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POLLARI - Diamonds! ft. Lil Yachty (prod. Danny Wolf & David Morse)

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Partnership with American Songs

POLLARI is an Atlanta-based rapper and designer who signed with Pulse through our partnership with Rick Rubin’s American Songs. He collaborated with Playboi Carti on his debut track “Fe Fe”, and has since released several singles including his breakout track “Saving You” with Lil Yachty. His recent collaborators include Lil Skies, Chasethemoney, Supahmario, 10fifty, Nick Mira, Starboy, Working on Dying, and 808 Mafia.

• Lil Yachty & Pollari - "Saving You" (Featured Artist / Songwriter)
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Pollari ft. Lil Yachty – “Follies”

• By | Kevin Bell
• Published | July 17, 2016
• follies (pollari) , lil llari world , lil yachty , pollari

Listen to “Follies” ft. Lil Yachty below:

https://soundcloud.com/pollari/follies-ft-lil-yachty-prod-f1lthy

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Lil Yachty Tell His Concrete Boys Crew ‘Let’s Get On Dey Ass’ With An Electrifying New Video

Earlier this year, Lil Yachty launched his record label, Concrete Rekordz , and signed his first act: The raucous, Atlanta-based crew Concrete Boys, which includes a collection of proteges Yachty believes can get hip-hop out of the “ terrible state ” he fretted over last year. To that end, he’s been releasing a slew of off-the-wall, free verse-style singles, including “ A Cold Sunday ,” “ Something Ether ,” and now, “Let’s Get On Dey Ass,” an electrifying track in the vein of fellow ATLien Playboi Carti’s amorphous, video gamey sound.

In the colorful video for the song, Yachty and the Boys (and Karrahbooo — I guess it’s like a “Storm from the X-Men” situation) vibe out and parade through a series of sparse tableaux sporting matching gear to show off their team spirit. They also demonstrate an astonishing array of complex high-fives, careen through the Georgia woods in a luxury SUV, and peruse racks of vacuum sealed fashion pieces. The vibe just screams good times and camaraderie, and suggests more boisterous and defiant hits to come.

Yachty isn’t just trying to save hip-hop, though; last month, he also teamed up with UK producer James Blake for an experimental collaborative album called Bad Cameo .

Watch Lil Yachty’s “Let’s Get On Dey Ass” video above.

Lil Yachty's Label Concrete Boyz set to release their first collaboration project 'It's Us Volume 1' this April

A ccording to NFR Podcast, Lil Yachty's record label, Concrete Boys (also known as Concrete Boyz), is set to release their first collaboration project titled It's Us: Volume 1 on all streaming platforms this April.

NFR's official X account posted on March 25, confirming the release date of the Concrete Boyz project as April 5, 2024. The post also revealed the featured artists, including Lil Yachty, Karrahbooo, Draft Day, DC2Trill, and Camo. The tweet read:

"LIL YACHTY, KARRAHBOOO, DRAFT DAY, DC2TRILL, CAMO!"

The tracklist for the upcoming album is yet to be confirmed, but based on the artists involved in this project, it's likely to showcase a fusion of alternative rock, R&B, and rap.

Lil Yachty and Concrete Boys Discography

Yachty (Lil Boat), who is currently signed to Quality Control, incorporated his own Record Label Concrete Boyz, a few years ago in an attempt to bring upcoming artists in his genre to the spotlight.

Over the years, Yachty and his team have been slowly recruiting rappers and artists from across the music industry, from 31 Camo to Karahbooo, all of whose music appears to have been inspired by Boat's discography.

Lil Yachty has also collaborated with his signees on some of his previous work. Below are two songs officially released alongside Artist Draft Day:

• Demon Time (Feat. Draft Day)
• POPOVICH Freestyle (Feat. Draft Day)

On May 29, 2020, Yachty released his fourth studio album, titled Lil Boat 3 , across all DSPs (Digital Streaming Platforms) via Quality Control Music and Motown Records. The 19-track project included a track titled Concrete Boys .

This track acted as the official introduction to the "Concrete Crew" he was building with his record label. The song includes a shout-out to the Concrete Boys in the chorus when Yachty implies that when his "back is against the wall," he can always rely on his crew to come through for him.

Another notable bar from Lil Yachty's song has been listed below:

"I just woke up, dreamin' 'bout the rose (Oh my God) / They had ni**as 'round me who don't stand on toes (Hell nah) / Barely ever do I think about my foes / How much longer will I live? Only God knows."

On December 16, 2023, a song titled Mo Jams was released on the official YouTube channel for Concrete Boys, alongside a music video that featured most of the CB roster, except for 31 Camo. Mo Jams was produced by Rawbone and acts as the first official collaboration between the members of Concrete Boys.

This track, although not being released on DSPs, has garnered significant attention for an upcoming collaboration project by racking up almost 4 million views on YouTube.

As fans await a Concrete Boys collaboration album, Lil Yachty continues to impress fans by following up on his widely acclaimed 2023 project Let's Start Here, which found the rapper delving into a more experimental sound with his music.

Notably, Yachty has been releasing a string of singles, which include his collaboration with Fred Again.. on stayinit. The rapper was also featured on Lyrical Lemonade's debut studio album, All Is Yellow , which dropped two months ago in January 2024.

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• Hypebeast100

Best New Tracks: Childish Gambino, Denzel Curry, Lil Yachty and More

Dive into the weekend with these 10 music projects..

As the week in music comes to a close, Hypebeast has rounded up the best projects for the latest installment of Best New Tracks .

This week’s lineup is led by Childish Gambino , Denzel Curry and Lil Yachty , who each dropped the albums  Bando Stone & The New World  and  King of the Mischievous South Vol. 2 , and the single “Let’s Get On Dey Ass.” Also joining this selection are fresh releases from Big Sean , Rakim with B.G. , Hus Kingpin and Compton Menace , Dillon Francis with Chloe Moriondo , midwxst , Blood Orange with Liam Benzvi , Benny the Butcher and Bbyafricka with Surf Gang .

Childish Gambino -  Bando Stone & The New World

Denzel Curry -  King of the Mischievous South Vol. 2

Lil Yachty – “Let’s Get On Dey Ass”

Big Sean – “Yes”

Rakim x B.G. x Hus Kingpin x Compton Menace – “Now Is The Time”

midwxst -  BACK IN ACTION 4.0

Dillon Francis x Chloe Moriondo – “Lonely (Planet Earth)”

Benny The Butcher – “Summer ‘24”

Liam Benzvi x Blood Orange – “Other Guys”

Bbyafricka x Surf Gang -  Hard Copy

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Lil Uzi Vert, Lil Yachty and more close out Milwaukee's Summerfest with a hip-hop feast

It's only fitting that Summerfest — one of the world's largest music festivals with more than 600 performances over nine days — should end with a massive show in its biggest venue, the American Family Insurance Amphitheater.

Hip-hop superstar Lil Uzi Vert closed out the Milwaukee fest's largest stage Saturday, a noteworthy booking considering the only other place they've played this year was Coachella, and they have no other appearances scheduled this year (so far).

But with all due respect to Uzi Vert, that's not what made this show massive.

It was the incredibly stacked bill leading up to the finale, with Lil Yachty, J.I.D., Rico Nasty, LIHTZ and a thrilling Milwaukee hip-hop showcase starring breakout rappers J.P. and 414BigFrank, with surprise appearances by SteveDaStoner and Mook G, plus Milwaukee spinner Djay Mando.

In total, there were nine rappers who performed at the amphitheater Saturday. The show lasted a full five hours, with 15 minutes max between sets.

Need a break? Play the USA TODAY Daily Crossword Puzzle.

More: 'Thankful for the opportunity': Milwaukee rappers J.P., 414BigFrank mark Summerfest debuts

More: Ivan Cornejo, Anne Wilson, Amy Grant and the best and worst of Summerfest 2024's final day

Lil Uzi Vert ends Summerfest with a wild, rare show

That said, purists will scoff at the idea of Lil Uzi Vert being considered hip-hop, and their 45-minute Summerfest set wouldn't convince them otherwise. Rapping isn't the strong suit for the rap superstar, who went for long stretches across their songs not really rapping at all — including one somewhat tedious moment where they were trying to take a selfie on a fan's phone while the DJ blasted "Fire Alarm."

But Uzi Vert's appeal is that they are a walking, (sort of) rapping embodiment of Freud's concept of Id. And what they primarily wanted to do at this rare 2024 show is rock out.

For "x2," from last year's white-knuckle "Pink Tape" album — a song that sounds a bit like a Nintendo game soundtrack on steroids — Uzi Vert jumped the barricades to hang with fans at the base of a video screen, freaking out security. During "Amped," they were so hyped up they tossed an (unlucky) fan's phone that ended up on stage some 20 feet in the air, then for subsequent song "Pop," flung a microphone across the stage in a fit of passion.

Then later for a song that can aptly be described as their life's mission statement — "Do What I Want" — Uzi Vert dropped to their knees on a ramp on stage, in the center of a big ring of lights, where they were greeted with a deafening singalong. But it still wasn't loud enough for Uzi Vert, who orchestrated the crowd from their knees with waving arms, the singalong, seemingly at peak volume seconds ago, reaching greater heights.

Uzi Vert put a lot of energy onto that stage and was paid back from the crowd in kind, who supplied more electricity than even the DJ's bass-rattling song drops could muster singing and rapping along to Uzi Vert's unstoppable bangers like "20 Min" (including, for a minute, a cappella); their superstar-cementing blockbuster "XO Tour Llif3"; and their latest tsunami-level rager "Just Wanna Rock."

And while Uzi Vert's team made the curious choice to not let their set be filmed to be projected on the amphitheater's big screen, that didn't prevent the crowd way back on the bleachers from wilding out.

Lil Yachty has fun slipping into their old persona and songs

Lil Yachty has earned a reputation for being one of mainstream hip-hop's most admired weirdos, but even their recent output has managed to surprise, from last year's "Let's Start Here" album, which drastically switched up his style for a more psychedelic soul rock sound, and this year's "Bad Cameo," an often dreamy album made with Justin Vernon-loving English producer and songwriter James Blake.

"Cameo" didn't make a cameo during Yachty's nearly hourlong set, but it did begin with "Drive ME Crazy!" from "Here." But Yachty at the start of his set was surprisingly passive, the crowd, from my perspective, seemingly more excited to see Yachty than to hear Yachty take detours with newer material.

So, after a few songs, Yachty vowed to "turn this (expletive) upside down," delivering on that promise with "Slide" — a more straightforward, crowd-bouncing 2023 hip-hop track — and the audience transformed there for being happy Yachty was on stage to being thrilled to dance and rap to his music.

And that remained the mode, from both the rapper and his fans, for much of the rest of the set — aside from a touching moment when Yachty had the boisterous crowd join in a moment of silence in memory of Yachty's "Yacht Club" collaborator Juice WRLD.

If Yachty, at this stage of his artistic evolution, doesn't feel much connection with cutesy, nursery rhyme-like early hits like "Minnesota," "Broccoli" and "iSpy," he didn't show it, seemingly having as much fun vibing to those songs as his fans did nostalgically belting out their lyrics.

And while Yachty, like Uzi Vert, coasted here and there without much live rapping, he offered more than the main headliner, like an a cappella spin through "From the D to the A."

J.I.D. demonstrates superhuman spitting skills with opening set

J.I.D. accomplished the impressive feat of making Imagine Dragons seem cool in recent years with his dizzying guest verse on their hit “Enemy,” and his Summerfest set was an even greater demonstration of his superhuman skill.

His words flew so fast — but the enunciation still sticking with every syllable — that his rhymes outraced the speedy scroll of lyrics on the screen behind him for “151 Rum.” One could quibble that he announced it was his time to bounce five minutes before his set actually was supposed to end — but J.I.D. brought so much energy to thrillers like “Stick” and “Surround Sound,” and did such a good job convincing old hip-hop heads that the art of rap was in good hands, that he earned the right to hit the showers early.

Rico Nasty goes for the throat with visceral, fun set

Rico Nasty was no-nonsense for her 35-minute set, barely taking a break or talking to the crowd. But her personality was loud and clear.

Her brash, punk-inspired flow went straight for the jugular — even while it was peppered with some throat-ripping yells, eerily cutesy delivery a la early Nicki Minaj, and the occasional butt shake.

She never coasted on backing vocals either — her head-spinning delivery for “Cold” was especially fiery — and hearing her rap her signature song “Smack a (expletive)” over the beat for Ludacris’ “Move (expletive)” was an inspired flip.

LIHTZ doesn't fit bill, but makes lasting impression

On paper, LIHTZ was the most out of place of all the rappers on Saturday’s bill. While everyone else on stage had catalogs filled with high-energy bangers, the masked Philadelphia rapper specializes in softer, slower, melodic pain rap, with pensive piano and acoustic guitar the dominating sounds on “Mixed Signals” and “Serenity.” But LIHTZ was such a passionate presence on stage, with such a luminous flow — even expressed a cappella for a portion of “Broken Spirit” — that he was impossible not to like.

Milwaukee's own J.P., 414BigFrank, SteveDaStoner, Mook G, Djay Mando kick things off

Saturday’s amphitheater show at Summerfest was a celebration of some of hip-hop’s most exciting national talents — and that includes Milwaukee’s street rap scene, which has earned a place in that conversation.

For about five years, local rappers have earned hundreds of thousands, even millions, of streams for individual songs at a rapid clip. There have been record deals and glowing coverage from Pitchfork, Rolling Stone and other major outlets. And Saturday, multiple buzzy Milwaukee rappers played Summerfest’s biggest stage.

Milwaukee’s premier party starter Djay Mando set the mood first, slipping in local rap gems like Munch Lauren’s “Big Money” and AyooLii’s “Schmackin Town” into his mix. Then came 414BigFrank, whose big, fun-loving personality instantly emerged for this year’s lowend breakout “Eat Her Up,” with Frank and about a quarter of the large on-stage entourage busting into some synchronized dance moves.

Unannounced special guest Mook G took the stage next for “Pay Me,” with another surprise guest, SteveDaStoner, rapping by his side. Stoner essentially has become the mascot for Milwaukee’s rap scene — and a popular guy eager for a selfie roaming the stages through the fest this year — and when he took over the set for his signature banger “RWS,” it was clear how Ludacris could have charmed enough by the guy to join him for a viral “free concert” stunt at 3rd Street Market Hall last month.

J.P., effortlessly translating the charm and charisma from his TikToks to a big stage, closed out this 25-minute Milwaukee rap party — a fitting choice considering none other than Lil Uzi Vert was the first famous rapper to endorse the Milwaukee rapper following his debut lowend single “Juicey Ahhh.” Alas, it didn’t make the set, but J.P. has since had an even bigger smash, “Bad Bitty” — arguably the biggest song ever from a Milwaukee-based rapper, with more than 19 million Spotify streams and counting. You better believe even the people toward the back of the amphitheater rapped “Bad Bitty” back to J.P. at the top of their lungs.

To see the scene celebrated on the biggest stage of Milwaukee’s biggest festival was a joyful achievement after years of unprecedented accomplishments. Here’s hoping it marks the first chapter of an exciting new beginning.

Contact Piet at (414) 223-5162 or  [email protected] . Follow him on X at  @pietlevy  or Facebook at  facebook.com/PietLevyMJS .

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Lil Uzi Vert, Lil Yachty, Rico Nasty and More at Summerfest 2024 Milwaukee 

Lil Uzi Vert headlined a star-studded hip-hop lineup at Milwaukee’s Summerfest 2024. Lil Yachty, J.I.D., Rico Nasty, and Uzi supported Uzi in the lineup, showing why this festival lives up to the hype.

Rico Nasty kicked off the main performances, and reports are that her set was curated perfectly for the energetic crowd.

Next up was Dreamville artist J.I.D., who performed “Never” and “Surround Sound,” bringing the crowd out of their seats, where some were moshing with energy. Gotta love a good mosh pit in Hip Hop.

Then Lil Yachty took the stage. Reports are that the energy shifted downward a bit but that’s expected after many acts leading up to a big headliner.

The evening ended with a memorable performance from Lil Uzi Vert, who ensured their place was nothing short of a highlight for the festival. They dropped their hits, living up to their rockstar persona. Closing Summerfest 2024 with Uzi proved to be a winning move.

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