of trance,” Cross told Songfacts in 2013. “The chorus just sort of came out. … So I got up and wandered around the apartment just thinking, ‘Wow, that's pretty fuckin' great.’” Grammy voters agreed: “Sailing” won Record of the Year, Song of the Year and Best Arrangement at the 1981 awards. (Bryan Rolli)

46. "Just the Two of Us," Bill Withers and Grover Washington Jr. (1980)

A collaboration between singer Bill Withers and saxophonist Grover Washington Jr. resulted in the sleek "Just the Two of Us." When first approached with the song, Withers insisted on reworking the lyrics. "I'm a little snobbish about words," he said in 2004 . "I said, 'Yeah, if you'll let me go in and try to dress these words up a little bit.' Everybody that knows me is kind of used to me that way. I probably threw in the stuff like the crystal raindrops. The 'Just the Two of Us' thing was already written. It was trying to put a tuxedo on it." The track was completed with some peppy backing vocals and a subtle slap bass part. (Rapp)

45. "Sara Smile," Daryl Hall & John Oates (1975)

It doesn't get much smoother than "Sara Smile," Daryl Hall & John Oates ' first Top 10 hit in the U.S. The song was written for Sara Allen, Hall's longtime girlfriend, whom he had met when she was working as a flight attendant. His lead vocal, which was recorded live, is clear as a bell on top of a velvety bass line and polished backing vocals that nodded to the group's R&B influences. “It was a song that came completely out of my heart," Hall said in 2018 . "It was a postcard. It’s short and sweet and to the point." Hall and Allen stayed together for almost 30 years before breaking up in 2001. (Rapp)

44. "Rosanna," Toto (1982)

One of the most identifiable hits of 1982 was written by Toto co-founder David Paich – but wasn't about Rosanna Arquette, as some people have claimed, even though keyboardist Steve Porcaro was dating the actress at the time. The backbeat laid down by drummer Jeff Porcaro – a "half-time shuffle" similar to what John Bonham played on " Fool in the Rain " – propels the track, while vocal harmonies and emphatic brass sections add further layers. The result is an infectious and uplifting groove – yacht rock at its finest. (Corey Irwin)

43. "Diamond Girl," Seals & Crofts (1973)

Seals & Crofts were soft-rock stylists with imagination, dolling up their saccharine melodies with enough musical intrigue to survive beyond the seemingly obvious shelf life. Granted, the lyrics to “Diamond Girl,” one of the duo’s three No. 6 hits, are as sterile as a surgery-operating room, built on pseudo-romantic nothing-isms ( “Now that I’ve found you, it’s around you that I am” — what a perfectly natural phrase!). But boy, oh boy does that groove sound luxurious beaming out of a hi-fi system, with every nuance — those stacked backing vocals, that snapping piano — presented in full analog glory. (Ryan Reed)

42. "What You Won't Do for Love," Bobby Caldwell (1978)

Smooth. From the opening horn riffs and the soulful keyboard to the funk bass and the velvety vocals of Bobby Caldwell, everything about “What You Won’t Do for Love” is smooth. Released in September 1978, the track peaked at No. 9 on the Billboard Hot 100 and went on to become the biggest hit of Caldwell’s career. It was later given a second life after being sampled for rapper 2Pac's posthumously released 1998 hit single “Do for Love.” (Irwin)

41. "We Just Disagree," Dave Mason (1977)

Dave Mason's ace in the hole on the No. 12 smash "We Just Disagree" was Jim Krueger, who composed the track, shared the harmony vocal and played that lovely guitar figure. "It was a song that when he sang it to me, it was like, 'Yeah, that's the song,'" Mason told Greg Prato in 2014. "Just him and a guitar, which is usually how I judge whether I'm going to do something. If it holds up like that, I'll put the rest of the icing on it." Unfortunately, the multitalented Krueger died of pancreatic cancer at age 43. By then, Mason had disappeared from the top of the charts, never getting higher than No. 39 again. (DeRiso)

40. "Crazy Love," Poco (1978)

Rusty Young was paneling a wall when inspiration struck. He'd long toiled in the shadow of Stephen Stills , Richie Furay and Neil Young , serving in an instrumentalist role with Buffalo Springfield and then Poco . "Crazy Love" was his breakout moment, and he knew it. Rusty Young presented the song before he'd even finished the lyric, but his Poco bandmates loved the way the stopgap words harmonized. "I told the others, 'Don't worry about the ' ooh, ooh, ahhhh haaa ' part. I can find words for that," Young told the St. Louis Dispatch in 2013. "And they said, 'Don't do that. That's the way it's supposed to be.'" It was: Young's first big vocal became his group's only Top 20 hit. (DeRiso)

39. "Suspicions," Eddie Rabbitt (1979)

Eddie Rabbitt 's move from country to crossover stardom was hurtled along by "Suspicions," as a song about a cuckold's worry rose to the Top 20 on both the pop and adult-contemporary charts. Behind the scenes, there was an even clearer connection to yacht rock: Co-writer Even Stevens said Toto's David Hungate played bass on the date. As important as it was for his career, Rabbitt later admitted that he scratched out "Suspicions" in a matter of minutes, while on a lunch break in the studio on the last day of recording his fifth album at Wally Heider's Los Angeles studio. "Sometimes," Rabbitt told the Associated Press in 1985, "the words just fall out of my mouth." (DeRiso)

38. "Moonlight Feels Right," Starbuck (1976)

No sound in rock history is more yacht friendly than Bruce Blackman’s laugh: hilarious, arbitrary, smug, speckled with vocal fry, arriving just before each chorus of Starbuck’s signature tune. Why is this human being laughing? Shrug. Guess the glow of night will do that to you. Then again, this is one of the more strange hits of the '70s — soft-pop hooks frolicking among waves of marimba and synthesizers that could have been plucked from a classic prog epic. “ The eastern moon looks ready for a wet kiss ,” Blackman croons, “ to make the tide rise again .” It’s a lunar make-out session, baby. (Reed)

37. "Same Old Lang Syne," Dan Fogelberg (1981)

“Same Old Lang Syne” is a masterclass in economic storytelling, and its tragedy is in the things both protagonists leave unsaid. Dan Fogelberg weaves a devastating tale of two former lovers who run into each other at a grocery store on Christmas Eve and spend the rest of the night catching up and reminiscing. Their circumstances have changed — he’s a disillusioned professional musician, she’s stuck in an unhappy marriage — but their love for each other is still palpable if only they could overcome their fears and say it out loud. They don’t, of course, and when Fogelberg bids his high-school flame adieu, he’s left with only his bittersweet memories and gnawing sense of unfulfillment to keep him warm on that snowy (and later rainy) December night. (Rolli)

36. "Eye in the Sky," the Alan Parsons Project (1982)

Few songs strike a chord with both prog nerds and soft-rock enthusiasts, but the Alan Parsons Project's “Eye in the Sky” belongs to that exclusive club. The arrangement is all smooth contours and pillowy textures: By the time Eric Woolfson reaches the chorus, shyly emoting about romantic deception over a bed of Wurlitzer keys and palm-muted riffs, the effect is like falling slow motion down a waterfall onto a memory foam mattress. But there’s artfulness here, too, from Ian Bairnson’s seductive guitar solo to the titular phrase conjuring some kind of god-like omniscience. (Reed)

35. "Somebody's Baby," Jackson Browne (1982)

Jackson Browne 's highest-charting single, and his last Top 10 hit, was originally tucked away on the soundtrack for the 1982 teen comedy Fast Times at Ridgemont High . That placed Browne, one of the most earnest of singer-songwriters, firmly out of his element. "It was not typical of what Jackson writes at all, that song," co-composer Danny Kortchmar told Songfacts in 2013. "But because it was for this movie, he changed his general approach and came up with this fantastic song." Still unsure of how it would fit in, Browne refused to place "Somebody's Baby" on his next proper album – something he'd later come to regret . Lawyers in Love broke a string of consecutive multiplatinum releases dating back to 1976. (DeRiso)

34. "Still the One," Orleans (1976)

Part of yacht rock’s charm is being many things but only to a small degree. Songs can be jazzy, but not experimental. Brass sections are great but don’t get too funky. And the songs should rock, but not rock . In that mold comes Orleans’ 1976 hit “Still the One.” On top of a chugging groove, frontman John Hall sings about a romance that continues to stand the test of time. This love isn’t the white-hot flame that leaves passionate lovers burned – more like a soft, medium-level heat that keeps things comfortably warm. The tune is inoffensive, catchy and fun, aka yacht-rock gold. (Irwin)

33. "New Frontier," Donald Fagen (1982)

In which an awkward young man attempts to spark a Cold War-era fling — then, hopefully, a longer, post-apocalyptic relationship — via bomb shelter bunker, chatting up a “big blond” with starlet looks and a soft spot for Dave Brubeck. Few songwriters could pull off a lyrical concept so specific, and almost no one but Donald Fagen could render it catchy. “New Frontier,” a signature solo cut from the Steely Dan maestro, builds the sleek jazz-funk of Gaucho into a more digital-sounding landscape, with Fagen stacking precise vocal harmonies over synth buzz and bent-note guitar leads. (Reed)

32. "Sail On, Sailor," the Beach Boys (1973)

The Beach Boys were reworking a new album when Van Dyke Parks handed them this updated version of an unfinished Brian Wilson song. All that was left was to hand the mic over to Blondie Chaplin for his greatest-ever Beach Boys moment. They released "Sail On, Sailor" twice, however, and this yearning groover somehow barely cracked the Top 50. Chaplin was soon out of the band, too. It's a shame. "Sail On, Sailor" remains the best example of how the Beach Boys' elemental style might have kept growing. Instead, Chaplin went on to collaborate with the Band , Gene Clark of the  Byrds  and the Rolling Stones – while the Beach Boys settled into a lengthy tenure as a jukebox band. (DeRiso)

31. "Time Passages," Al Stewart (1978)

Al Stewart followed up the first hit single of his decade-long career – 1976's "Year of the Cat" – with a more streamlined take two years later. "Time Passages" bears a similar structure to the earlier track, including a Phil Kenzie sax solo and production by Alan Parsons. While both songs' respective album and single versions coincidentally run the same time, the 1978 hit's narrative wasn't as convoluted and fit more squarely into pop radio playlists. "Time Passages" became Stewart's highest-charting single, reaching No. 7 – while "Year of the Cat" had stalled at No. 8. (Michael Gallucci)

30. "I Go Crazy," Paul Davis (1977)

Paul Davis looked like he belonged in the Allman Brothers Band , but his soft, soulful voice took him in a different direction. The slow-burning nature of his breakthrough single "I Go Crazy" was reflected in its chart performance: For years the song held the record for the most weeks spent on the chart, peaking at No. 7 during its 40-week run. Davis, who died in 2008, took five more songs into the Top 40 after 1977, but "I Go Crazy" is his masterpiece – a wistful and melancholic look back at lost love backed by spare, brokenhearted verses. (Gallucci)

29. "Biggest Part of Me," Ambrosia (1980)

Songwriter David Pack taped the original demo of this song on a reel-to-reel when everyone else was running late, finishing just in time: "I was waiting for my family to get in the car so I could go to a Fourth of July celebration in Malibu," he told the Tennessean in 2014. "I turned off my machine [and] heard the car horn honking for me." Still, Pack was worried that the hastily written first verse – which rhymed " arisin ,'" " horizon " and " realizin '" – might come off a little corny. So he followed the time-honored yacht-rock tradition of calling in Michael McDonald to sing heartfelt background vocals. Result: a Top 5 hit on both the pop and adult-contemporary charts. (DeRiso)

28. "Africa," Toto (1982)

Remove the cover versions, the nostalgia sheen and its overuse in TV and films, and you’re left with what makes “Africa” great: one of the best earworm choruses in music history. Never mind that the band is made up of white guys from Los Angeles who'd never visited the titular continent. Verses about Mt. Kilimanjaro and the Serengeti paint a picture so vivid that listeners are swept away. From the soaring vocals to the stirring synth line, every element of the song works perfectly. There’s a reason generations of music fans continue to proudly bless the rains. (Irwin)

27. "Hello It's Me," Todd Rundgren (1972)

“Hello It’s Me” is the first song Todd Rundgren ever wrote, recorded by his band Nazz and released in 1968. He quickened the tempo, spruced up the instrumentation and delivered a more urgent vocal for this 1972 solo rendition (which became a Top 5 U.S. hit), but the bones of the tune remain the same. “Hello It’s Me” is a wistful, bittersweet song about the dissolution of a relationship between two people who still very much love and respect each other a clear-eyed breakup ballad lacking the guile, cynicism and zaniness of Rundgren’s later work. “The reason those [early] songs succeeded was because of their derivative nature,” Rundgren told Guitar World in 2021. “They plugged so easily into audience expectations. They’re easily absorbed.” That may be so, but there’s still no denying the airtight hooks and melancholy beauty of “Hello It’s Me.” (Rolli)

26. "Smoke From a Distant Fire," the Sanford/Townsend Band (1977)

There are other artists who better define yacht rock - Michael McDonald, Steely Dan, Christopher Cross - but few songs rival the Sanford/Townsend Band's "Smoke From a Distant Fire" as a more representative genre track. (It was a Top 10 hit in the summer of 1977. The duo never had another charting single.) From the vaguely swinging rhythm and roaring saxophone riff to the light percussion rolls and risk-free vocals (that nod heavily to Daryl Hall and John Oates' blue-eyed soul), "Smoke" may be the most definitive yacht rock song ever recorded. We may even go as far as to say it's ground zero. (Gallucci)

25. "Dream Weaver," Gary Wright (1975)

Unlike many other songs on our list, “Dream Weaver” lacks lush instrumentation. Aside from Gary Wright’s vocals and keyboard parts, the only added layer is the drumming of Jim Keltner. But while the track may not have guitars, bass or horns, it certainly has plenty of vibes. Inspired by the writings of Paramahansa Yogananda – which Wright was turned on to by George Harrison – “Dream Weaver” boasts a celestial aura that helped the song peak at No. 2 in 1976. (Irwin)

24. "Reminiscing," Little River Band (1978)

The third time was the charm with Little River Band 's highest-charting single in the U.S. Guitarist Graeham Goble wrote "Reminiscing" for singer Glenn Shorrock with a certain keyboardist in mind. Unfortunately, they weren't able to schedule a session with Peter Jones, who'd played an important role in Little River Band's first-ever charting U.S. single, 1976's "It's a Long Way There ." They tried it anyway but didn't care for the track. They tried again, with the same results. "The band was losing interest in the song," Goble later told Chuck Miller . "Just before the album was finished, Peter Jones came back into town, [and] the band and I had an argument because I wanted to give 'Reminiscing' a third chance." This time they nailed it. (DeRiso)

23. "Heart Hotels," Dan Fogelberg (1979)

Ironically enough, this song about debilitating loneliness arrived on an album in which Dan Fogelberg played almost all of the instruments himself. A key concession to the outside world became the most distinctive musical element on "Heart Hotels," as well-known saxophonist Tom Scott took a turn on the Lyricon – a pre-MIDI electronic wind instrument invented just a few years earlier. As for the meaning of sad songs like these, the late Fogelberg once said : "I feel experiences deeply, and I have an outlet, a place where I can translate those feelings. A lot of people go to psychoanalysts. I write songs." (DeRiso)

22. "Year of the Cat," Al Stewart (1976)

Just about every instrument imaginable can be heard in Al Stewart's "Year of the Cat." What begins with an elegant piano intro winds its way through a string section and a sultry sax solo, then to a passionate few moments with a Spanish acoustic guitar. The sax solo, often a hallmark of yacht-rock songs, was not Stewart's idea. Producer Alan Parsons suggested it at the last minute, and Stewart thought it was the "worst idea I'd ever heard. I said, 'Alan, there aren’t any saxophones in folk-rock. Folk-rock is about guitars. Sax is a jazz instrument,'" Stewart said in 2021 . Multiple lengthy instrumental segments bring the song to nearly seven minutes, yet each seems to blend into the next like a carefully arranged orchestra. (Rapp)

21. "How Long," Ace (1974)

How long does it take to top the charts? For the Paul Carrack-fronted Ace: 45 years . "I wrote the lyric on the bus going to my future mother-in-law's," he later told Gary James . "I wrote it on the back of that bus ticket. That's my excuse for there only being one verse." Ace released "How Long" in 1975, reaching No. 3, then Carrack moved on to stints with Squeeze and Mike and the Mechanics . Finally, in 2020, "How Long" rose two spots higher, hitting No. 1 on Billboard's rock digital song sales chart after being featured in an Amazon Prime advertisement titled "Binge Cheat." (DeRiso)

20. "Brandy (You're a Fine Girl)," Looking Glass (1972)

Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town pre-dates the classic yacht-rock era. Consider acts like Seals & Crofts and these one-hit wonders pioneers of the genre. Ironically, the effortless-sounding "Brandy (You're a Fine Girl)" was quite difficult to complete. "We recorded 'Brandy' two or three different times with various producers before we got it right," Looking Glass' principal songwriter Elliot Lurie told the Tennessean in 2016. The chart-topping results became so popular so fast, however, that Barry Manilow had to change the title of a new song he was working on to " Mandy ." (DeRiso)

19. "I Can't Tell You Why," Eagles (1979)

Timothy B. Schmit joined just in time to watch the  Eagles disintegrate. But things couldn't have started in a better place for the former Poco member. He arrived with the makings of his first showcase moment with the group, an unfinished scrap that would become the No. 8 hit "I Can't Tell You Why." For a moment, often-contentious band members rallied around the outsider. Don Henley and Glenn Frey both made key contributions, as Eagles completed the initial song on what would become 1979's The Long Run . Schmit felt like he had a reason to be optimistic. Instead, Eagles released the LP and then promptly split up. (DeRiso)

18. "Sentimental Lady," Bob Welch (1977)

Bob Welch  first recorded "Sentimental Lady" in 1972 as a member of Fleetwood Mac . Five years later, after separating from a band that had gone on to way bigger things , Welch revisited one of his best songs and got two former bandmates who appeared on the original version – Mick Fleetwood and Christine McVie – to help out (new Mac member Lindsey Buckingham also makes an appearance). This is the better version, warmer and more inviting, and it reached the Top 10. (Gallucci)

17. "So Into You," Atlanta Rhythm Section (1976)

Atlanta Rhythm Section is often wrongly categorized as a Southern rock band, simply because of their roots in Doraville, Ga. Songs like the seductively layered "So Into You" illustrate how little they had in common with the likes of Lynyrd Skynyrd . As renowned Muscle Shoals sessions ace David Hood once said, they're more like the " Steely Dan of the South ." Unfortunately, time hasn't been kind to the group. Two of this best-charting single's writers have since died , while keyboardist Dean Daughtry retired in 2019 as Atlanta Rhythm Section's last constant member. (DeRiso)

16. "Dreams," Fleetwood Mac (1977)

Stevie Nicks was trying to channel the heartbreak she endured after separating from Lindsey Buckingham into a song, but couldn't concentrate among the bustle of Fleetwood Mac's sessions for Rumours . "I was kind of wandering around the studio," she later told Yahoo! , "looking for somewhere I could curl up with my Fender Rhodes and my lyrics and a little cassette tape recorder." That's when she ran into a studio assistant who led her to a quieter, previously unseen area at Sausalito's Record Plant. The circular space was surrounded by keyboards and recording equipment, with a half-moon bed in black-and-red velvet to one side. She settled in, completing "Dreams" in less than half an hour, but not before asking the helpful aide one pressing question: "I said, 'What is this?' And he said, 'This is Sly Stone 's studio.'" (DeRiso)

15. "Minute by Minute," the Doobie Brothers (1978)

Michael McDonald was so unsure of this album that he nervously previewed it for a friend. "I mean, all the tunes have merit, but I don't know if they hang together as a record," McDonald later told UCR. "He looked at me and he said, 'This is a piece of shit.'" Record buyers disagreed, making Minute by Minute the Doobie Brothers' first chart-topping multiplatinum release. Such was the mania surrounding this satiny-smooth LP that the No. 14 hit title track lost out on song-of-the-year honors at the Grammys to "What a Fool Believes" (found later in our list of Top 50 Yacht Rock Songs) by the Doobie Brothers. (DeRiso)

14. "Lonely Boy," Andrew Gold (1976)

Andrew Gold’s only Top 10 U.S. hit is a story of parental neglect and simmering resentment, but those pitch-black details are easy to miss when couched inside such a deliciously upbeat melody. Gold chronicles the childhood of the titular lonely boy over a propulsive, syncopated piano figure, detailing the betrayal he felt when his parents presented him with a sister two years his junior. When he turns 18, the lonely boy ships off to college and leaves his family behind, while his sister gets married and has a son of her own — oblivious to the fact that she’s repeating the mistakes of her parents. Gold insisted “Lonely Boy” wasn’t autobiographical, despite the details in the song matching up with his own life. In any case, you can’t help but wonder what kind of imagination produces such dark, compelling fiction. (Rolli)

13. "Baby Come Back," Player (1977)

Liverpool native Peter Beckett moved to the States, originally to join a forgotten act called Skyband. By the time he regrouped to found Player with American J.C. Crowley, Beckett's wife had returned to England. Turns out Crowley was going through a breakup, too, and the Beckett-sung "Baby Come Back" was born. "So it was a genuine song, a genuine lyric – and I think that comes across in the song," Beckett said in The Yacht Rock Book . "That's why it was so popular." The demo earned Player a hastily signed record deal, meaning Beckett and Crowley had to assemble a band even as "Baby Come Back" rose to No. 1. Their debut album was released before Player had ever appeared in concert. (DeRiso)

12. "I'd Really Love to See You Tonight," England Dan & John Ford Coley (1976)

There aren't too many songs with choruses as big as the one England Dan & John Ford Coley pump into the key lines of their first Top 40 single. Getting there is half the fun: The conversational verses – " Hello, yeah, it's been a while / Not much, how 'bout you? / I'm not sure why I called / I guess I really just wanted to talk to you " – build into the superpowered come-on line " I'm not talking 'bout moving in ...  ." Their yacht-rock pedigree is strong: Dan Seals' older brother is Seals & Croft's Jim Seals. (Gallucci)

11. "Hey Nineteen," Steely Dan (1980)

At least on the surface, “Hey Nineteen” is one of Steely Dan’s least ambiguous songs: An over-the-hill guy makes one of history’s most cringe-worthy, creepiest pick-up attempts, reminiscing about his glory days in a fraternity and lamenting that his would-be companion doesn’t know who Aretha Franklin is. (The bridge is a bit tougher to crack. Is anyone sharing that “fine Colombian”?) But the words didn’t propel this Gaucho classic into Billboard's Top 10. Instead, that credit goes to the groove, anchored by Walter Becker ’s gently gliding bass guitar, Donald Fagen’s velvety electric piano and a chorus smoother than top-shelf Cuervo Gold. (Reed)

10. "Rich Girl," Daryl Hall & John Oates (1976)

It’s one of the most economical pop songs ever written: two A sections, two B sections (the second one extended), a fade-out vocal vamp. In and out. Wham, bam, boom. Perhaps that's why it’s easy to savor “Rich Girl” 12 times in a row during your morning commute, why hearing it just once on the radio is almost maddening. This blue-eyed-soul single, the duo’s first No. 1 hit, lashes out at a supposedly entitled heir to a fast-food chain. (The original lyric was the less-catchy “rich guy ”; that one change may have earned them millions.) But there’s nothing bitter about that groove, built on Hall’s electric piano stabs and staccato vocal hook. (Reed)

9. "Fooled Around and Fell in Love," Elvin Bishop (1975)

Elvin Bishop made his biggest pop-chart splash with "Fooled Around and Fell In Love," permanently changing the first line of his bio from a  former member of the Paul Butterfield Blues Band to a solo star in his own right. There was only one problem: "The natural assumption was that it was Elvin Bishop who was singing,” singer  Mickey Thomas told the Tahoe Daily Tribune in 2007. Thomas later found even greater chart success with Starship alongside Donny Baldwin, who also played drums on Bishop's breakthrough single. "A lot of peers found out about me through that, and ultimately I did get credit for it," Thomas added. "It opened a lot of doors for me." (DeRiso)

8. "Baker Street," Gerry Rafferty (1978)

Gerry Rafferty already had a taste of success when his band Stealers Wheel hit the Top 10 with the Dylanesque "Stuck in the Middle With You" in 1973. His first solo album after the group's split, City to City , made it to No. 1 in 1978, thanks in great part to its hit single "Baker Street" (which spent six frustrating weeks at No. 2). The iconic saxophone riff by Raphael Ravenscroft gets much of the attention, but this single triumphs on many other levels. For six, mood-setting minutes Rafferty winds his way down "Baker Street" with a hopefulness rooted in eternal restlessness. (Gallucci)

7. "Dirty Work," Steely Dan (1972)

In just about three minutes, Steely Dan tells a soap-opera tale of an affair between a married woman and a man who is well aware he's being played but is too hopelessly hooked to end things. " When you need a bit of lovin' 'cause your man is out of town / That's the time you get me runnin' and you know I'll be around ," singer David Palmer sings in a surprisingly delicate tenor. A saxophone and flugelhorn part weeps underneath his lines. By the time the song is over, we can't help but feel sorry for the narrator who is, ostensibly, just as much part of the problem as he could be the solution. Not all yacht rock songs have happy endings. (Rapp)

6. "Ride Like the Wind," Christopher Cross (1979)

“Ride Like the Wind” is ostensibly a song about a tough-as-nails outlaw racing for the border of Mexico under cover of night, but there’s nothing remotely dangerous about Christopher Cross’ lithe tenor or the peppy piano riffs and horns propelling the tune. Those contradictions aren’t a detriment. This is cinematic, high-gloss pop-rock at its finest, bursting at the seams with hooks and elevated by Michael McDonald’s silky backing vocals. Cross nods to his Texas roots with a fiery guitar solo, blending hard rock and pop in a way that countless artists would replicate in the next decade. (Rolli)

5. "Summer Breeze," Seals & Crofts (1972)

Jim Seals and Dash Crofts were childhood friends in Texas, but the mellow grandeur of "Summer Breeze" makes it clear that they always belonged in '70s-era Southern California. "We operate on a different level," Seals once said , sounding like nothing if not a Laurel Canyon native. "We try to create images, impressions and trains of thought in the minds of our listeners." This song's fluttering curtains, welcoming domesticity and sweet jasmine certainly meet that standard. For some reason, however, they released this gem in August 1972 – as the season faded into fall. Perhaps that's why "Summer Breeze" somehow never got past No. 6 on the pop chart. (DeRiso)

4. "Lowdown," Boz Scaggs (1976)

As you throw on your shades and rev the motor, the only thing hotter than the afternoon sun is David Hungate’s sweet slap-bass blasting from the tape deck. “This is the good life,” you say to no one in particular, casually tipping your baseball cap to the bikini-clad crew on the boat zooming by. Then you press “play” again. What else but Boz Scaggs ’ silky “Lowdown” could soundtrack such a moment in paradise? Everything about this tune, which cruised to No. 3 on the Billboard Hot 100, is equally idyllic: Jeff Porcaro’s metronomic hi-hat pattern, David Paich’s jazzy keyboard vamp, the cool-guy croon of Scaggs — flexing about gossip and “schoolboy game.” You crack open another cold one — why not? And, well, you press play once more. (Reed)

3. "Lido Shuffle," Boz Scaggs (1976)

Scaggs' storied career began as a sideman with Steve Miller  and already included a scorching duet with Duane Allman . Co-writer David Paich would earn Grammy-winning stardom with songs like "Africa." Yet they resorted to theft when it came to this No. 11 smash. Well, in a manner of speaking: "'Lido' was a song that I'd been banging around, and I kind of stole – well, I didn't steal anything. I just took the idea of the shuffle," Scaggs told Songfacts in 2013. "There was a song that Fats Domino did called 'The Fat Man ' that had a kind of driving shuffle beat that I used to play on the piano, and I just started kind of singing along with it. Then I showed it to Paich, and he helped me fill it out." Then Paich took this track's bassist and drummer with him to form Toto. (DeRiso)

2. "Peg," Steely Dan (1977)

"Peg" is blessed with several yacht-rock hallmarks: a spot on Steely Dan's most Steely Dan-like album, Aja , an impeccable airtightness that falls somewhere between soft-pop and jazz and yacht rock's stalwart captain, Michael McDonald, at the helm. (He may be a mere backing singer here, but his one-note chorus chirps take the song to another level.) Like most Steely Dan tracks, this track's meaning is both cynical and impenetrable, and its legacy has only grown over the years – from hip-hop samples to faithful cover versions. (Gallucci)

1. "What a Fool Believes," the Doobie Brothers (1978)

Michael McDonald not only steered the Doobie Brothers in a new direction when he joined in 1975, but he also made them a commercial powerhouse with the 1978 album Minute by Minute . McDonald co-wrote "What a Fool Believes" – a No. 1 single; the album topped the chart, too – with Kenny Loggins and sang lead, effectively launching a genre in the process. The song's style was copied for the next couple of years (most shamelessly in Robbie Dupree's 1980 Top 10 "Steal Away"), and McDonald became the bearded face of yacht rock. (Gallucci)

Top 100 Classic Rock Artists

Gallery Credit: UCR Staff

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Yacht rock stinks but these five songs are still unbelievably good

I hate yacht rock. I mean, not all of it. Some of it, a small portion to be sure, is pretty excellent. That’s kind of what this little essay is about. But I hate that yacht rock is – you know – a thing. A thing that exists in this world.

I know what you’re thinking. I’m old. I was young when what passes for yacht rock was “cutting edge.”  But that’s not it. Not entirely. First off, this music, whether good or bad , was never cutting edge. More importantly, what I really hate is the way our perception of yacht rock has changed. If it were simply a pejorative label for music that is decidedly uncool – if it was merely a way to poke some fun at your dad’s music – I would have no problem. It is old. It is dated. And a lot of it isn’t especially good.

But yacht rock has morphed. It’s actually popular now. People claim to like it – without irony, as near as I can tell. The music hasn’t changed. It was all recorded decades ago . But for some reason, our perceptions of it have shifted.

Yacht rock is awful (except for these five songs)

So what’s wrong with that? Why does it make me see red? Because it has the effect of lumping pretty much anything with the faintest trace of soft rock released in the ‘70s and early ‘80s into the same category. It’s all yacht rock.  And a lot of it is actually awful. A lot of it deserved the snickering appellation.

I like the Eagles and I love Steely Dan, but I have no problem with some of their songs being called yacht rock. That label typically only gets applied to the most inert and boring of their output. “New Kid in Town” – yacht rock. “James Dean” – not yacht rock. “Peg” – yacht. “Reeling in the Years” – not. Doobie Brothers, pre-Michael McDonald, is not yacht rock. After McDonald took over? Fine. Stick it on a boat and sail it out to sea.

See, I have no problem with properly curated yacht rock lists. But that’s not what we get now. Not when a Sirius station is devoted to all things Yacht. Not when you can find a station on IHeartRadio and playlists galore across the internet. Now that yacht rock has become a viable concern, some really good old songs have been lumped in with a lot of drivel. And that is what bothers me.

Therefore, I am fighting back the only way I know how. I am highlighting five songs that I have personally heard on a mainstream music service that purports to play yacht rock. Superficially, these songs may fit the profile, but they are light years better than most of what gets played on this station. I’m talking about Christopher Cross and America. “Baby Come Back,” and …. (cringe) “Escape (The Pina Colada Song)”.

These five songs are better than that, and they should not be tainted by the label, even if it is enjoying some form of respectability at present.

“Jackie Blue” – The Ozark Mountain Daredevils (1975)

OMD formed in the early ‘70s and had a decent-sized hit with the swampy southern rocker “If You Wanna Get To Heaven.” “Jackie Blue” came the following year and it was very different. For one thing, it was sung by drummer Larry Lee, whose high tenor was a far cry from OMD’s previous sound.

It also features multiple musical hooks, on both the chorus and verse, which convinced the band’s management that it was ripe for radio play. So they had Lee and Steve Cash rewrite the lyrics. Lee’s original inspiration for Jackie was a mysterious drug dealer. At the request of their producer, Jackie becomes a mysterious woman. But something in the grittiness of the initial conception lingered. It made the song both mysterious and perhaps just a tad dangerous. The haunting guitar solo reinforced the vibe.

OMD was a rock and roll band that happened to come up with a dreamy ballad that hints at regret. “Every day in your indigo eyes – I see the sun set but I don’t see it rise” is a line that could have been maudlin, but here, it plays as beautiful, eerie, and a little bit sad. You don’t get that range in a yacht rock song.

“Couldn’t Get It Right” – The Climax Blues Band (1976)

The follow-up to this song, the British band’s other major hit “I Love You” is pretty saccharine stuff. But this one – this one has got a little bit of funk to it. In Colin Cooper, they’ve got a long-haired, husky-voiced sax player who just oozes blues. (Say that five times fast). 

This is as close as you are apt to find to a genre I am going to make up right now called glam blues. They’ve got splashy guitars and keys. They’ve got the old soul sax. They’ve got a great groove coming from the bass and drums. This is not especially fast-paced music, but it is almost impossible not to start dancing when you hear it.

Mind you, this is not who CBB was most of the time. Live, they were a jam band. Peter Haycock played a mean slide guitar and they would often go on extended forays into some solid professional blues rock. But “Couldn’t Get It Right” does kind of make me wish they had let Cooper sing a little more. Haycock had a higher voice that was fine on standard rockers. When Cooper sang, it was like tuning your guitar down. It introduced a different feel to the music.

But I can say this much with confidence. No matter who was singing, Climax Blues Band never set foot on a yacht.

‘I’m Not Gonna Let It Bother Me Tonight” – Atlanta Rhythm Section (1977)

Atlanta Rhythm Section had a string of hits in the mid-‘70s, many of which are considered yacht rock. “So Into You,” “Imaginary Lover,” “Champagne Jam,” and especially “Spooky” are all stand-out songs that have hypnotic grooves. None of them should founder on the yacht rocks.

As their name suggests, ARS was comprised of studio session players. They backed up some of the titans of the music industry, and when you hear them, you are hearing as smooth and as tight an ensemble as you would find in the late ‘70s.  This song has a solid bass with plenty of flourishes on top. It has a tight little guitar solo. It has an equally smooth vocal. It’s a night out at the bar – a great party tune.

Let me just illustrate my point here with a brief anecdote. I always listen to a song before I write about it, no matter how well I think I know it. When I went to take another listen to this one, I accidentally clicked on a song that was adjacent to it on some online, yacht rock playlist. My initial thought was “Uh oh, this song doesn’t begin the way I remember it. It’s kind of boring.”

A few seconds later, Gerry Rafferty’s vaguely whining voice began singing “Right Down the Line” and I realized my mistake. Now, I have nothing against Rafferty – that whine worked wonders on “Stuck in the Middle With You.” But “Right Down the Line” is lifeless yacht rock. The Atlanta Rhythm Section were not.

“Smoke From a Distant Fire” – Sanford-Townsend Band (1977)

Johnny Townsend and Ed Sanford had one hit, and they got it by dressing up their blue-eyed soul with a brassy, jazzy arrangement that allowed Townsend’s voice to complement rather than carry the bulk of the song. “Smoke From a Distant Fire” begins with a sprightly guitar and wailing sax before introducing its main musical hook. Then, about thirty seconds in, Townsend begins an assured vocal.

In some songs, overlaying keyboards, guitars, and horns can become a distraction. Here it works perfectly. Townsend’s vocals become a counterpoint to all those instruments that fill the track with constant groove. It’s jam-packed soul that strikes the perfect balance, right through to the outro which pairs the lead vocal against echoing backing voices and ending with Townsend’s big finish.

Sanford-Townsend never got there again. The rest of their material abandoned the big production. They always had some creative keyboards and Townsend's pleasant voice, but that’s about all they ever were – pleasant. A lot of the rest of their music could be accurately called yacht rock. But their one hit was a hit for a reason. It had energy and life, almost as if it were being fueled by the smoke of a distant fire.

“Lovely Day” – Bill Withers (1977)

“Lovely Day” opens with a funky little bass line before Bill Withers begins his effortless vocal. This is an enormously happy song, and in another voice, it might not have worked as well. As evidence, I submit Diana Ross’s 2006 cover. Ross is not aided by a rather bizarre techno arrangement, but she is no slouch when it comes to selling a song, and her version doesn’t really work. That soulful, bluesy quality in Withers' voice provides marvelous dissonance with the utterly bright lyrics.

The song is famous for the note Withers holds at the end. Throughout the song, he was routinely holding the word “day” for about ten seconds while his backup singers repeated it beneath him. At the beginning of the outro, he decides that’s not quite big enough and essentially holds the same note through two chorus cycles, twice as long as he had been doing, for a rather astonishing 18 seconds. And he does it so gracefully. His voice barely even quivers at the end as he fades down in the final second.

Now look, I’ll admit that “Lovely Day” is the kind of song you might want to play when out on the water with the sun in the sky. I’ll further admit that Bill Withers served in the Navy for almost a decade before achieving success as a singer/songwriter. So maybe he would even accompany you on your little boat ride. But Bill Withers is not yacht rock. Never was. Isn’t now.

So, pull on your True Classic tee, twist open a Coors Light, and tune into some yacht rock if you must. Complain about how they don’t make real music like that anymore. Hell, pop an ED pill if it helps. But don’t let me catch you calling a good song from the late ‘70s yacht rock just because some programming bot decided it had all the proper earmarks. Listen to the songs. Then you’ll know.

More music news and analysis:

This article was originally published on as Yacht rock stinks but these five songs are still unbelievably good .

Yacht rock stinks but these five songs are still unbelievably good

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43 Facts About Bratsk

Elvira Llamas

Written by Elvira Llamas

Modified & Updated: 29 May 2024

Jessica Corbett

Reviewed by Jessica Corbett

  • Industrial Center Facts
  • Industrialization Facts
  • Russia Facts
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  • Siberia Facts
  • Tourism Facts


Bratsk, a city located in the Irkutsk Oblast region of Russia, is a hidden gem worth exploring. With a rich history and a vibrant culture, Bratsk offers a unique experience to its visitors. From breathtaking natural landscapes to architectural wonders, there is something for everyone in this enchanting city.

In this article, we will uncover 43 fascinating facts about Bratsk that will pique your curiosity and make you want to pack your bags and embark on an adventure. Whether you are a history buff, nature enthusiast, or someone who appreciates art and culture , Bratsk has it all. So, let’s dive into this incredible city and discover what makes it so special!

Key Takeaways:

  • Bratsk, a city in Russia, boasts a rich history, stunning landscapes, and a vibrant community, offering a unique experience for residents and visitors alike.
  • With its impressive hydroelectric power station, beautiful natural reserves, and diverse cultural scene, Bratsk is a city poised for promising growth and development.

Bratsk is a city in Irkutsk Oblast, Russia.

Located in Siberia, Bratsk is situated on the Angara River and is known for its breathtaking natural landscapes.

The city of Bratsk was founded on August 26, 1947.

It was established as a residential settlement for the workers of the Bratsk hydroelectric power station.

Bratsk is home to one of the largest hydroelectric power plants in the world.

The Bratsk Hydroelectric Power Station has a capacity of 4,500 MW and plays a significant role in Russia’s energy production.

The population of Bratsk is approximately 246,000 people.

It is the third-largest city in Irkutsk Oblast, after Irkutsk and Angarsk.

The name “Bratsk” is derived from the word “brothers”.

It symbolizes the unity and cooperation of the workers who contributed to the construction of the city.

Bratsk experiences a continental climate with long, cold winters and short, warm summers.

The average temperature in January is around -19°C (-2°F), while in July , it reaches an average of 18°C (64°F).

The Bratsk Reservoir, created by the damming of the Angara River, is one of the largest artificial lakes in the world.

It covers an area of 5,470 square kilometers (2,110 square miles ) and provides opportunities for various water activities.

Bratsk is a major transportation hub in Siberia.

It has a well-developed railway system and is connected to other cities in the region through an extensive network of roads.

The city of Bratsk is known for its vibrant cultural scene.

It is home to several theaters, museums, and art galleries that showcase the rich history and traditions of the region.

Bratsk is surrounded by picturesque natural landscapes, including dense forests, mountains, and rivers.

The area offers opportunities for outdoor activities such as hiking, fishing , and wildlife watching.

The Bratsk Dam, which forms the Bratsk Reservoir, was completed in 1967.

It stands at a height of 124 meters (407 feet) and is an impressive engineering feat.

The construction of the Bratsk Hydroelectric Power Station required the relocation of several villages and towns.

Efforts were made to ensure the smooth transition and well-being of the affected residents.

Bratsk has a diverse economy, with industries including energy, metallurgy, forestry, and agriculture.

The city’s development is closely tied to the Bratsk Hydroelectric Power Station and the surrounding natural resources.

Bratsk is home to several educational institutions, including universities, colleges, and vocational schools.

It serves as an educational center for the region, attracting students from different parts of Siberia .

The people of Bratsk are known for their warm hospitality and welcoming nature.

Visitors to the city often praise the friendly atmosphere and genuine kindness of the locals.

Bratsk has a rich cultural heritage, with influences from various ethnic groups living in the area.

The city celebrates traditional festivals, music, and dance, reflecting the diversity of its population .

The Bratsk Fortress is an important historical landmark in the city.

It dates back to the 17th century and serves as a reminder of Bratsk’s significant role in the region’s history.

Bratsk is known for its delicious cuisine, which features traditional Siberian dishes as well as Russian favorites.

Visitors can enjoy hearty soups, smoked fish , and locally sourced berries and mushrooms.

The Bratsk Museum of Local Lore showcases the history, culture, and natural wonders of the region.

It is a must-visit for those interested in learning more about Bratsk and its surroundings.

Bratsk has a well-developed sports infrastructure and supports various athletic activities.

The city has produced many talented athletes who have competed at national and international levels.

Bratsk is surrounded by beautiful nature reserves and national parks.

These protected areas are home to a wide range of flora and fauna, offering breathtaking sights for nature enthusiasts.

The Bratskaya street, one of the main streets in the city, is lined with shops, restaurants, and cafes.

It is a popular spot for locals and tourists to stroll, shop, and enjoy a meal.

Bratsk has a well-developed healthcare system, with modern hospitals and clinics.

The city prioritizes the health and well-being of its residents by providing quality medical facilities.

The Bratsk Opera and Ballet Theater is a cultural hub in the city, hosting performances by talented artists.

It showcases ballets, operas, and other musical events , attracting audiences from near and far.

Bratsk has a vibrant music scene, with local bands and musicians performing a variety of genres.

Music lovers can enjoy live performances at venues throughout the city.

The annual Bratsk International Film Festival celebrates the art of cinema.

It attracts filmmakers, industry professionals, and film enthusiasts from around the world.

The Bratsk Circus is a popular entertainment venue, featuring thrilling acrobatic performances and animal shows.

It offers fun-filled experiences for both children and adults.

Bratsk has a strong sense of community, with various civic organizations and volunteer groups working towards the betterment of the city.

Citizens actively participate in initiatives aimed at improving the environment, education, and social welfare.

The beautiful Bratsk City Park is a favorite spot for leisurely walks, picnics, and outdoor activities.

It offers a tranquil escape from the bustling city life.

Bratsk is known for its stunning sunsets, which paint the sky with vibrant colors.

The breathtaking views make for memorable moments and great photo opportunities.

The local markets of Bratsk are vibrant hubs of trade, showcasing a variety of local produce and goods.

Visitors can explore the stalls and sample fresh fruits, vegetables, and handicrafts.

Bratsk is an important center for scientific research and innovation.

The city is home to various research institutes and laboratories that contribute to advancements in different fields.

The Bratsk State University offers a wide range of educational programs across various disciplines.

It attracts students not only from Bratsk but also from other parts of Russia and abroad.

Bratsk is a city that embraces technology and digital connectivity.

The city’s infrastructure is well-equipped to meet the demands of the digital age.

Bratsk hosts various cultural events throughout the year, including music festivals, art exhibitions, and theatrical performances.

The city’s calendar is filled with opportunities to immerse oneself in the vibrant cultural scene.

Bratsk is a city where old traditions and modernity coexist harmoniously.

While the city embraces progress, it also values and preserves its rich cultural heritage.

Bratsk is surrounded by vast forests, making it an ideal destination for nature lovers and outdoor enthusiasts.

Hiking, camping, and wildlife spotting are popular activities in the area.

The Bratsk Philharmonic Orchestra is renowned for its exceptional performances and talented musicians.

It enchants audiences with a diverse repertoire that includes classical, contemporary, and traditional pieces.

Bratsk takes pride in its strong educational system, which emphasizes the importance of knowledge and skills.

It prepares the younger generation for bright futures and successful careers.

Bratsk is a city that celebrates diversity and promotes inclusivity.

It values the contributions of people from different backgrounds and fosters a sense of unity among its residents.

The Bratsk Mosque is an important religious landmark in the city.

It serves as a place of worship for the Muslim community and represents the city’s religious tolerance.

Bratsk is a city with a strong sense of environmental consciousness.

Efforts are made to protect and preserve the natural resources and promote sustainable practices.

Bratsk is a city that holds great potential for growth and development.

With its rich resources, vibrant community, and forward-thinking outlook, it is poised for a promising future.

In conclusion, these 43 facts about Bratsk showcase the fascinating history, natural wonders, and cultural significance of this city. From being home to one of the world’s largest hydroelectric power stations to boasting stunning landscapes like Lake Baikal and the Taiga forests, Bratsk has something for everyone. Its rich history, with traces of ancient civilizations and Soviet-era industrial development, adds a unique charm to the city.Whether you’re interested in adventure tourism, exploring historical sites, or simply immersing yourself in the local culture, Bratsk offers a myriad of experiences. The city’s warm hospitality, friendly locals, and delicious local cuisine make it a memorable destination for travelers.Don’t miss the opportunity to witness the breathtaking beauty of Bratsk. Visit this city and unlock its hidden gems, unforgettable experiences, and the chance to create lifelong memories.

Q: When is the best time to visit Bratsk?

A: The best time to visit Bratsk is during the summer months of June to August when the weather is pleasant and outdoor activities are in full swing.

Q: How do I get to Bratsk?

A: Bratsk can be reached by air through the Bratsk Airport, which has regular flights from major cities in Russia. Alternatively, you can also travel by train or bus from neighboring cities.

Q: Are there any popular attractions in Bratsk?

A: Yes , Bratsk is known for its popular attractions such as the Bratsk Hydroelectric Power Station, Lake Baikal, Taiga forests, and the Bratsk Reservoir.

Q: Is Bratsk safe for tourists?

A: Yes, Bratsk is generally safe for tourists. However, it is always advisable to take necessary precautions and be aware of your surroundings, especially in crowded areas.

Q: What are some traditional dishes to try in Bratsk?

A: Some traditional dishes to try in Bratsk include Siberian pelmeni, omul fish, stroganina, and local berry desserts.

Bratsk's stunning landscapes beckon nature enthusiasts to explore the wonders of the taiga biome, where cold climates shape unique ecosystems. This Russian city shares its rich history and culture with other fascinating destinations like Orenburg, inviting travelers to discover the depth and diversity of Russia's urban tapestry. Bratsk's massive hydroelectric power plant stands as a testament to human ingenuity, harnessing the immense potential of flowing water to power homes and industries, showcasing the transformative impact of hydroelectric technology .

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Our commitment to delivering trustworthy and engaging content is at the heart of what we do. Each fact on our site is contributed by real users like you, bringing a wealth of diverse insights and information. To ensure the highest standards of accuracy and reliability, our dedicated editors meticulously review each submission. This process guarantees that the facts we share are not only fascinating but also credible. Trust in our commitment to quality and authenticity as you explore and learn with us.

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Yacht Rock Revue pays tribute to smooth rock classics that are more relevant than ever

Byline photo of Charlie Hickman

Providing entertainment and relaxation for their audience is always top of mind for the members of Yacht Rock Revue. The smooth rock tribute band has been jamming in front of live audiences for nearly two decades, and it shows no signs of chilling out — unlike its music.

These purveyors of pure relaxation will bring their nostalgic sound to Coralville’s 4thFest on July 3. Ahead of its concert, Yacht Rock Revue frontman and singer Nicholas Niespodziani expressed how exciting it is to play for large crowds. When the band formed in Atlanta in 2007, it was mostly restricted to clubs and small venues.

“We were playing in places that are sweaty and drunk, it was a debaucherous time,” Niespodziani said. “Now we’re older and distinguished and playing big venues with massive audiences, and people treat us like artists.”

The band wasn’t always strictly a yacht rock group. Several band members, including another founding member and frontman Peter Olson, formed an indie rock band first. It wasn’t until a gig which was initially intended to be a one-off show that Yacht Rock Revue was formed.

To fit the style of the club they were performing at, the band members played a few soft rock classics and immediately noticed a reaction from the crowd. Choosing the genre the band would adhere to wasn’t a long deliberation process. It happened then and there.

“It was pretty much an accident,” Niespodziani said. “People loved it so much that the club owner told us we needed to come back, and so we did.”

The band was made up entirely of Atlanta musicians at the time, many of whom were in school. Although they had experienced minor success with their indie rock venture, with songs in local commercials and going on small tours, the band shifted to yacht rock completely and renamed itself “’70s AM Gold,” a name which would not last long as they quickly learned the term “yacht rock” drew much more attention.

Niespodziani dropped out of law school, and the band became real. Now bolstering a roster of 10 band members, Yacht Rock Revue has only grown since its humble beginnings in 2007.

Throughout their career, they’ve played alongside various artists whose music they tribute every night. When being joined on stage by the very legends who inspire them, they find they’re met with skepticism at first.

“We’re on stage with old-timers who say, ‘What is this? Who is this tribute band?’ But as as they realize how serious we are about the music, we win them over,” Niespodziani explained. The band’s dedication to revitalizing the music has landed it an opening act spot on tour with Train and REO Speedwagon this summer.

“It’s going to be nuts. We’re playing in giant amphitheaters on a level we’ve never experienced before,” Niespodziani said excitedly. As soon as the band leaves 4thFest, it’ll be hopping in tour buses to play to larger crowds than it’s ever seen. “We’re hopeful we can win over REO Speedwagon too.”

Both their 4thFest appearance and nationwide tour are stops in their usually 80-100-show year. Despite the high number of performances, Niespodziani never finds himself growing tired of it. In a time when yacht rock seems to be growing in popularity once again, the band is experiencing more and more success.

“We’re trying to bring that yacht vibe back to 2024,” Niespodziani explained. “It’s music of escape; it’s made to get away from the troubles of the world.”

At a time when people need an escape from the world more than ever, Yacht Rock Revue will bring its nostalgic sound and calming atmosphere to Coralville’s 4th Fest. Niespodziani is as excited as the audience is to experience the concert.

“I love what I do, singing songs that make people happy,” said Niespodziani. “It’s a great way to unplug, sing silly songs, and have fun. That’s why the music is so timeless.”

Contributed by Ingrid Jensen/Mariana Meraz

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Ilim Group Presents its New KLB Mill to Industry Players

Presentation of the largest kraftliner production site in Russia took place at the 27th International Exhibition of the Packaging Industry RosUpack

Ilim Group Presents its New KLB Mill to Industry Players

The presentation of the Big Ust-Ilimsk Project, involving the construction of Russia’s one-of-a-kind pulp and board (KLB) mill in the Irkutsk Oblast, was one of the key events at RosUpack 2023. When speaking at the plenary session on corrugated board packaging market development, Alexey Chenyaev, Ilim’s Senior Vice President, Sales, Supply Chain Management and Packaging, focused on the advanced manufacturing and environmental solutions implemented at the new KLB Mill and prospects for sales market expansion it will secure.

After KLB Mill ramp-up (600,000 tons of kraftliner per year), the total annual output of Ilim Group will amount to 4.3 million tons. The Company will be one of the world’s largest producers of unbleached packaging materials and will strengthen its leadership in the Chinese market of wood-free corrugated materials with a share of approximately 50 to 60%.

The Big Ust-Ilimsk project was met by exhibitors with great interest. This year the event was attended by more than 740 companies from 19 countries. Ilim’s booth with an area of 140 m2 was one of the largest one at the site and was operated by about 50 experts from Sales and Corrugated Box Business Management Departments. The booth was attended by over 60 key accounts and more than 120 representatives of various companies, including such major ones as Heinz, MARS and KDV-Group.

Reference information:

Ilim Group is the leader of the Russian pulp and paper industry and one of the industry leaders globally. Ilim Group has three pulp and paper mills in the Arkhangelsk (Koryazhma) and Irkutsk (Bratsk and Ust-Ilimsk) Oblasts, two modern corrugated box plants in the Leningrad and Moscow Oblasts (Kommunar and Dmitrov, respectively), and Sibgiprobum engineering and design institute (Irkutsk).

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    I think it has room to grow as well. Each of these songs has elements influenced by the essential Yacht Rock lords. Keep in mind it's extremely hard to nail down the spirit of yacht rock in modern artists. I found very little published material to guide me. Most articles pertaining to new age Yacht Rock influences simply brought up Foxygen and ...

  15. New Yacht Rock Album Releases, New Music

    New Yacht Rock Albums. Archie James Cavanaugh. Black and White Raven [Reissue] Jul 8. Parcels. Day/Night. Nov 5. 82. critic score.

  16. Modern Yacht Rock

    Presenting the third installment in our series of annual modern yacht rock summer mixtapes: As always, we're expanding the yacht rock universe here to include more modern sounds inspired by those classic easy listening FM-gold guilty pleasures of the late '70s and early '80s, while occasionally veering off into balearica, pillowy soft funk, sophisti-pop, long-lost obscurities, exotica, and ...

  17. Yacht Rock Essentials: How Little River Band Struck a New Chord with

    Little River Band were one of many groups peddling soft-rock grooves and smooth vocal harmonies on American radio in the mid-1970s, although they stood out somewhat in that they hailed from Australia.

  18. Yacht rock for the 2020s? : r/Yachtrock

    But if you mean are there modern bands that sound like classic yacht rock, I would say definitely check out some of the bands already mentioned here like Young Gun Silver Fox, Samuel Purdey, and Powder Blue Tux, as well as State Cows, Monkey House, Page 99, and Ed Motta.

  19. Top 50 Yacht Rock Songs

    20. "Brandy (You're a Fine Girl)," Looking Glass (1972) Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town ...

  20. Yacht rock stinks but these five songs are still unbelievably good

    A lot of the rest of their music could be accurately called yacht rock. But their one hit was a hit for a reason. It had energy and life, almost as if it were being fueled by the smoke of a ...

  21. Modern Yacht Rock

    Modern Yacht Rock · Playlist · 162 songs · 55 likes. Modern Yacht Rock · Playlist · 162 songs · 55 likes. Modern Yacht Rock · Playlist · 162 songs · 55 likes. Home; Search; Resize main navigation. Preview of Spotify. Sign up to get unlimited songs and podcasts with occasional ads. ...

  22. 43 Facts About Bratsk

    23 Bratsk has a well-developed healthcare system, with modern hospitals and clinics. 24 The Bratsk Opera and Ballet Theater is a cultural hub in the city, hosting performances by talented artists. 25 Bratsk has a vibrant music scene, with local bands and musicians performing a variety of genres.

  23. Bratsk Map

    Bratsk Bratsk is a city in Irkutsk Oblast, Russia, located on the Angara River near the vast Bratsk Reservoir. 224,071 Church of the Nativity Church of All Saints Resplendent in the Russian Land Bratsk HPS Bratsk City Hall…

  24. Yacht Rock Revue pay tribute to smooth rock classics that are more

    Now bolstering a roster of 10 band members, Yacht Rock Revue has only grown since its humble beginnings in 2007. Throughout their career, they've played alongside various artists whose music they tribute every night. When being joined on stage by the very legends who inspire them, they find they're met with skepticism at first. ...

  25. Ilim Group starts installation of main equipment at its new KLB Mill in

    Ilim has three pulp and paper mills in the Arkhangelsk (Koryazhma) and Irkutsk (Bratsk, Ust-Ilimsk) Oblasts, two modern corrugated box plants in the Leningrad and Moscow Oblasts, and Sibgiprobum engineering and design institute (Irkutsk). The Company's total output in 2020 amounted to 3.6 million tons per year. Ilim supplies its products to ...

  26. Ilim Group Presents its New KLB Mill to Industry Players

    Presentation of the largest kraftliner production site in Russia took place at the 27th International Exhibition of the Packaging Industry RosUpack. The presentation of the Big Ust-Ilimsk Project, involving the construction of Russia's one-of-a-kind pulp and board (KLB) mill in the Irkutsk Oblast, was one of the key events at RosUpack 2023.