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Ultimate Classic Rock

Top 50 Yacht Rock Songs

Yacht rock was one of the most commercially successful genres to emerge from the '70s and yet has managed to evade concise definition since its inception. For many listeners, it boils down to a feeling or mood that cannot be found in other kinds of music: Simply put, you know it when you hear it.

Some agreed-upon elements are crucial to yacht rock. One is its fluidity, with more emphasis on a catchy, easy-feeling melody than on beat or rhythm. Another is a generally lighthearted attitude in the lyrics. Think Seals & Crofts ' "Summer Breeze," Christopher Cross ' "Ride Like the Wind" or Bill Withers ' "Just the Two of Us." Yes, as its label suggests, music that would fit perfectly being played from the deck of a luxurious boat on the high seas.

But even these roughly outlined "rules" can be flouted and still considered yacht rock. Plenty of bands that are typically deemed "nyacht" rock have made their attempts at the genre: Crosby, Stills & Nash got a bit nautical with "Southern Cross," leading with their famed tightly knit harmonies, and Fleetwood Mac also entered yacht rock territory with "Dreams" – which, although lyrically dour, offers a sense of melody in line with yacht rock.

Given its undefined parameters, the genre has become one of music's most expansive corners. From No. 1 hits to deeper-cut gems, we've compiled a list of 50 Top Yacht Rock Songs to set sail to below.

50. "Thunder Island," Jay Ferguson (1978)

Younger generations might be more apt to recognize Jay Ferguson from his score for NBC's The Office , where he also portrayed the guitarist in Kevin Malone's band Scrantonicity. But Ferguson's musical roots go back to the '60s band Spirit; he was also in a group with one of the future members of Firefall, signaling a '70s-era shift toward yacht rock and "Thunder Island." The once-ubiquitous single began its steady ascent in October 1977 before reaching the Top 10 in April of the following year. Producer Bill Szymczyk helped it get there by bringing in his buddy Joe Walsh for a soaring turn on the slide. The best showing Ferguson had after this, however, was the quickly forgotten 1979 Top 40 hit "Shakedown Cruise." (Nick DeRiso)

49. "Southern Cross," Crosby, Stills & Nash (1982)

CSN's "Southern Cross" was an example of a more literal interpretation of yacht rock, one in which leftover material was revitalized by Stephen Stills . He sped up the tempo of a song titled " Seven League Boots " originally penned by brothers Rick and Michael Curtis, then laid in new lyrics about, yes, an actual boat ride. "I rewrote a new set of words and added a different chorus, a story about a long boat trip I took after my divorce," Stills said in the liner notes  to 1991's CSN box. "It's about using the power of the universe to heal your wounds." The music video for the song, which went into heavy rotation on MTV, also prominently displayed the band members aboard a large vessel. (Allison Rapp)

48. "Jackie Blue," the Ozark Mountain Daredevils (1974)

Drummer Larry Lee only had a rough idea of what he wanted to do with "Jackie Blue," originally naming it after a bartending dope pusher. For a long time, the Ozark Mountain Daredevils' best-known single remained an instrumental with the place-keeper lyric, " Ooh, ooh, ooh, ooh Jackie Blue. He was dada, and dada doo. He did this, he did that ... ." Producer Glyn Johns, who loved the track, made a key suggestion – and everything finally snapped into place: "No, no, no, mate," Johns told them. "Jackie Blue has to be a girl." They "knocked some new lyrics out in about 30 minutes," Lee said in It Shined: The Saga of the Ozark Mountain Daredevils . "[From] some drugged-out guy, we changed Jackie into a reclusive girl." She'd go all the way to No. 3. (DeRiso)

47. "Sailing," Christopher Cross (1979)

You’d be hard-pressed to find a more quintessential yacht rock song than “Sailing.” The second single (and first chart-topper) off Christopher Cross’ 1979 self-titled debut offers an intoxicating combination of dreamy strings, singsong vocals and shimmering, open-tuned guitar arpeggios that pay deference to Cross’ songwriting idol, Joni Mitchell . “These tunings, like Joni used to say, they get you in this sort of trance,” Cross told Songfacts in 2013. “The chorus just sort of came out. … So I got up and wandered around the apartment just thinking, ‘Wow, that's pretty fuckin' great.’” Grammy voters agreed: “Sailing” won Record of the Year, Song of the Year and Best Arrangement at the 1981 awards. (Bryan Rolli)

46. "Just the Two of Us," Bill Withers and Grover Washington Jr. (1980)

A collaboration between singer Bill Withers and saxophonist Grover Washington Jr. resulted in the sleek "Just the Two of Us." When first approached with the song, Withers insisted on reworking the lyrics. "I'm a little snobbish about words," he said in 2004 . "I said, 'Yeah, if you'll let me go in and try to dress these words up a little bit.' Everybody that knows me is kind of used to me that way. I probably threw in the stuff like the crystal raindrops. The 'Just the Two of Us' thing was already written. It was trying to put a tuxedo on it." The track was completed with some peppy backing vocals and a subtle slap bass part. (Rapp)

45. "Sara Smile," Daryl Hall & John Oates (1975)

It doesn't get much smoother than "Sara Smile," Daryl Hall & John Oates ' first Top 10 hit in the U.S. The song was written for Sara Allen, Hall's longtime girlfriend, whom he had met when she was working as a flight attendant. His lead vocal, which was recorded live, is clear as a bell on top of a velvety bass line and polished backing vocals that nodded to the group's R&B influences. “It was a song that came completely out of my heart," Hall said in 2018 . "It was a postcard. It’s short and sweet and to the point." Hall and Allen stayed together for almost 30 years before breaking up in 2001. (Rapp)

44. "Rosanna," Toto (1982)

One of the most identifiable hits of 1982 was written by Toto co-founder David Paich – but wasn't about Rosanna Arquette, as some people have claimed, even though keyboardist Steve Porcaro was dating the actress at the time. The backbeat laid down by drummer Jeff Porcaro – a "half-time shuffle" similar to what John Bonham played on " Fool in the Rain " – propels the track, while vocal harmonies and emphatic brass sections add further layers. The result is an infectious and uplifting groove – yacht rock at its finest. (Corey Irwin)

43. "Diamond Girl," Seals & Crofts (1973)

Seals & Crofts were soft-rock stylists with imagination, dolling up their saccharine melodies with enough musical intrigue to survive beyond the seemingly obvious shelf life. Granted, the lyrics to “Diamond Girl,” one of the duo’s three No. 6 hits, are as sterile as a surgery-operating room, built on pseudo-romantic nothing-isms ( “Now that I’ve found you, it’s around you that I am” — what a perfectly natural phrase!). But boy, oh boy does that groove sound luxurious beaming out of a hi-fi system, with every nuance — those stacked backing vocals, that snapping piano — presented in full analog glory. (Ryan Reed)

42. "What You Won't Do for Love," Bobby Caldwell (1978)

Smooth. From the opening horn riffs and the soulful keyboard to the funk bass and the velvety vocals of Bobby Caldwell, everything about “What You Won’t Do for Love” is smooth. Released in September 1978, the track peaked at No. 9 on the Billboard Hot 100 and went on to become the biggest hit of Caldwell’s career. It was later given a second life after being sampled for rapper 2Pac's posthumously released 1998 hit single “Do for Love.” (Irwin)

41. "We Just Disagree," Dave Mason (1977)

Dave Mason's ace in the hole on the No. 12 smash "We Just Disagree" was Jim Krueger, who composed the track, shared the harmony vocal and played that lovely guitar figure. "It was a song that when he sang it to me, it was like, 'Yeah, that's the song,'" Mason told Greg Prato in 2014. "Just him and a guitar, which is usually how I judge whether I'm going to do something. If it holds up like that, I'll put the rest of the icing on it." Unfortunately, the multitalented Krueger died of pancreatic cancer at age 43. By then, Mason had disappeared from the top of the charts, never getting higher than No. 39 again. (DeRiso)

40. "Crazy Love," Poco (1978)

Rusty Young was paneling a wall when inspiration struck. He'd long toiled in the shadow of Stephen Stills , Richie Furay and Neil Young , serving in an instrumentalist role with Buffalo Springfield and then Poco . "Crazy Love" was his breakout moment, and he knew it. Rusty Young presented the song before he'd even finished the lyric, but his Poco bandmates loved the way the stopgap words harmonized. "I told the others, 'Don't worry about the ' ooh, ooh, ahhhh haaa ' part. I can find words for that," Young told the St. Louis Dispatch in 2013. "And they said, 'Don't do that. That's the way it's supposed to be.'" It was: Young's first big vocal became his group's only Top 20 hit. (DeRiso)

39. "Suspicions," Eddie Rabbitt (1979)

Eddie Rabbitt 's move from country to crossover stardom was hurtled along by "Suspicions," as a song about a cuckold's worry rose to the Top 20 on both the pop and adult-contemporary charts. Behind the scenes, there was an even clearer connection to yacht rock: Co-writer Even Stevens said Toto's David Hungate played bass on the date. As important as it was for his career, Rabbitt later admitted that he scratched out "Suspicions" in a matter of minutes, while on a lunch break in the studio on the last day of recording his fifth album at Wally Heider's Los Angeles studio. "Sometimes," Rabbitt told the Associated Press in 1985, "the words just fall out of my mouth." (DeRiso)

38. "Moonlight Feels Right," Starbuck (1976)

No sound in rock history is more yacht friendly than Bruce Blackman’s laugh: hilarious, arbitrary, smug, speckled with vocal fry, arriving just before each chorus of Starbuck’s signature tune. Why is this human being laughing? Shrug. Guess the glow of night will do that to you. Then again, this is one of the more strange hits of the '70s — soft-pop hooks frolicking among waves of marimba and synthesizers that could have been plucked from a classic prog epic. “ The eastern moon looks ready for a wet kiss ,” Blackman croons, “ to make the tide rise again .” It’s a lunar make-out session, baby. (Reed)

37. "Same Old Lang Syne," Dan Fogelberg (1981)

“Same Old Lang Syne” is a masterclass in economic storytelling, and its tragedy is in the things both protagonists leave unsaid. Dan Fogelberg weaves a devastating tale of two former lovers who run into each other at a grocery store on Christmas Eve and spend the rest of the night catching up and reminiscing. Their circumstances have changed — he’s a disillusioned professional musician, she’s stuck in an unhappy marriage — but their love for each other is still palpable if only they could overcome their fears and say it out loud. They don’t, of course, and when Fogelberg bids his high-school flame adieu, he’s left with only his bittersweet memories and gnawing sense of unfulfillment to keep him warm on that snowy (and later rainy) December night. (Rolli)

36. "Eye in the Sky," the Alan Parsons Project (1982)

Few songs strike a chord with both prog nerds and soft-rock enthusiasts, but the Alan Parsons Project's “Eye in the Sky” belongs to that exclusive club. The arrangement is all smooth contours and pillowy textures: By the time Eric Woolfson reaches the chorus, shyly emoting about romantic deception over a bed of Wurlitzer keys and palm-muted riffs, the effect is like falling slow motion down a waterfall onto a memory foam mattress. But there’s artfulness here, too, from Ian Bairnson’s seductive guitar solo to the titular phrase conjuring some kind of god-like omniscience. (Reed)

35. "Somebody's Baby," Jackson Browne (1982)

Jackson Browne 's highest-charting single, and his last Top 10 hit, was originally tucked away on the soundtrack for the 1982 teen comedy Fast Times at Ridgemont High . That placed Browne, one of the most earnest of singer-songwriters, firmly out of his element. "It was not typical of what Jackson writes at all, that song," co-composer Danny Kortchmar told Songfacts in 2013. "But because it was for this movie, he changed his general approach and came up with this fantastic song." Still unsure of how it would fit in, Browne refused to place "Somebody's Baby" on his next proper album – something he'd later come to regret . Lawyers in Love broke a string of consecutive multiplatinum releases dating back to 1976. (DeRiso)

34. "Still the One," Orleans (1976)

Part of yacht rock’s charm is being many things but only to a small degree. Songs can be jazzy, but not experimental. Brass sections are great but don’t get too funky. And the songs should rock, but not rock . In that mold comes Orleans’ 1976 hit “Still the One.” On top of a chugging groove, frontman John Hall sings about a romance that continues to stand the test of time. This love isn’t the white-hot flame that leaves passionate lovers burned – more like a soft, medium-level heat that keeps things comfortably warm. The tune is inoffensive, catchy and fun, aka yacht-rock gold. (Irwin)

33. "New Frontier," Donald Fagen (1982)

In which an awkward young man attempts to spark a Cold War-era fling — then, hopefully, a longer, post-apocalyptic relationship — via bomb shelter bunker, chatting up a “big blond” with starlet looks and a soft spot for Dave Brubeck. Few songwriters could pull off a lyrical concept so specific, and almost no one but Donald Fagen could render it catchy. “New Frontier,” a signature solo cut from the Steely Dan maestro, builds the sleek jazz-funk of Gaucho into a more digital-sounding landscape, with Fagen stacking precise vocal harmonies over synth buzz and bent-note guitar leads. (Reed)

32. "Sail On, Sailor," the Beach Boys (1973)

The Beach Boys were reworking a new album when Van Dyke Parks handed them this updated version of an unfinished Brian Wilson song. All that was left was to hand the mic over to Blondie Chaplin for his greatest-ever Beach Boys moment. They released "Sail On, Sailor" twice, however, and this yearning groover somehow barely cracked the Top 50. Chaplin was soon out of the band, too. It's a shame. "Sail On, Sailor" remains the best example of how the Beach Boys' elemental style might have kept growing. Instead, Chaplin went on to collaborate with the Band , Gene Clark of the  Byrds  and the Rolling Stones – while the Beach Boys settled into a lengthy tenure as a jukebox band. (DeRiso)

31. "Time Passages," Al Stewart (1978)

Al Stewart followed up the first hit single of his decade-long career – 1976's "Year of the Cat" – with a more streamlined take two years later. "Time Passages" bears a similar structure to the earlier track, including a Phil Kenzie sax solo and production by Alan Parsons. While both songs' respective album and single versions coincidentally run the same time, the 1978 hit's narrative wasn't as convoluted and fit more squarely into pop radio playlists. "Time Passages" became Stewart's highest-charting single, reaching No. 7 – while "Year of the Cat" had stalled at No. 8. (Michael Gallucci)

30. "I Go Crazy," Paul Davis (1977)

Paul Davis looked like he belonged in the Allman Brothers Band , but his soft, soulful voice took him in a different direction. The slow-burning nature of his breakthrough single "I Go Crazy" was reflected in its chart performance: For years the song held the record for the most weeks spent on the chart, peaking at No. 7 during its 40-week run. Davis, who died in 2008, took five more songs into the Top 40 after 1977, but "I Go Crazy" is his masterpiece – a wistful and melancholic look back at lost love backed by spare, brokenhearted verses. (Gallucci)

29. "Biggest Part of Me," Ambrosia (1980)

Songwriter David Pack taped the original demo of this song on a reel-to-reel when everyone else was running late, finishing just in time: "I was waiting for my family to get in the car so I could go to a Fourth of July celebration in Malibu," he told the Tennessean in 2014. "I turned off my machine [and] heard the car horn honking for me." Still, Pack was worried that the hastily written first verse – which rhymed " arisin ,'" " horizon " and " realizin '" – might come off a little corny. So he followed the time-honored yacht-rock tradition of calling in Michael McDonald to sing heartfelt background vocals. Result: a Top 5 hit on both the pop and adult-contemporary charts. (DeRiso)

28. "Africa," Toto (1982)

Remove the cover versions, the nostalgia sheen and its overuse in TV and films, and you’re left with what makes “Africa” great: one of the best earworm choruses in music history. Never mind that the band is made up of white guys from Los Angeles who'd never visited the titular continent. Verses about Mt. Kilimanjaro and the Serengeti paint a picture so vivid that listeners are swept away. From the soaring vocals to the stirring synth line, every element of the song works perfectly. There’s a reason generations of music fans continue to proudly bless the rains. (Irwin)

27. "Hello It's Me," Todd Rundgren (1972)

“Hello It’s Me” is the first song Todd Rundgren ever wrote, recorded by his band Nazz and released in 1968. He quickened the tempo, spruced up the instrumentation and delivered a more urgent vocal for this 1972 solo rendition (which became a Top 5 U.S. hit), but the bones of the tune remain the same. “Hello It’s Me” is a wistful, bittersweet song about the dissolution of a relationship between two people who still very much love and respect each other a clear-eyed breakup ballad lacking the guile, cynicism and zaniness of Rundgren’s later work. “The reason those [early] songs succeeded was because of their derivative nature,” Rundgren told Guitar World in 2021. “They plugged so easily into audience expectations. They’re easily absorbed.” That may be so, but there’s still no denying the airtight hooks and melancholy beauty of “Hello It’s Me.” (Rolli)

26. "Smoke From a Distant Fire," the Sanford/Townsend Band (1977)

There are other artists who better define yacht rock - Michael McDonald, Steely Dan, Christopher Cross - but few songs rival the Sanford/Townsend Band's "Smoke From a Distant Fire" as a more representative genre track. (It was a Top 10 hit in the summer of 1977. The duo never had another charting single.) From the vaguely swinging rhythm and roaring saxophone riff to the light percussion rolls and risk-free vocals (that nod heavily to Daryl Hall and John Oates' blue-eyed soul), "Smoke" may be the most definitive yacht rock song ever recorded. We may even go as far as to say it's ground zero. (Gallucci)

25. "Dream Weaver," Gary Wright (1975)

Unlike many other songs on our list, “Dream Weaver” lacks lush instrumentation. Aside from Gary Wright’s vocals and keyboard parts, the only added layer is the drumming of Jim Keltner. But while the track may not have guitars, bass or horns, it certainly has plenty of vibes. Inspired by the writings of Paramahansa Yogananda – which Wright was turned on to by George Harrison – “Dream Weaver” boasts a celestial aura that helped the song peak at No. 2 in 1976. (Irwin)

24. "Reminiscing," Little River Band (1978)

The third time was the charm with Little River Band 's highest-charting single in the U.S. Guitarist Graeham Goble wrote "Reminiscing" for singer Glenn Shorrock with a certain keyboardist in mind. Unfortunately, they weren't able to schedule a session with Peter Jones, who'd played an important role in Little River Band's first-ever charting U.S. single, 1976's "It's a Long Way There ." They tried it anyway but didn't care for the track. They tried again, with the same results. "The band was losing interest in the song," Goble later told Chuck Miller . "Just before the album was finished, Peter Jones came back into town, [and] the band and I had an argument because I wanted to give 'Reminiscing' a third chance." This time they nailed it. (DeRiso)

23. "Heart Hotels," Dan Fogelberg (1979)

Ironically enough, this song about debilitating loneliness arrived on an album in which Dan Fogelberg played almost all of the instruments himself. A key concession to the outside world became the most distinctive musical element on "Heart Hotels," as well-known saxophonist Tom Scott took a turn on the Lyricon – a pre-MIDI electronic wind instrument invented just a few years earlier. As for the meaning of sad songs like these, the late Fogelberg once said : "I feel experiences deeply, and I have an outlet, a place where I can translate those feelings. A lot of people go to psychoanalysts. I write songs." (DeRiso)

22. "Year of the Cat," Al Stewart (1976)

Just about every instrument imaginable can be heard in Al Stewart's "Year of the Cat." What begins with an elegant piano intro winds its way through a string section and a sultry sax solo, then to a passionate few moments with a Spanish acoustic guitar. The sax solo, often a hallmark of yacht-rock songs, was not Stewart's idea. Producer Alan Parsons suggested it at the last minute, and Stewart thought it was the "worst idea I'd ever heard. I said, 'Alan, there aren’t any saxophones in folk-rock. Folk-rock is about guitars. Sax is a jazz instrument,'" Stewart said in 2021 . Multiple lengthy instrumental segments bring the song to nearly seven minutes, yet each seems to blend into the next like a carefully arranged orchestra. (Rapp)

21. "How Long," Ace (1974)

How long does it take to top the charts? For the Paul Carrack-fronted Ace: 45 years . "I wrote the lyric on the bus going to my future mother-in-law's," he later told Gary James . "I wrote it on the back of that bus ticket. That's my excuse for there only being one verse." Ace released "How Long" in 1975, reaching No. 3, then Carrack moved on to stints with Squeeze and Mike and the Mechanics . Finally, in 2020, "How Long" rose two spots higher, hitting No. 1 on Billboard's rock digital song sales chart after being featured in an Amazon Prime advertisement titled "Binge Cheat." (DeRiso)

20. "Brandy (You're a Fine Girl)," Looking Glass (1972)

Like "Summer Breeze" (found later in our list of Top 50 Yacht Rock Songs), Looking Glass' tale of an alluring barmaid in a busy harbor town pre-dates the classic yacht-rock era. Consider acts like Seals & Crofts and these one-hit wonders pioneers of the genre. Ironically, the effortless-sounding "Brandy (You're a Fine Girl)" was quite difficult to complete. "We recorded 'Brandy' two or three different times with various producers before we got it right," Looking Glass' principal songwriter Elliot Lurie told the Tennessean in 2016. The chart-topping results became so popular so fast, however, that Barry Manilow had to change the title of a new song he was working on to " Mandy ." (DeRiso)

19. "I Can't Tell You Why," Eagles (1979)

Timothy B. Schmit joined just in time to watch the  Eagles disintegrate. But things couldn't have started in a better place for the former Poco member. He arrived with the makings of his first showcase moment with the group, an unfinished scrap that would become the No. 8 hit "I Can't Tell You Why." For a moment, often-contentious band members rallied around the outsider. Don Henley and Glenn Frey both made key contributions, as Eagles completed the initial song on what would become 1979's The Long Run . Schmit felt like he had a reason to be optimistic. Instead, Eagles released the LP and then promptly split up. (DeRiso)

18. "Sentimental Lady," Bob Welch (1977)

Bob Welch  first recorded "Sentimental Lady" in 1972 as a member of Fleetwood Mac . Five years later, after separating from a band that had gone on to way bigger things , Welch revisited one of his best songs and got two former bandmates who appeared on the original version – Mick Fleetwood and Christine McVie – to help out (new Mac member Lindsey Buckingham also makes an appearance). This is the better version, warmer and more inviting, and it reached the Top 10. (Gallucci)

17. "So Into You," Atlanta Rhythm Section (1976)

Atlanta Rhythm Section is often wrongly categorized as a Southern rock band, simply because of their roots in Doraville, Ga. Songs like the seductively layered "So Into You" illustrate how little they had in common with the likes of Lynyrd Skynyrd . As renowned Muscle Shoals sessions ace David Hood once said, they're more like the " Steely Dan of the South ." Unfortunately, time hasn't been kind to the group. Two of this best-charting single's writers have since died , while keyboardist Dean Daughtry retired in 2019 as Atlanta Rhythm Section's last constant member. (DeRiso)

16. "Dreams," Fleetwood Mac (1977)

Stevie Nicks was trying to channel the heartbreak she endured after separating from Lindsey Buckingham into a song, but couldn't concentrate among the bustle of Fleetwood Mac's sessions for Rumours . "I was kind of wandering around the studio," she later told Yahoo! , "looking for somewhere I could curl up with my Fender Rhodes and my lyrics and a little cassette tape recorder." That's when she ran into a studio assistant who led her to a quieter, previously unseen area at Sausalito's Record Plant. The circular space was surrounded by keyboards and recording equipment, with a half-moon bed in black-and-red velvet to one side. She settled in, completing "Dreams" in less than half an hour, but not before asking the helpful aide one pressing question: "I said, 'What is this?' And he said, 'This is Sly Stone 's studio.'" (DeRiso)

15. "Minute by Minute," the Doobie Brothers (1978)

Michael McDonald was so unsure of this album that he nervously previewed it for a friend. "I mean, all the tunes have merit, but I don't know if they hang together as a record," McDonald later told UCR. "He looked at me and he said, 'This is a piece of shit.'" Record buyers disagreed, making Minute by Minute the Doobie Brothers' first chart-topping multiplatinum release. Such was the mania surrounding this satiny-smooth LP that the No. 14 hit title track lost out on song-of-the-year honors at the Grammys to "What a Fool Believes" (found later in our list of Top 50 Yacht Rock Songs) by the Doobie Brothers. (DeRiso)

14. "Lonely Boy," Andrew Gold (1976)

Andrew Gold’s only Top 10 U.S. hit is a story of parental neglect and simmering resentment, but those pitch-black details are easy to miss when couched inside such a deliciously upbeat melody. Gold chronicles the childhood of the titular lonely boy over a propulsive, syncopated piano figure, detailing the betrayal he felt when his parents presented him with a sister two years his junior. When he turns 18, the lonely boy ships off to college and leaves his family behind, while his sister gets married and has a son of her own — oblivious to the fact that she’s repeating the mistakes of her parents. Gold insisted “Lonely Boy” wasn’t autobiographical, despite the details in the song matching up with his own life. In any case, you can’t help but wonder what kind of imagination produces such dark, compelling fiction. (Rolli)

13. "Baby Come Back," Player (1977)

Liverpool native Peter Beckett moved to the States, originally to join a forgotten act called Skyband. By the time he regrouped to found Player with American J.C. Crowley, Beckett's wife had returned to England. Turns out Crowley was going through a breakup, too, and the Beckett-sung "Baby Come Back" was born. "So it was a genuine song, a genuine lyric – and I think that comes across in the song," Beckett said in The Yacht Rock Book . "That's why it was so popular." The demo earned Player a hastily signed record deal, meaning Beckett and Crowley had to assemble a band even as "Baby Come Back" rose to No. 1. Their debut album was released before Player had ever appeared in concert. (DeRiso)

12. "I'd Really Love to See You Tonight," England Dan & John Ford Coley (1976)

There aren't too many songs with choruses as big as the one England Dan & John Ford Coley pump into the key lines of their first Top 40 single. Getting there is half the fun: The conversational verses – " Hello, yeah, it's been a while / Not much, how 'bout you? / I'm not sure why I called / I guess I really just wanted to talk to you " – build into the superpowered come-on line " I'm not talking 'bout moving in ...  ." Their yacht-rock pedigree is strong: Dan Seals' older brother is Seals & Croft's Jim Seals. (Gallucci)

11. "Hey Nineteen," Steely Dan (1980)

At least on the surface, “Hey Nineteen” is one of Steely Dan’s least ambiguous songs: An over-the-hill guy makes one of history’s most cringe-worthy, creepiest pick-up attempts, reminiscing about his glory days in a fraternity and lamenting that his would-be companion doesn’t know who Aretha Franklin is. (The bridge is a bit tougher to crack. Is anyone sharing that “fine Colombian”?) But the words didn’t propel this Gaucho classic into Billboard's Top 10. Instead, that credit goes to the groove, anchored by Walter Becker ’s gently gliding bass guitar, Donald Fagen’s velvety electric piano and a chorus smoother than top-shelf Cuervo Gold. (Reed)

10. "Rich Girl," Daryl Hall & John Oates (1976)

It’s one of the most economical pop songs ever written: two A sections, two B sections (the second one extended), a fade-out vocal vamp. In and out. Wham, bam, boom. Perhaps that's why it’s easy to savor “Rich Girl” 12 times in a row during your morning commute, why hearing it just once on the radio is almost maddening. This blue-eyed-soul single, the duo’s first No. 1 hit, lashes out at a supposedly entitled heir to a fast-food chain. (The original lyric was the less-catchy “rich guy ”; that one change may have earned them millions.) But there’s nothing bitter about that groove, built on Hall’s electric piano stabs and staccato vocal hook. (Reed)

9. "Fooled Around and Fell in Love," Elvin Bishop (1975)

Elvin Bishop made his biggest pop-chart splash with "Fooled Around and Fell In Love," permanently changing the first line of his bio from a  former member of the Paul Butterfield Blues Band to a solo star in his own right. There was only one problem: "The natural assumption was that it was Elvin Bishop who was singing,” singer  Mickey Thomas told the Tahoe Daily Tribune in 2007. Thomas later found even greater chart success with Starship alongside Donny Baldwin, who also played drums on Bishop's breakthrough single. "A lot of peers found out about me through that, and ultimately I did get credit for it," Thomas added. "It opened a lot of doors for me." (DeRiso)

8. "Baker Street," Gerry Rafferty (1978)

Gerry Rafferty already had a taste of success when his band Stealers Wheel hit the Top 10 with the Dylanesque "Stuck in the Middle With You" in 1973. His first solo album after the group's split, City to City , made it to No. 1 in 1978, thanks in great part to its hit single "Baker Street" (which spent six frustrating weeks at No. 2). The iconic saxophone riff by Raphael Ravenscroft gets much of the attention, but this single triumphs on many other levels. For six, mood-setting minutes Rafferty winds his way down "Baker Street" with a hopefulness rooted in eternal restlessness. (Gallucci)

7. "Dirty Work," Steely Dan (1972)

In just about three minutes, Steely Dan tells a soap-opera tale of an affair between a married woman and a man who is well aware he's being played but is too hopelessly hooked to end things. " When you need a bit of lovin' 'cause your man is out of town / That's the time you get me runnin' and you know I'll be around ," singer David Palmer sings in a surprisingly delicate tenor. A saxophone and flugelhorn part weeps underneath his lines. By the time the song is over, we can't help but feel sorry for the narrator who is, ostensibly, just as much part of the problem as he could be the solution. Not all yacht rock songs have happy endings. (Rapp)

6. "Ride Like the Wind," Christopher Cross (1979)

“Ride Like the Wind” is ostensibly a song about a tough-as-nails outlaw racing for the border of Mexico under cover of night, but there’s nothing remotely dangerous about Christopher Cross’ lithe tenor or the peppy piano riffs and horns propelling the tune. Those contradictions aren’t a detriment. This is cinematic, high-gloss pop-rock at its finest, bursting at the seams with hooks and elevated by Michael McDonald’s silky backing vocals. Cross nods to his Texas roots with a fiery guitar solo, blending hard rock and pop in a way that countless artists would replicate in the next decade. (Rolli)

5. "Summer Breeze," Seals & Crofts (1972)

Jim Seals and Dash Crofts were childhood friends in Texas, but the mellow grandeur of "Summer Breeze" makes it clear that they always belonged in '70s-era Southern California. "We operate on a different level," Seals once said , sounding like nothing if not a Laurel Canyon native. "We try to create images, impressions and trains of thought in the minds of our listeners." This song's fluttering curtains, welcoming domesticity and sweet jasmine certainly meet that standard. For some reason, however, they released this gem in August 1972 – as the season faded into fall. Perhaps that's why "Summer Breeze" somehow never got past No. 6 on the pop chart. (DeRiso)

4. "Lowdown," Boz Scaggs (1976)

As you throw on your shades and rev the motor, the only thing hotter than the afternoon sun is David Hungate’s sweet slap-bass blasting from the tape deck. “This is the good life,” you say to no one in particular, casually tipping your baseball cap to the bikini-clad crew on the boat zooming by. Then you press “play” again. What else but Boz Scaggs ’ silky “Lowdown” could soundtrack such a moment in paradise? Everything about this tune, which cruised to No. 3 on the Billboard Hot 100, is equally idyllic: Jeff Porcaro’s metronomic hi-hat pattern, David Paich’s jazzy keyboard vamp, the cool-guy croon of Scaggs — flexing about gossip and “schoolboy game.” You crack open another cold one — why not? And, well, you press play once more. (Reed)

3. "Lido Shuffle," Boz Scaggs (1976)

Scaggs' storied career began as a sideman with Steve Miller  and already included a scorching duet with Duane Allman . Co-writer David Paich would earn Grammy-winning stardom with songs like "Africa." Yet they resorted to theft when it came to this No. 11 smash. Well, in a manner of speaking: "'Lido' was a song that I'd been banging around, and I kind of stole – well, I didn't steal anything. I just took the idea of the shuffle," Scaggs told Songfacts in 2013. "There was a song that Fats Domino did called 'The Fat Man ' that had a kind of driving shuffle beat that I used to play on the piano, and I just started kind of singing along with it. Then I showed it to Paich, and he helped me fill it out." Then Paich took this track's bassist and drummer with him to form Toto. (DeRiso)

2. "Peg," Steely Dan (1977)

"Peg" is blessed with several yacht-rock hallmarks: a spot on Steely Dan's most Steely Dan-like album, Aja , an impeccable airtightness that falls somewhere between soft-pop and jazz and yacht rock's stalwart captain, Michael McDonald, at the helm. (He may be a mere backing singer here, but his one-note chorus chirps take the song to another level.) Like most Steely Dan tracks, this track's meaning is both cynical and impenetrable, and its legacy has only grown over the years – from hip-hop samples to faithful cover versions. (Gallucci)

1. "What a Fool Believes," the Doobie Brothers (1978)

Michael McDonald not only steered the Doobie Brothers in a new direction when he joined in 1975, but he also made them a commercial powerhouse with the 1978 album Minute by Minute . McDonald co-wrote "What a Fool Believes" – a No. 1 single; the album topped the chart, too – with Kenny Loggins and sang lead, effectively launching a genre in the process. The song's style was copied for the next couple of years (most shamelessly in Robbie Dupree's 1980 Top 10 "Steal Away"), and McDonald became the bearded face of yacht rock. (Gallucci)

Top 100 Classic Rock Artists

Gallery Credit: UCR Staff

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Your guide to the Brewers’ 2024 theme and community nights

MILWAUKEE — From Harry Potter Night to Bark at the Park, the Milwaukee Brewers’ 2024 Theme Night and Community Night game schedule has a lot to choose from.

The organization released the schedule of events on Tuesday. With each night at American Family Field comes a one-of-a-kind item for fans. Some themes are returning, while others are brand new.

New this year is a Happy Days Theme Night on Friday, May 31, featuring a Bronze Fronz bobblehead. Yacht Rock on Friday, July 26 will feature a Brewers captain’s hat and Harry Potter Night on Friday, Aug. 16 will include Hogwarts-themed jerseys.

Several popular community nights are back, including Pride Night, Negro Leagues Tribute Game and Cerveceros Day. This year there will also be a Hispanic Heritage Day on Sunday, Sept. 22.

Bark at the Park is back this year on May 9. It includes a Brewers beer can squeak toy.

Brewers officials said supplies for special items are limited and often sell out. They said only those who purchase the special Theme Night or Community Night ticket package can receive the item. Tickets are on sale now for individual ticket packages. You can purchase them here.

Group packages are also available for groups of 20 or more. You can contact the Group Sales office at (414) 902-4777 (GRPS) to purchase them.

Here’s the full schedule for theme and community nights in 2024:

  • April 26: Hockey Night, presented by Milwaukee Admirals (Sal Frelick Hockey Jersey)
  • May 9: Bark at the Park, presented by Fleet Farm (Brewers Beer Can Squeak Toy)
  • May 11: Star Wars Night , presented by 620 WTMJ (Brewers Reversible Dark vs. Light Side Shirt)
  • May 31: Happy Days (Bronze Fonz Bobblehead)
  • June 11: Pride Night, presented by Aurora Health Care (Brewers Ball-In-Glove Logo Flag)
  • July 14: Cerveceros Day, presented by Sherwin-Williams (Brewers Beach Towel)
  • July 26: Yacht Rock Night, presented by Wintrust | Wisconsin’s Bank (Brewers Captain’s Hat)
  • Aug. 11: Sesame Street Day (Bert & Ernie Bobblehead)
  • Aug. 16: Harry Potter Night (Hogwarts Themed Jersey)
  • Aug. 18: Negro Leagues Tribute Game, presented by Aurora Health Care (Brewers Pan-African Cap)
  • Sept. 20: College Night, presented by Northwestern Mutual (Giveaway TBA)
  • Sept. 22: Hispanic Heritage Day, presented by Aurora Health Care (Brewers Special T-shirt)
  • Sept. 27: Country Music Night (Giveaway TBA)

The Brewers’ 2024 home opener takes place on Tuesday, April 2 against the Minnesota Twins. Individual game tickets go on sale on Thursday, Feb. 15 at 10 a.m.

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yacht rock night

Fri, Jul 23

Rock'n'Bowl® de Lafayette

Yacht Rock Night w/The Good Dudes ft. Yacht-Sea | 7-23-21

You will be able to purchase tickets at the door

Yacht Rock Night w/The Good Dudes ft. Yacht-Sea | 7-23-21

Time & Location

Jul 23, 2021, 9:00 PM

Rock'n'Bowl® de Lafayette, 905 Jefferson Street, Lafayette, LA 70501, USA

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  • Best Yacht Rock Songs to Play on Your Boat

Best Yacht Rock Songs to Play on Your Boat

Whether sailing the high seas or cruising on a tranquil lake, there’s no denying the magical combination of boating and music. And nothing quite fits the bill like yacht rock songs when it comes to creating the perfect ambiance for your boat party. With their smooth melodies and laid-back vibes, yacht rock tunes are the ideal soundtrack to accompany your nautical adventures. 

Curate the ultimate playlist for your next boat party with these suggestions so you can set sail with style and groove to the sounds of the sea.

What Is Yacht Rock and Why Is It Perfect for Boating?

Yacht Rock emerged in the late ’70s and early ‘80s , epitomizing the era’s smooth, soft rock music. Characterized by its polished production, jazz-influenced arrangements and evocative lyrics, yacht rock often features leisure, escapism and coastal lifestyle themes. These songs would be played aboard luxury yachts, capturing the essence of sunny days, ocean breezes and carefree adventures on the water.

Yacht rock songs for boats’ relaxed yet sophisticated nature make it a perfect complement to any boating experience. As the boat glides through the water, the soothing rhythms of the best lake songs create an atmosphere of tranquility and joy, taking your boat party to a new level of enjoyment.

Crafting the Perfect Boating Playlist

To create the ultimate summer boating songs playlist, we considered various factors contributing to the perfect sailing ambiance. The selected songs boast uplifting beats, catchy melodies and lyrics that evoke images of boats, sailing and the sea. Moreover, we’ve included diverse songs to cater to different musical tastes.

Best Boat Songs of All-Time

With so many options out there, we’re excited to share our top songs about boats and sailing and the best songs to listen to on a boat. 

  • “Sailing” by Christopher Cross: With its gentle guitar strums and Christopher Cross’s velvety vocals, “Sailing” is an anthem for seafarers. The song’s serene melody and poetic lyrics encapsulate the feeling of being on the open water, making it a must-have for your boat party playlist. As you cruise along, “Sailing” will have everyone swaying to the rhythm, embracing the true spirit of yacht rock.
  • “Escape (The Piña Colada Song)” by Rupert Holmes: A yacht rock classic, “Escape” brings a touch of whimsy to your boat party. This catchy tale of love and adventure pairs perfectly with the carefree ambiance of boating. The song’s playful vibe and sing-along chorus will have your guests joining in the fun, creating unforgettable memories on the water.
  • “Brandy (You’re a Fine Girl)” by Looking Glass: “Brandy” is a timeless yacht rock gem that narrates the tale of a sailor’s love for a barmaid. Its upbeat tempo and memorable hooks make it an essential addition to your boat party playlist. As you listen to the story unfold, you’ll be transported to coastal taverns and endless maritime horizons.
  • “Yacht Rock” by JD & The Straight Shot: The eponymous “Yacht Rock” is a modern tribute to the genre. With smooth instrumentals and polished vocals, this song embodies the very essence of summer boating songs. As you sail into the sunset, “Yacht Rock” will warmly embrace you, ensuring a truly unforgettable boat party experience.

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  • “Sail On” by Commodores: Smooth and soulful, “Sail On” by the Commodores is a yacht rock favorite that perfectly captures the essence of sailing. The mesmerizing vocals of Lionel Richie and the mellow instrumentation make it a sublime addition to your boat party playlist. As you sail into the horizon, “Sail On” will evoke feelings of serenity and nostalgia.
  • “Southern Cross” by Crosby, Stills & Nash: “Southern Cross” is a yacht rock sensation that vividly depicts a sailor’s journey and longing for adventure. With its dreamy harmonies and evocative lyrics, this song embodies the wanderlust spirit of boating. As you navigate the waters, “Southern Cross” will ignite a sense of exploration and freedom.
  • “Key Largo” by Bertie Higgins: Set the perfect mood for your boat party with “Key Largo” by Bertie Higgins. This romantic ballad takes inspiration from the beautiful Florida island, offering a gentle and relaxing vibe. As you anchor in tranquil waters, “Key Largo” will fill the air with enchanting melodies, creating a magical experience on your boat.
  • “Into the Night” by Benny Mardones: “Into the Night” is a yacht rock classic that weaves a tale of passion and romance under the moonlight. With its soulful vocals and captivating melody, this song is perfect for setting a dreamy and intimate atmosphere at your boat party. As the stars twinkle above, “Into the Night” will take you on a magical journey through the night skies.
  • “Reminiscing” by Little River Band: As the sun sets on your boat party, let the nostalgic vibes of “Reminiscing” fill the air. This boating playlist gem has smooth harmonies and a gentle rhythm that will transport you back to cherished memories and create an ambiance of camaraderie and friendship. It’s the perfect tune to share stories and laughter with your guests.
  • “Moonlight Feels Right” by Starbuck: “Moonlight Feels Right” is a funky and fun yacht rock song that will have everyone dancing on deck. With its catchy marimba riffs and chorus, this tune infuses your boat party with playful energy and excitement. So, let loose and dance under the moonlit sky as “Moonlight Feels Right” fills the night with joy.

Honorable Mentions

Whether you use them to create a more extensive playlist or keep them on standby for future voyages, these yacht rock gems will elevate your boat party’s ambiance. Let the melodies of these honorable mentions serenade you as you create unforgettable memories on your nautical journey. Here are our best boat party songs: 

  • “Dance with Me” by Orleans: A captivating blend of folk and yacht rock, “Dance with Me” offers a smooth and romantic melody that sets the perfect tone for a slow dance on deck. This timeless classic will create a memorable moment for you and your guests as you sway together beneath the stars.
  • “Cool Change” by Little River Band: “Cool Change” is an introspective Yacht Rock anthem that captures the essence of tranquility and self-discovery. Its calming rhythm and soul-stirring lyrics make it an excellent addition to your boat party playlist, especially during introspection on the open waters.
  • “Steal Away” by Robbie Dupree: The captivating vocals and soft rock style of “Steal Away” make it a must-have on your Yacht Rock boat party playlist. This tune exudes a sense of freedom and adventure, making it the perfect companion as you explore new horizons on your boat journey.
  • “On and On” by Stephen Bishop: Stephen Bishop’s soothing voice and the mellow instrumentation of “On and On” create an atmosphere of pure relaxation. As you glide across the water, this yacht rock classic will add a touch of serenity to your boat party experience.

As you set sail on your boat party adventure, let the smooth melodies of yacht rock be your trusted companions. The carefully curated playlist will transport you and your guests to a world of blissful boating, where the worries of the shore are left behind. Grab your sunglasses, feel the wind in your hair and embark on a memorable journey with the ultimate yacht rock playlist for your boat party.

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Fri, Jul 12

Longshadow Ranch Winery

YACHT ROCK PARTY! feat. YACHT ROCKER in concert!

NOTE: Longshadow Ranch Winery has a TWO DRINK MINIMUM for all special events. Yacht Rock! Soft rock hits that dominated radio in the 70's & 80's. In the vineyards, under the stars with Yacht Rocker!

YACHT ROCK PARTY! feat. YACHT ROCKER in concert!

Time & Location

Jul 12, 2024, 6:00 PM – 10:00 PM

Longshadow Ranch Winery, 39847 Calle Contento, Temecula, CA 92591, USA

About the event

PLEASE NOTE: Longshadow Ranch Winery has a TWO DRINK MINIMUM for all special events.

A beautiful evening "IN THE VINEYARDS, UNDER THE STARS" 

YACHT ROCK is the soft rock that dominated FM radio airwaves in the late 1970s and early 1980s. Yacht rock is characterized by glossy production, breezy vocals, and bouncy rhythms—all elements thought to evoke relaxing bay cruises in Southern California, where the genre originated. Some artists commonly included in the yacht rock genre are: The Doobie Brothers, Seals & Croft, England Dan & John Ford Coley, Christopher Cross, Robbie Dupree, Daryl Hall & John Oates, Michael McDonald, Rupert Holmes, Toto, Steely Dan and more!

CHAIRS: Please feel free to bring your own chairs (or dance all night!) 

PARKING: Longshadow runs out of parking fast so many cars need to park out on the street. We receommend carpooling or Uber.

NOTE: Longshadow Ranch Winery has a TWO DRINK MINIMUM for all special events.

Doors open at 6pm. First band starts at 7:00pm. Please bring your own chairs (or dance all night). Food available until approximately 7:30pm or sold out. Tickets are not mailed, just check in at the gate when you get there. We will have a master list of all ticket holders. THANK YOU!

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KPBS

Yacht Rock Revue: 70s and 80s Hits, Live from New York

Yacht Rock Revue takes audiences back in time to the soft rock hits of the late '70s and early '80s.

Saturday, Aug. 31, 2024 at 3:30 p.m. on KPBS TV / Stream now with KPBS Passport + Encores Sunday, Sept. 1 at Noon and Tuesday, Sept. 3 at 1 p.m. on KPBS TV

In a musical voyage like no other, “Yacht Rock Revue” sets sail on the shimmering seas for a nostalgic journey through the hits of the late '70s and early '80s, where soft rock and smooth grooves rule the waves. A talented group featuring exceptional musicianship and tight harmonies, the program pays homage to the golden era of yacht rock, delivering pitch-perfect renditions of iconic classics from artists like Hall & Oates , Steely Dan , Toto , Michael McDonald , and more.

“Yacht Rock Revue” takes audiences back in time with their lush instrumentation, soulful voices, and tight jeans. Their infectious enthusiasm and engaging stage presence create a feel-good atmosphere that encourages everyone to sing along and dance the night away. The music transports viewers to a bygone era of breezy melodies and yacht rock magic.

Yacht Rock Revue is on Facebook / Instagram

yacht rock night

Yacht Rock Radio Ch. 17 rock

Yacht Rock Radio celebrates the smooth-sailing soft rock from the late '70s and early '80s. You'll hear artists like Michael McDonald, Christopher Cross, Steely Dan and other titans of smooth music. It's the kind of rock that doesn't rock the boat!

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Times Played: 90

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Times Played: 89

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Times Played: 88

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Goodbye Stranger

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Baby Come Back

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Diamond Girl

Baker Street album cover

Times Played: 84

Baker Street

  • Gerry Rafferty  

Make It With You album cover

Times Played: 83

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Brandy (You're A Fine Girl) album cover

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Times Played: 82

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  • Chuck Mangione  

Never Too Much album cover

Times Played: 81

Never Too Much

  • Luther Vandross  

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Times Played: 80

Turn Your Love Around

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I Just Want to Be Your Everything

  • Andy Gibb  

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I Just Wanna Stop

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More Love album cover

Times Played: 79

  • Kim Carnes  

Summer Breeze album cover

Summer Breeze

I'd Really Love To See You Tonight album cover

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I'd Really Love To See You Tonight

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Fool (If You Think It's Over) album cover

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Fool (If You Think It's Over)

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Key Largo album cover

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Searchin' So Long album cover

Searchin' So Long

This Is It album cover

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Whatcha Gonna Do album cover

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  • Pablo Cruise  

Let Your Love Flow album cover

Times Played: 74

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Too Hot album cover

Times Played: 73

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Heart To Heart

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Times Played: 72

It Never Rains In Southern California

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Thunder Island album cover

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Give Me the Night album cover

Times Played: 71

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HOLD THE LINE

Rosanna album cover

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Lotta Love album cover

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Into The Night album cover

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How 'Bout Us album cover

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You Can Do Magic album cover

You Can Do Magic

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Shower The People

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Moonlight Feels Right album cover

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How Much I Feel

Running On Empty album cover

Times Played: 65

Running On Empty

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Times Played: 64

Stumblin' In

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Sentimental Lady album cover

Sentimental Lady

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Ride Like The Wind

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Amie album cover

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Ride Captain Ride album cover

Times Played: 62

Ride Captain Ride

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Show And Tell

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Times Played: 61

I Really Don't Know Anymore

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Magnet And Steel

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Just Remember I Love You

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Times Played: 60

Silly Love Songs (Remastered)

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  • Doobie Brothers  

Sister Golden Hair album cover

Sister Golden Hair

Sailing album cover

Times Played: 58

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  • Robert Palmer  

Dream Weaver album cover

Dream Weaver

  • Gary Wright  

One Of These Nights album cover

Times Played: 57

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Times Played: 56

Save It For A Rainy Day

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Arthur's Theme

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Afternoon Delight

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Times Played: 55

The Things We Do For Love

I Keep Forgettin' (82) album cover

Times Played: 54

I Keep Forgettin' (82)

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yacht rock night

Everything We Know About the Luxury Yacht Sinking in Sicily, Killing 7 After Celebratory Trip

The key unanswered question remains — how did this happen?

What started out as a celebration on a luxury yacht off the coast of Sicily ended in tragedy on Monday, Aug. 19, when the craft — the 183-foot-long Bayesian — seems to have sunk quickly into the waves of the Tyrrhenian Sea after what the Italian coast guard called a “violent storm.”  

Twenty-two people were aboard, including 12 passengers and 10 crew, authorities have said.

Fifteen people were soon rescued after the Bayesian sank. By Friday, Aug. 23, following complicated and protracted search and rescue efforts , the bodies of all seven victims had been found, sources told PEOPLE.

Among the dead are British tech tycoon Mike Lynch and his daughter Hannah.

Here’s what to know about the tragedy as Sicilian officials are expected to share more information this weekend.

What is the Bayesian yacht?

Built in 2008 by Perini Navi, with a much lauded interior designed by Rémi Tessier and naval architecture by Ron Holland, the luxury vessel was refitted in 2020 and included six suites for as many as 12 passengers, plus quarters for 10 crew — the size of the traveling party this week when the yacht sank. 

It has previously gone by the name Salute . But Bayesian appears to be a nod to Lynch’s career: It refers to a kind of mathematical modeling used in his software company Autonomy.

Notably, the Bayesian has been touted as having the world’s “largest aluminum mast” at some 246 feet.

Other features included design elements specifically to “favor alfresco entertainment” outdoors, such as a large covered saloon, as one charter company put it. And the interior was intended to “create familiar, pure, and natural atmospheres,” according to the charter description. Past photos show rooms bedecked in warmly lit neutrals and cream colors.

Where was the Bayesian yacht when the storm hit?

According to the Italian coast guard, the Bayesian was off the coast of Porticello in Sicily, on the northern tip of the island, when disaster struck on Monday.

A source close to the survivors previously told PEOPLE that the passengers were celebrating after Lynch, labeled in headlines as Britain's "Bill Gates," was acquitted in June in a financial fraud trial in the U.S. that was related to selling his software company Autonomy for $11 billion to Hewlett Packard in 2011.

“That's why he took his closest friends and colleagues on the trip,” the source said.

Lynch himself reflected on how his life had changed after coming out from under the shadow of his legal troubles. He told The Sunday Times in the U.K. in late July that he felt like he'd been given a "second life."

But "the question is," he said then, "what do you want to do with it?”

Who was on the yacht before it sank?

The 12 passengers included Lynch, his daughter Hannah and his wife, Angela Bacares; Chairman of Morgan Stanley International Jonathan Bloomer and his wife , Judy Bloomer; New York City-based lawyer Christopher Morvillo and his wife, jewelry designer Neda Morvillo; Charlotte Golunski , her partner, James, and daughter Sophie and Ayla Ronald , a colleague at Christopher Morvillo’s law firm. 

The BBC reports that Ronald was also with her partner.

The 10 crew included cook Recaldo Thomas , who was among the seven victims who died, as well as the captain, reportedly named as James Cutfield, and others. According to The New York Times , one of the deck stewards was a 19-year-old South African native on his first such voyage.

Who was rescued from the yacht?

Bacares, Ronald and her partner, Golunski and her family and nine of the crew survived the sinking. The coast guard has said that some of them were “initially rescued by a boat in the immediate vicinity.”

Karsten Borner was the captain on the nearby boat and said he saw the yacht sink quickly.

"It all happened in really little time," he told Italian news outlet Rai, according to the BBC.

“The storm was over. We noticed that the ship behind us was gone,” Borner told the BBC. “And then we saw a red flare, so my first mate and I went to the position and we found this life raft drifting [with] 15 people inside."

Who died in the sinking?

Italian authorities have not yet publicly named all seven victims, though a government official told Reuters that Lynch was among the dead and the chef’s body was also identified to PEOPLE and other outlets by local sources involved in the investigation. 

Five other passengers were initially described as missing and five more bodies have since been found in the wreck, sources said: Lynch’s daughter Hannah; Jonathan and Judy Bloomer and Christopher and Neda Morvillo.

Why did the Bayesian sink?

This has emerged as perhaps the key question in the tragedy , and the answer remains unclear.

One theory is that the boat capsized after being struck by a waterspout (which refers to a tornado over the water), though there may have been more factors at play that contributed to the sinking. 

"The dynamics aren't clear — lightning, mini tornado, water spout, it's not clear exactly what happened," one person close to the search efforts tells PEOPLE. "The most likely hypothesis is that the cause was indeed a tornado that began at land and then sped out off coast and became a waterspout at sea with a speed of more than [180 miles] per hour, to the point that it managed to practically sink the ship whilst causing minimum damage to both the mast and the hull."

"Eyewitnesses said the boat went down in minutes," this person adds.

The source says the vessel’s upper hatches could have been open at the time of the disaster, which would have caused the boat to quickly fill up with water. The source also says that large amounts of water may have flowed onto the ship through the hatches as the vessel rocked back and forth during the storm.

“This would be the only thing that could cause the hull to rear up which, as several survivors told the investigators, made the ship sink in literally 60 seconds​​​​​​​​​​​​​​,” the source says.

Another factor that could have caused the yacht to lose stability was its movable keel, which is an underwater blade designed to help keep boats upright and prevent them from swaying back and forth, the source close to the investigation tells PEOPLE.

They say that the 30-foot keel was allegedly retracted to about 13 feet when the storm hit, while natural experts say it would have been strange to retract the keel at that location if the crew knew bad weather was approaching.

The boat’s 236-foot mast may also have also played a role in allowing the boat to rock, similar to a pendulum.

"This episode sounds like an unbelievable story, both technically and as a fact," Giovanni Costantino — who leads The Italian Sea Group, the company that now owns Perini Navi, which built the Bayesian in 2008 — said, according to CNN .

Speaking with PEOPLE, Costantino was more circumspect.

“I obviously can't say for certain [what happened],” he says, “but what I'm sure of is that the only reason a sailboat, especially one with Perini Navi technologies installed, could sink is if it fills with water."

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Read the original article on People .

PERINI NAVI PRESS OFFICE/HANDOUT/EPA-EFE/Shutterstock The Bayesian luxury yacht that sank on Aug. 19 off the coast of Sicily

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Search Resumes for British Mogul and 5 Others After Yacht Sinks Off Sicily

The body of the vessel’s cook was recovered while divers searched the hull of the Bayesian for passengers, including the tech entrepreneur Mike Lynch.

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By Elisabetta Povoledo

Deep-sea divers with Italy’s firefighter corps resumed their search on Tuesday for six missing passengers — including a British software mogul and his daughter — of a yacht that sank off the coast of Sicily the previous day.

Twenty-two people were on board the 180-foot British-flagged sailing yacht, the Bayesian, which was anchored near the port of Porticello, when it was hit by what witnesses described as a waterspout, a small tornado on water, during a sudden and violent storm.

Fifteen people who managed to get to a raft were rescued by the captain of a nearby sailing cruise ship. The body of the yacht’s cook, identified by news outlets as Recaldo Thomas, a Canadian Antiguan, was recovered on Monday. But several people are still unaccounted for, according to Salvatore Cocina, an official with Sicily’s civil protection agency.

Those still missing are Mike Lynch, a British technology entrepreneur; his daughter Hannah; Jonathan Bloomer, chairman of Morgan Stanley International; his wife, Judy Bloomer; Christopher J. Morvillo, a lawyer at Clifford Chance; and his wife, Neda Morvillo.

Mr. Lynch was acquitted of fraud in a U.S. trial in June, ending a high-profile, decadelong legal battle against accusations that he had defrauded Hewlett-Packard when he sold his company, Autonomy, to Hewlett for $11 billion.

Mr. Lynch and the others went missing days after Mr. Lynch’s co-defendant at the fraud trial, Stephen Chamberlain, a former vice president of finance at Autonomy, was fatally struck by a car on Saturday while out for a run, his lawyer, Gary S. Lincenberg, said in a statement.

Prosecutors in the Italian city of Termini Imerese, east of where the yacht sank, are opening a formal investigation into the yacht’s sinking. Reached by telephone, the chief prosecutor declined to comment.

The search for the missing passengers began on Monday but was suspended late that night as crews found themselves limited to the bridge deck and items like furnishings “obstructing passage,” the firefighters’ corps wrote on social media .

When divers resumed the search on Tuesday, ships trawled the waters near the site, the corps said in a statement. The Italian Coast Guard also said in a statement that search operations were “continuing unabated,” with the deployment of helicopters. There was no evidence that gasoline was leaking from the yacht, the Coast Guard said.

The yacht was lying on its right side in about 165 feet of water, meaning that divers, working in pairs, could stay underwater for only about 12 minutes at a time, said Luca Cari, a spokesman for the firefighters’ corps.

Divers were seeking a safe point of access to the vessel’s cabins. “Obviously, everything fell and the space is very tight,” Mr. Cari said, adding that the divers were having to remove obstacles, like furnishings and electrical wiring, that were “completely blocking passages.”

The firefighters’ corps said in a statement that it was impossible to verify whether people were inside the hull.

Mr. Cari said that several divers had been part of the search-and-rescue operations when the Costa Concordia, a cruise liner, capsized off the Tuscan island of Giglio in 2012, killing 32 people. It is considered one of the worst maritime disasters in modern Italian history.

“It’s like the Costa Concordia, but much smaller,” Mr. Cari said in a telephone interview, comparing the search operations. “In the Costa Concordia, we came across many obstacles but we somehow were able to overcome them. Here, the obstacles block the passages and have to be removed.” He added, “This makes it more difficult.”

Crews were also trying to raise the yacht, which experts will examine to try to determine why it sank. Until then, experts can only hypothesize what happened.

Karsten Borner, the captain of a ship, the Sir Robert Baden Powell, which picked up the Bayesian’s 15 survivors, said in an interview that when the wind picked up around 4 a.m. Monday, the Bayesian was about 490 feet behind his vessel. Once the wind wound down, he said, he could not see the yacht anymore.

“My theory was that she was capsized first and then went down over the stern,” Mr. Borner said.

Dario Boote, a ship structures and naval architecture professor at the University of Genoa, said: “Now I imagine that a whole series of lawsuits will be triggered, obviously to ascertain whether there is any responsibility, as always happens very unpleasantly in these situations.” He said, however, that in this case, responsibility might be hard to determine. “Clearly, only once the wreck is raised will we know more,” he added.

Several fishermen told Italian news outlets that they had witnessed a waterspout. Peter Inness, a meteorologist at the University of Reading, said they were relatively common in the Mediterranean, though their occurrence and intensity are unpredictable.

“Until one actually forms, you can’t start telling people where it is,” Mr. Inness said, or “how to get out of the way.”

The inclement weather — with lightning intermittently streaking through the sky — made it hard to know exactly why the yacht sank. Col. Attilio Di Diodato, director of the Italian Air Force’s Center for Aerospace Meteorology and Climatology, said the agency had registered intense lightning activity and strong gusts of wind in the area at the time the boat sank.

The Bayesian had one of the tallest aluminum masts in the world, according to its builder, Perini Navi. “Having a tall aluminum mast would not make it the safest port to be in case of a storm,” said Andrea Ratti, associate professor of nautical design and architecture technology the Politecnico di Milano. The type of intensity unleashed by a violent lightning storm “could have created a significant shock wave,” he added.

He, too, cautioned that “a lot of questions will remain until we have other elements at our disposal.”

Modern yachts are built to withstand meteorological events of reasonable intensity, and all international naval registers suggest that new ships be designed for higher waves and more frequent and extreme weather events.

But “this seems a case of an unreasonable extreme event,” said Emilio Fortunato Campana, an expert in Naval Hydrodynamics at Italy’s National Research Council. “In that case, no ship is 100 percent safe,” he added. “I think the Titanic showed that nothing is unsinkable.”

Elisabetta Povoledo is a reporter based in Rome, covering Italy, the Vatican and the culture of the region. She has been a journalist for 35 years. More about Elisabetta Povoledo

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The Lost 45s trigger memories you may have forgotten you had. Be reminded this weekend.

Barry Scott

Some golden oldies are forever. “Hotel California” and “Bohemian Rhapsody,” we’re looking at you: How can we miss you if you won’t go away?

Barry Scott has been spinning songs from the golden age of Top 40 radio on the Boston airwaves since the early 1980s. Yet he has never played either of those songs. Instead, Scott specializes in the songs that did go away — each of them once popular, many of them inexplicably so.

This Labor Day weekend on Plymouth’s WPLM — by his count, the eighth station of his long run in radio — Scott will present the latest edition of the Top 100 Lost 45s countdown, an annual staple since his days as a student DJ at Emerson College. The program will mark the 40th anniversary of the countdown, and its last.

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Oh, Scott will continue to host his weekly show. At 61, he sounds as youthfully exuberant as you remember. It’s just time to lay the annual countdown to rest, he says.

“The fact that it survived this long is really just a testament to the listeners,” Scott says. “Because virtually every program director I ever worked with eventually hated the show.” That’s because Scott is unabashed about lending airtime to some of the listening public’s most egregious lapses in judgment.

Not that every song in the Lost 45s canon is bad. Who among us can resist the unfettered joys of Cher’s “Dark Lady”?

But an alarming number of the songs Scott plays fall into the “so bad, they’re good” category. That’s the beauty of the Lost 45s, he says. They trigger memories you may have forgotten you had.

Take the two songs mentioned above, by the Eagles and Queen.

“There are a trillion memories associated with those songs, because they’ve never left the radio,” Scott says. “But there’s really only one memory of [Alan O’Day’s] ‘Undercover Angel,’ and that was when I was 14 and I thought, ‘Is this song dirty?’”

Some songs, having enjoyed a resurgence, have rendered themselves ineligible for the Lost 45s countdown. No one was playing ABBA when that group’s “Dancing Queen” topped the annual list in the mid-1990s, Scott claims. Then the “Mamma Mia!” musical and film made the Swedish group a household name all over again.

Lots of other songs — 30 or 40, Scott says — have appeared on every countdown since the beginning, simultaneously confirming their long wallow in obscurity and the extent to which the Lost 45s diehards love them. “Billy, Don’t Be a Hero,” for one. “The Night Chicago Died.” “Rock Me Gently.”

The idea for the countdown began when Scott was still an undergrad, hosting a radio program called “The Gold Rush” that was initially heard only in Emerson’s dorms, on the college’s AM radio station. Scott, who grew up in Connecticut dreaming of being a disc jockey, devoted each show to a pop theme of the past — girl groups, say, or ‘50s rockers.

Each show, he’d present one Lost 45, usually drawn from his childhood in the early 1970s. Eventually, after graduating to the college’s FM station, WERS, he realized that the Lost 45s were the segment of the show that the audience engaged with most.

The first Labor Day countdown took place in 1985, when Scott was a senior. The number one most requested song that year was 1973′s “Heartbeat — It’s a Lovebeat” by the DeFranco Family. Terry Jacks’s maudlin ballad “Seasons in the Sun” (1974) holds the Lost 45s record, topping the countdown five times.

Though his loyal listeners lean heavily toward a certain age (middle and up), Scott says he has picked up some younger fans in recent years, largely due to the tongue-in-cheek popularity of “yacht rock.” It’s a concept after his own heart, but Scott isn’t a big fan: Like most other radio programming, the soft-rock renaissance tends to rely too heavily on a tight rotation of standbys for his taste.

“We dig deeper, always,” he says. “We’ll play a song that peaked at number 40, or barely made the Hot 100. We started calling them ‘shuddabeens.’”

Some of those songs, he says with a touch of pride, have enjoyed renewed interest because of his support. As an example, he names “It’s a Crying Shame” by the late Gayle McCormick, formerly of the LA group Smith.

That song was a modest hit, number 44, in 1971. To Scott, however, “It’s a stone cold smash.”

James Sullivan can be reached at [email protected] .

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