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Creature Features: 8 Vampire Movies to Watch This Halloween

All sorts of things go bump in the night. Ghosts, ghouls, werewolves, witches — creatures that haunt our nightmares and ignite our imaginations. Then, there are vampires. These denizens of the dark hold a special place in human history; our ancestors were genuinely afraid to travel when the sun was down, lest vampires bleed them dry. Entire communities feared bats and wolves, believing them to be bloodsuckers in disguise. Vampire hunting  became a legitimate profession in 18th century Europe. We really can’t overstate how much these monsters have messed with our minds over the years.

Maybe that’s why vampires have experienced so much success on the big screen. Vampires have frightened and excited audiences for decades — changing with the times and reflecting some of our darkest desires. As much as we dread these creatures of the night, there’s a small part of us that’s utterly fascinated with them.

Spooky season is in full swing this year, and many of us will participate in the festivities at home. Looking for a way to liven up the night? Here are eight iconic vampire movies to watch this Halloween.

Nosferatu (1922)

Nosferatu: A Symphony of Horror  (or Nosferatu, eine Symphonie des Grauens  in German) is a staple of the horror genre. This German Expressionist masterpiece was helmed by director F. W. Murnau and stars Max Schreck as the infamous Count Orlok.

Special effects and robust film sets weren’t exactly a thing in the early 20th century. Murnau instead relied on mind-bending camera angles, striking shadows and innovative set design to scare audiences. This film’s impact on the history of cinema can’t be exaggerated — many horror film franchises likely wouldn’t exist if Nosferatu  hadn’t crept onto the scene and paved the way.

Dracula (1931)

Nosferatu’s  popularity spread across Europe like wildfire. It didn’t take long for American filmmakers to catch wind of F.W. Murnau’s success either. But here’s the thing: Nosferatu was essentially an adaptation of Bram Stoker’s Dracula   — one that Murnau filmed without permission. Stoker’s wife successfully sued Murnau and Nosferatu  was pulled from theaters. Enter Universal Pictures, which paid approximately $40,000 for the rights to adapt Dracula . Garrett Fort penned the script while Tod Browning took the director’s chair. Bela Lugosi was cast as the titular prince of darkness, and the rest is cinematic history.

Dracula  is a genuinely terrifying landmark film. When many people think of Count Dracula, they think about Lugosi’s chilling performance. Universal’s adaptation takes plenty of inspiration from Nosferatu . However, Dracula is not a silent film; characters deliver their lines either with palpable dread or devilish delight. “Talkies” had only recently hit theaters in the early 1900s. Dracula helped legitimize sound films and reshape the movie industry.

Dracula/The Horror of Dracula (1958)

Similar to sound films, Technicolor movies were also relative rarities in the early 20th century. Films were primarily shot on black and white stock, and filmgoers were accustomed to greyscale pictures. The opposite was true by the 1950s, which is when The Horror of Dracula  hit the scene. Hammer Films spared no expense when it adapted Bram Stoker’s timeless tale; special effects and ornate gothic sets were specifically created for this film. The Horror of Dracula  is also a much more visceral visual experience due to being shot in color.

We’d be remiss not to praise Christopher Lee’s performance as Count Dracula; he aimed to play the character as a “heroic, erotic and romantic”  figure — one that was just as mystifying as he was terrifying. Lee’s good friend Peter Cushing starred as Doctor Van Helsing, further elevating the film. And The Horror of Dracula  revealed something truly harrowing about vampires: they were dark reflections  of human nature.

Blacula (1972)

The United States’ counterculture movement gathered momentum in the 1960s and persisted well into the 1970s. People vocalized dissatisfaction with the government, civil rights initiatives swept the nation and artists used their platforms to critique the powers that be. The Blaxploitation films of the 1970s echoed these sentiments, challenging decades-old stereotypes  that were (and still are) imposed on the Black community. Blacula  is precisely what its name implies; an adaptation of Stoker’s tale made primarily for Black people by Black people.

The late William Marshall portrays Prince Mamuwalde, a Nigerian man who asked the original Count Dracula (Charles Macaulay) to intervene during the transatlantic slave trade. For his trouble, Prince Mamuwalde was transformed into Blacula, sealed in a coffin and transported to America. Indeed, Count Blacula is a tragic anti-villain; he was stripped of his identity, taken from his homeland and left to fend for himself in a hostile environment. Allegorical, innovative and genuinely frightening, Blacula is worth a watch — and post-screening analysis.

The Lost Boys (1987)

Drugs, sex, rock n’ roll and excess are hallmarks of the 1980s  — hallmarks that naturally found their way into ’80s cinema. The Lost Boys  epitomizes this trend; “It’s fun to be a vampire” is the film’s tagline, and that sentiment is more than reinforced throughout its runtime. Vampires are ageless, powerful, beautiful beings who live by their own rules and party like rockstars in The Lost Boys. That’s the scariest part about this film — how enticing vampirism can seem on the surface.

The Lost Boys can also be viewed as a metacommentary of the 1980s. Vampirism is an analogy for the excess and hedonism of the decade. Just like it seemed “fun to be a vampire,” it also seemed fun to be a hard-partying rockstar. Spellbinding performances by a committed cast, strong directing by Joel Schumacher and a compelling script helped The Lost Boys break new ground. Vampires weren’t just creepy anymore. They were also undeniably cool.

Blade (1998)

You can’t talk about cool vampire movies without giving Blade  its due. The 1990s were an incredibly experimental time for the film industry; spec scripts were being produced by the dozens and comic book adaptations were becoming much more prevalent. Marv Wolfman and Gene Colan created Blade in 1973 for Marvel Comics. At last, in 1998, Wesley Snipes would bring the Daywalker to life on the big screen. Directed by Stephen Norrington and written by David S. Goyer, Blade  redefined what superhero movies  and vampire films could be. Action, horror, pathos and even a bit of comedy are seamlessly woven into this film.

Though Blade  was initially overlooked when it premiered, the film has since been recognized for setting several precedents. It’s one of the first Black superhero movies to achieve widespread critical and commercial success, grossing $131.2 million off of a $45 million budget. Blade  also paved the way for many of the superhero films that have become commonplace today; it’s not a stretch to suggest that Sam Raimi’s Spider-Man  trilogy, the Underworld franchise and even the Marvel Cinematic Universe wouldn’t exist if Blade  hadn’t resonated with audiences. Lastly, this film proved that vampires could transcend genres; Blade  is more of an action film than a horror flick, and we wouldn’t have it any other way.

Twilight (2008)

Hate it or love it, Twilight’s  impact on cinema is undeniable. This adaptation of Stephanie Meyer’s 2005 novel was an international phenomenon in its heyday. It focused solely on the romantic aspects of vampirism  — living forever, being young forever and loving forever. If reading that sentence was painful for you, imagine how excruciating it was to write. 

Personal feelings aside, Twilight is an iconic film in its own right. It spawned four sequels, launched numerous careers and kept vampires at the forefront of our collective imagination from 2008 to 2012. Even Burger King  got in on the Team Edward vs. Team Jacob debacle. Twilight  ultimately proved that there was still a thriving, thirsting market for vampire films in the 21st century.

Blood Red Sky (2021)

We end with Blood Red Sky, a British-German Netflix film  that’s equal parts graphic, terrifying and heart-wrenching. The film follows Nadja and her son Elias as they try to survive aboard a hijacked airplane. Discussing this film in detail without spoiling it is virtually impossible, but we can say this: Blood Red Sky  focuses on the toll that vampirism would exact on a person’s family, community and mental state. Scenes unfold at an intentionally deliberate pace. Minor characters and extras are treated with a degree of respect that we don’t often see.

In many ways, Blood Red Sky is the culmination of the vampire films that precede it; there are genuine scares here, alongside meta-commentary, dazzling action scenes and genuine pathos. Blood Red Sky  proves that vampire films can make viewers cry — not out of fear, but out of true remorse.

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18 Demonic Films to Stoke Your Satanic Panic

Movies to watch while your mother sews socks in hell..

Demons can be a little hard to define, and sometimes in horror the term is us ed as a catch-all for anything that isn’t a ghost, werewolf, witch, vampire, or other readily definable monster. Satan is sometimes in the mix , but only sometimes.

The one constant, at least in the movies: A demon is an independent entity up to no good. It generally manifests from some other place that may or may not be what some religions think of as h ell; often, they can possess us poor mortals and force us to do their bidding and/or say very bad swears. Sometimes they’re horrific in appearance (who’s to judge?), though they can also look a bit like Megan Fox, or dress in a very smart top hat and cape like our gentle friend the Babadook . Though they typically present as pure evil, the most interesting movies tend to suggest that the real demons are the metaphorical ones inside of us all . W hether the power of Christ compels you to open HBO Max or you’re feeling like it’s an excellent day for an exorcism, here are a handful of demonic films to stoke your satanic panic in the lead- up to Halloween .

Night of the Demon (1957)

Ambiguity elevates Night of the Demon , helping to make of it something a bit more than its lurid title (and budget) would suggest. Based on an M. R. James story and directed by the great Jacques Tourneur ( Cat People ), it tells of an American psychologist tasked with investigating a Satanic cult in England and helping determine if its members are culpable in a handful of deaths. Though it employs a simple but effective demon special effect, the film never really tips its hand: either the cult is summoning actual demons, or they’re manipulating their victims into believing that they are. Ultimately, it doesn’t much matter; the outcome is the same. ( Martin Scorsese put together a list of his 11 favorite scary movies for The Daily Beast a few years back, and this one made the cut .)

Where to stream: AMC+, Fandor

The Exorcist (1973)

Well obviously, though i t’s tempting to give this spot to the surprisingly good Exorcist III , if only to draw attention to that quieter but very smart sequel. B ut no, there’s a reason William Friedkin’s classic remains the ne plus ultra of demonic possession films : equalled on occasion, perhaps, but certainly never eclipsed . So many of its best scenes have been imitated and parodied for so long that they may have lost some of their power to shock, but the overall experience is as raw and disturbing as ever it was.

Burnt Offerings (1977)

Look, it’s a great deal: a giant, if slightly creepy, old mansion comes up for rent just as you and your family find yourselves in need of a break from city life. The admittedly weird owners are letting the place go for the whole summer for a song, and its remote location means that you won’t be bothered by anything or anyone. What’s the catch, you ask? Well, you’re just going to have to feed mother, who refuses to leave her cozy nook in the attic—but she’s Academy Award- winning screen legend Eileen Heckart! Seriously, what could go wrong?

Though the set-up is stock, the movie builds slowly and goes in some unexpected directions (seriously, never agree to feed your Airbnb host ’s mother). Dark Shadows creator Dan Curtis directed and co-wrote , and the cast is pretty amazing: not just Heckart, but Karen Black, Oliver Reed, Burgess Meredith, and (deep in her horror-movie phase) Ms. Bette Davis herself appear .

Where to stream: AMC+

The Beyond (1981)

The plot of The Beyond is, well, rather beside the point...but there’s something about a woman who inherits a New Orleans hotel that happens to sit on the gateway to hell. (In this real estate market, probably still worth it.) The selling point here is the involvement of director Lucio Fulci, concentrating all of his weirdest, goriest instincts into a brisk 90 minutes of oddly translated dialogue and cross-continental location work.

Where to stream: Shudder, Kanopy

Evil Dead II (1987)

I was tempted to put the gnarlier original here, and it would very much fit, but instead will let the slightly more polished sequel stand in for the entire series— including the more overtly comic Army of Darkness and even the more serious (but surprisingly good) 2013 reboot. This one, aside from being the cornerstone of the unlikely franchise, also nails down the mythology around the H.P. Lovecraft-inspired evil book the Necronomicon as well as the deadites, the parasitic demons who both possess human bodies and feed on souls.

Where to stream: HBO Max

Black Roses (1988)

Before vaccine microchips, parents worried about Satan lurking in the grooves of their kids’ heavy metal LPs. And pretty much everywhere else—people in the ‘ 80s were very worried about Satan. Thank goodness we’re beyond believing in whackadoo nonsense. Anyway. In Black Roses , the title band comes to a sleepy town and quickly wins over the initially apprehe nsive local parents with its utter squareness. Bad for them, because that’s just the lead-up to a series of increasingly metal performances that bring out the devil in the local teens. As a piece of filmmaking, this one is objectively pretty bad—but the original soundtrack, done by a bunch of the guys from King Kobra, is great, and feeds into the fun throwback vibe that makes it a fun watch .

Where to stream: Shudder

Def by Temptation (1990)

Two friends (Kadeem Hardison and writer/director James Bond III, no relation ) reunite in New York City. One is an actor living his best life in the city, while the other is deeply religious but in the midst of a crisis of faith. Into his dark night of the soul steps a succubus on the hunt for unfaithful men to punish—though, truth be told, she’s not all that picky. The stylish, jazz and hip-hop- infused film is a bloody, sex-filled classic of ‘ 90s Black-led horror.

Where to stream: Shudder, AMC+

Jacob’s Ladder (1990)

Satan’s minion s are often deployed in the service of metaphor , but rarely more explicitly so than in Adrian Lyne’s story of a troubled Vietnam veteran (Tim Robbins) who finds his life increasingly disrupted by demonic entities. It’s a experience that’s almost as emotionally exhausting for the viewer as it is for the lead character, and I mean that as a compliment: This is a well-acted character study with a heavy side existential dread—and a gut punch of an ending, even once you know the fabled twist .

Where to stream: fuboTV, Epix

Nightbreed (1990)

Clive Barker’s fantasy revolves round the blood of the demon Baphomet, deity to the Nightbreed and the being whose blood grants access to their underground society. Craig Sheffer gladly partakes while escaping a series of murders that he’s pretty sure he committed. Barker’s “what if monsters were good and people are bad” parable is a little on the nose, perhaps, but as a dark fairytale, it works, and especially as a riff on queerness. ( For a more straightforward horror experience, you can always opt for Barker’s Hellraiser , with its demon-adjacent cenobites.)

Where to stream: Shudder, Peacock, Shudder, VRV

Demon Knight (1995)

It’s no art film, but Demon Knight (aka Tales From the Crypt Presents: Demon Knight ) is a fun survivors-under-siege action/horror movie with Billy Zane as a powerful demon on the hunt for an ancient key capable of triggering the apocalypse (he plays the role with just a hair less camp than he’d br ing to Titanic a couple years later). Cinematographer and long-time Spike Lee-collaborator Ernest Dickerson directs the film with plenty of style and great practical effects, and it’s always fun to watch Jada Pinkett Smith kick ass.

Where to stream: Starz

Constantine (2005)

Bringing Keanu Reeves in to play the comics’ quintessentially British demon hunter was...a choice, as was stripping him of most of his politics. Nevermind. He ’s not the comic book character, but nobody can keep a straight face throughout a demonic possession action movie like Reeves. And this is an action movie, first and foremost, but a well-made and generally entertaining one that’s developed a bit of a cult following. Typically, demons in films have the upper hand, and, if they’re overcome, it’s just barely. Constantine lets us imagine a scenario in which The Exorcist is also John Wick , angels look like Tilda Swinton, and Satan is a schlubby Peter Stormare

Where to stream: HBOMax

Noroi: The Curse (2005)

Though it came out in Japan in 2005, Noroi didn’t get American release until years later, by which point found footage-style movies had become so ubiquitous (and developed such a mixed reputation) that it didn’t make much of a splash. Luckily, this one’s finally getting its moment in the sun via an official US release on Shudder. The premise involves documentary filmmaker Masafumi Kobayashi’s efforts to film and understand a series of strange occurrences that tie, somehow, to a demon named Kagutaba. H is footage is presented as a completed documentary by a professional journalist, so we avoid a lot of the traditional shaky-cam shenanigans. The movie’s on the long side, and its brand of slow build isn’t for everyone, but assembles the disparate pieces of its central mystery with care , building to a climax that feels both unexpected and i nevitable.

Jennifer’s Body (2009)

Jennifer’s Body flopped on its initial release b ack in 2009, in part for reasons that only underscore the movie’s themes: while writer Diablo Cody’s follow-up to Juno was intended as a feminist riff on high school horror, it was marketed as a showcase for Megan Fox’s hotness. The story of two friends, one mousy and the other a deadly succubus, is told entirely from a female perspective (still rare for a slasher movie), and the movie’s darkly funny dialogue is a cut above. It’s mixed reputation is exemplified in the places you can currently stream it: It’s available on both the jumble sale that it IMDb TV and the highly cura ted, definitely highbrow Criterion Channel.

Where to stream: The Criterion Channel, IMDb TV

Insidious (2010)

Part of the one-two punch of James Wan’s old-school haunted house revival (along with the even more successful Conjuring series ), Insidious has a couple of things that set it apart: first, a clever, pseudo-scientific internal mythology suggesting that the demonic creatures haunting the central family don’t come from a literal hell but rather a particularly funky parallel universe (a “fact” used to fun effect in the sequel). Second, i t’s also got the great Lin Shaye, who takes over entirely as the series progresses in her role as Elise Rainier, one of the most quietly formidable characters in horror, and definitely the woman you’d want to call if your house were possessed by other-dimensional demons.

Where to stream: Sling TV

The Babadook (2014)

To some audiences, The Babadook is the story of stressed out Amelia, trying to raise her son following the death of her husband even as the titular demonic entity gradually encroaches on their lives, past trauma and the trials of single motherhood made horrific flesh . To other viewers, Mr. Babadook is a nattily dressed avatar for queerness (jazz hands always at the ready), brought into existence when Amelia discovers a book about the entity on her son’s shelf. Destroy the book and suppress all she likes, Amelia will never quite banish the idea from her son’s innocent little life . Good try though mom!

Under the Shadow (2016)

Unlike the often cute depictions of genies in western films, traditional jinns are a bit more formidable—though neither inherently good nor evil, they represent a class of being apart from humanity. And when they’re bad, they’re very, very bad. Set during the War of the Cities in 1980s Iran, Babak Anvari’s unusually scary film blends supernatural horror with daily life in war-torn Tehran.

Where to stream: Netflix, Kanopy

Hereditary (2018)

Every few years a horror movie breaks through the critical opprobrium that so often attaches to the genre generally—usually one with just the right combination of arthouse gloss and uniqueness. Prestige horror, it’s sometimes called— and the movies selected for praise are often fairly tame, even if well-acted and directed. Hereditary , on the other hand, is absolutely bonkers , and I say that with tremendous enthusiasm . It’s not a good movie to know too much about going in , except that it revolves around a family that seems to be both literally cursed, as well as afflicted with generational mental illness. There’s a demon king in there somewhere too , but again, best to go in not knowing too much, so it can really knock your head off.

Where to stream: fuboTV, Showtime, Kanopy

Daniel Isn’t Real (2019)

Look, we all have imaginary friends (right?), but when it gets to the point that your invisible pal convinces you to try to kill your mom , maybe it’s time to rethink that relationship. Young Luke does just that, locking away “Daniel” for years , until the pressures of college and his mother’s deteriorating mental state lead him to seek solace in his cool, confident alter ego. If saying so here isn’t a spoiler, it turns out that Daniel is a bit more than just a manifestation of Luke’s inner turmoil, but the movie nonetheless makes a decent stab at dramatizing the spiraling loss of control and vulnerability related to certain forms of mental illness.

Where to stream: Prime Video, Shudder, Tubi, Kanopy, AMC+, The Roku Channel

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• Ghost: do Outro Lado da Vida - Unchained Melody

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Whoa! My love, my darling, I hunger for your touch, Alone. Lonely time. And time goes by, so slowly, And time can do so much, Are you still mine? I need your love. I need your love. God speed your love to me.

Lonely rivers flow to the sea, to the sea, To the open arms of the sea. Lonely rivers sigh, wait for me, wait for me, I'll be coming home, wait for me.

Whoa! My love, my darling, I hunger, hunger!, for your love, For love. Lonely time. And time goes by, so slowly, And time can do so much, Are you still mine? I need your love. I need your love. God speed your love to me

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• Ghost: do Outro Lado da Vida - Unchained Melody

Ghost: do Outro Lado da Vida - Unchained Melody (Tradução)

Whoa! My love, my darling, Whoa! My love, my darling, Whoa! Meu amor, minha querida, I hunger for your touch, I hunger for your touch, Eu desejo seu toque, Alone. Lonely time. Alone. Lonely time. Sozinho.tanto Tempo só. And time goes by, so slowly, And time goes by, so slowly, E o tempo vai passando, tão lentamente, And time can do so much, And time can do so much, E o tempo pode fazer tanto, Are you still mine? Are you still mine? será que você ainda é minha? I need your love. I need your love. Eu preciso do seu amor. I need your love. I need your love. Eu preciso do seu amor God speed your love to me. God speed your love to me. Que deus traga seu amor a mim. Lonely rivers flow to the sea, to the sea, Lonely rivers flow to the sea, to the sea, Os rios só fluem ao mar,ao mar, To the open arms of the sea. To the open arms of the sea. aos braços abertos do mar Lonely rivers sigh, wait for me, wait for me, Lonely rivers sigh, wait for me, wait for me, Os rios sispiram,me espera,espera por mim, I'll be coming home, wait for me. I'll be coming home, wait for me. eu estou indo para casa,espera por mim. Whoa! My love, my darling, Whoa! My love, my darling, Whoa! Meu amor, minha querida, I hunger, hunger!, for your love, I hunger, hunger!, for your love, Eu desejo seu toque, For love. Lonely time. For love. Lonely time. Sozinho.tanto Tempo só. And time goes by, so slowly, And time goes by, so slowly, E o tempo vai passando, tão lentamente, And time can do so much, And time can do so much, E o tempo pode fazer tanto, Are you still mine? Are you still mine? será que você ainda é minha? I need your love. I need your love. Eu preciso do seu amor. I need your love. I need your love. Eu preciso do seu amor God speed your love to me God speed your love to me Que deus traga seu amor a mim.

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• Letra música do filme: ghost do outro lado da vida

letra música do filme: ghost do outro lado da vida

Oh my love, my darling I've hungered for your touch A long lonely time Time goes by so slowly and time can do so much Are you still mine? I need your love I need your love God speed your love to me Lonely rivers flow to the sea To the sea To the open arms of the sea yeah Lonely rivers sigh "Wait for me" Wait for me I'll be coming home Wait for me Oh my love, my darling I've hungered, Hungered for your touch A long lonely time And time goes by so slowly And time can do so much Are you still mine I need your love, I, I need your love God speed your love to me

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Unchained Melody (Ghost - Do Outro Lado Da Vida) (Unchained Melody (Ghost - Do Outro Lado Da Vida) (Tradução) ) de Temas de Filmes

Tradução completa da música unchained melody (ghost - do outro lado da vida) para o português.

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• Letras de Música

Tradução - Unchained Melody (Tema do filme Ghost)

Meu amor, meu querido,

Eu tenho ansiado por seu toque,

Um longo tempo solitário.

E o tempo passa, tão lentamente,

E o tempo pode fazer tanto.

Você ainda é meu?

Eu preciso do seu amor,

Eu preciso do seu amor.

Deus, mande depressa teu amor para mim.

Rios solitários fluem para o mar, para o mar,

Para os braços abertos do mar.

Rios solitários suspiram,

Espere por mim, espere por mim,

Estarei chegando em casa, espere por mim.

Eu tenho ansiado, ansiado por seu amor,